bottle I can hand it back to him and he can take his inside.'
From under the cloth was audible the enthusiastic smacking sound inspired by this suggestion. When a butler had appeared with bottles, glasses, and siphon one of the bottles was handed back; thereafter the silent partner could be heard imbibing long potations at frequent intervals.
Thus passed a benign hour. At ten o'clock Mr. Tate decided that they'd better be starting. He donned his clown's costume; Perry replaced the camel's head, arid side by side they traversed on foot the single block between the Tate house and the Tallyho Club.
The circus ball was in full swing. A great tent fly had been put up inside the ballroom and round the walls had been built rows of booths representing the various attractions of a circus side show, but these were now vacated and over the floor swarmed a shouting, laughing medley of youth and color--downs, bearded ladies, acrobats, bareback riders, ringmasters, tattooed men, and charioteers. The Townsends had determined to assure their party of success, so a great quantity of liquor had been surreptitiously brought over from their house and was now flowing freely. A green ribbon ran along the wall completely round the ballroom, with pointing arrows alongside and signs which instructed the uninitiated to 'Follow the green line!' The green line led down to the bar, where waited pure punch and wicked punch and plain dark-green bottles.
On the wall above the bar was another arrow, red and very wavy, and under it the slogan: 'Now follow this!'
But even amid the luxury of costume and high spirits represented, there, the entrance of the camel created something of a stir, and Perry was immediately surrounded by a curious, laughing crowd attempting to penetrate the identity of this beast that stood by the wide doorway eying the dancers with his hungry, melancholy gaze.
And then Perry saw Betty standing in front of a booth, talking to a comic policeman. She was dressed in the costume of an Egyptian snake-charmer: her tawny hair was braided and drawn through brass rings, the effect crowned with a glittering Oriental tiara. Her fair face was stained to a warm olive glow and on her arms and the half moon of her back writhed painted serpents with single eyes of venomous green. Her feet were in sandals and her skirt was slit to the knees, so that when she walked one caught a glimpse of other slim serpents painted just above her bare ankles. Wound about her neck was a glittering cobra. Altogether a charming costume--one that caused the more nervous among the older women to shrink away from her when she passed, and the more troublesome ones to make great talk about 'shouldn't be allowed' and 'perfectly disgraceful.'
But Perry, peering through the uncertain eyes of the camel, saw only her face, radiant, animated, and glowing with excitement, and her arms and shoulders, whose mobile, expressive gestures made her always the outstanding figure in any group. He was fascinated and his fascination exercised a sobering effect on him. With a growing clarity the events of the day came back--rage rose within him, and with a half-formed intention of taking her away from the crowd he started toward her--or rather he elongated slightly, for he had neglected to issue the preparatory command necessary to locomotion.
But at this point fickle Kismet, who for a day had played with him bitterly and sardonically, decided to reward him in full for the amusement he had afforded her. Kismet turned the tawny eyes of the snake-charmer to the camel. Kismet led her to lean toward the man beside her and say, 'Who's that? That camel?'
'Darned if I know.'
But a little man named Warburton, who knew it all, found it necessary to hazard an opinion:
'It came in with Mr. Tate. I think part of it's probably Warren Butterfield, the architect from New York, who's visiting the Tates.'
Something stirred in Betty Medill--that age-old interest of the provincial girl in the visiting man.
'Oh,' she said casually after a slight pause.
At the end of the next dance Betty and her partner finished up within a few feet of the camel. With the informal audacity that was the key-note of the evening she reached out and gently rubbed the camel's nose.
'Hello, old camel.'
The camel stirred uneasily.
'You 'fraid of me?' said Betty, lifting her eyebrows in reproof. 'Don't be. You see I'm a snake-charmer, but I'm pretty good at camels too.'
The camel bowed very low and some one made the obvious remark about beauty and the beast.
Mrs. Townsend approached the group.
'Well, Mr. Butterfield,' she said helpfully, 'I wouldn't have recognised you.'
Perry bowed again and smiled gleefully behind his mask.
'And who is this with you?' she inquired.
'Oh,' said Perry, his voice muffled by the thick cloth and quite unrecognizable, 'he isn't a fellow, Mrs. Townsend. He's just part of my costume.'
Mrs. Townsend laughed and moved away. Perry turned again to Betty,
'So,' he thought, 'this is how much she cares! On the very day of our final rupture she starts a flirtation with another man--an absolute stranger.'
On an impulse he gave her a soft nudge with his shoulder and waved his head suggestively toward the hall, making it clear that he desired her to leave her partner and accompany him.
'By-by, Rus,' she called to her partner. 'This old camel's got me. Where we going, Prince of Beasts?'
The noble animal made no rejoinder, but stalked gravely along in the direction of a secluded nook on the side stairs.
There she seated herself, and the camel, after some seconds of confusion which included gruff orders and sounds of a heated dispute going on in his interior, placed himself beside her--his hind legs stretching out uncomfortably across two steps.
'Well, old egg,' said Betty cheerfully, 'how do you like our happy party?'
The old egg indicated that he liked it by rolling his head ecstatically and executing a gleeful kick with his hoofs.
'This is the first time that I ever had a tete-a-tete with a man's valet 'round'--she pointed to the hind legs--'or whatever that is.'
'Oh,' mumbled Perry, 'he's deaf and blind.'
'I should think you'd feel rather handicapped--you can't very well toddle, even if you want to.'
The camel hang his head lugubriously.
'I wish you'd say something,' continued Betty sweetly. 'Say you like me, camel. Say you think I'm beautiful. Say you'd like to belong to a pretty snake-charmer.'
The camel would.
'Will you dance with me, camel?'
The camel would try.
Betty devoted half an hour to the camel. She devoted at least half an hour to all visiting men. It was usually sufficient. When she approached a new man the current debutantes were accustomed to scatter right and left like a close column deploying before a machine-gun. And so to Perry Parkhurst was awarded the unique privilege of seeing his love as others saw her. He was flirted with violently!
IV
This paradise of frail foundation was broken into by the sounds of a general ingress to the ballroom; the cotillion was beginning. Betty and the camel joined the crowd, her brown hand resting lightly on his shoulder, defiantly symbolizing her complete adoption of him.
When they entered the couples were already seating themselves at tables round the walls, and Mrs. Townsend, resplendent as a super bareback rider with rather too rotund calves, was standing in the centre with the ringmaster in charge of arrangements. At a signal to the band every one rose and began to dance.
'Isn't it just slick!' sighed Betty. 'Do you think you can possibly dance?'
Perry nodded enthusiastically. He felt suddenly exuberant. After all, he was here incognito talking to his love--he could wink patronizingly at the world.
So Perry danced the cotillion. I say danced, but that is stretching the word far beyond the wildest dreams
