just slightly cracked in the front, which, as all careless book returners know, makes a book unsalable, and therefore second-hand.
Nevertheless by six o'clock he had done much to repair the damage. He had returned the books to their original places, swept the floor, and put new lights in the sockets overhead. The red shade itself was ruined beyond redemption, and Merlin thought in some trepidation that the money to replace it might have to come out of his salary. At six, therefore, having done the best he could, he crawled over the front window display to pull down the blind. As he was treading delicately back, he saw Mr. Moonlight Quill rise from his desk, put on his overcoat and hat, and emerge into the shop. He nodded mysteriously at Merlin and went toward the door. With his hand on the knob he paused, turned around, and in a voice curiously compounded of ferocity and uncertainty, he said:
'If that girl comes in here again, you tell her to behave.'
With that he opened the door, drowning Merlin's meek 'Yessir' in its creak, and went out.
Merlin stood there for a moment, deciding wisely not to worry about what was for the present only a possible futurity, and then he went into the back of the shop and invited Miss Masters to have supper with him at Pulpat's French Restaurant, where one could still obtain red wine at dinner, despite the Great Federal Government. Miss Masters accepted.
'Wine makes me feel all tingly,' she said.
Merlin laughed inwardly as he compared her to Caroline, or rather as he didn't compare her. There was no comparison.
II
Mr. Moonlight Quill, mysterious, exotic, and oriental in temperament was, nevertheless, a man of decision. And it was with decision that he approached the problem of his wrecked shop. Unless he should make an outlay equal to the original cost of his entire stock--a step which for certain private reasons he did not wish to take--it would be impossible for him to continue in business with the Moonlight Quill as before. There was but one thing to do. He promptly turned his establishment from an up-to-the-minute book-store into a second-hand bookshop. The damaged books were marked down from twenty-five to fifty per cent, the name over the door whose serpentine embroidery had once shone so insolently bright, was allowed to grow dim and take on the indescribably vague color of old paint, and, having a strong penchant for ceremonial, the proprietor even went so far as to buy two skull-caps of shoddy red felt, one for himself and one for his clerk, Merlin Grainger. Moreover, he let his goatee grow until it resembled the tail-feathers of an ancient sparrow and substituted for a once dapper business suit a reverence-inspiring affair of shiny alpaca.
In fact, within a year after Caroline's catastrophic visit to the bookshop the only thing in it that preserved any semblance of being up to date was Miss Masters. Miss McCracken had followed in the footsteps of Mr. Moonlight Quill and become an intolerable dowd.
For Merlin too, from a feeling compounded of loyalty and listlessness, had let his exterior take on the semblance of a deserted garden. He accepted the red felt skull-cap as a symbol of his decay. Always a young man known, as a 'pusher,' he had been, since the day of his graduation from the manual training department of a New York High School, an inveterate brusher of clothes, hair, teeth, and even eyebrows, and had learned the value of laying all his clean socks toe upon toe and heel upon heel in a certain drawer of his bureau, which would be known as the sock drawer.
These things, he felt, had won him his place in the greatest splendor of the Moonlight Quill. It was due to them that he was not still making 'chests useful for keeping things,' as he was taught with breathless practicality in High School, and selling them to whoever had use of such chests--possibly undertakers. Nevertheless when the progressive Moonlight Quill became the retrogressive Moonlight Quill he preferred to sink with it, and so took to letting his suits gather undisturbed the wispy burdens of the air and to throwing his socks indiscriminately into the shirt drawer, the underwear drawer, and even into no drawer at all. It was not uncommon in his new carelessness to let many of his clean clothes go directly back to the laundry without having ever been worn, a common eccentricity of impoverished bachelors. And this in the face of his favorite magazines, which at that time were fairly staggering with articles by successful authors against the frightful impudence of the condemned poor, such as the buying of wearable shirts and nice cuts of meat, and the fact that they preferred good investments in personal jewelry to respectable ones in four per cent saving-banks.
It was indeed a strange state of affairs and a sorry one for many worthy and God-fearing men. For the first time in the history of the Republic almost any negro north of Georgia could change a one-dollar bill. But as at that time the cent was rapidly approaching the purchasing power of the Chinese ubu and was only a thing you got back occasionally after paying for a soft drink, and could use merely in getting your correct weight, this was perhaps not so strange a phenomenon as it at first seems. It was too curious a state of things, however, for Merlin Grainger to take the step that he did take--the hazardous, almost involuntary step of proposing to Miss Masters. Stranger still that she accepted him.
It was at Pulpat's on Saturday night and over a $1.75 bottle of water diluted with
'Wine makes me feel all tingly, doesn't it you?' chattered Miss Masters gaily.
'Yes,' answered Merlin absently; and then, after a long and pregnant pause: 'Miss Masters--Olive--I want to say something to you if you'll listen to me.'
The tingliness of Miss Masters (who knew what was coming) increased until it seemed that she would shortly be electrocuted by her own nervous reactions. But her 'Yes, Merlin,' came without a sign or flicker of interior disturbance. Merlin swallowed a stray bit of air that he found in his mouth.
'I have no fortune,' he said with the manner of making an announcement. 'I have no fortune at all.'
Their eyes met, locked, became wistful, and dreamy and beautiful.
'Olive,' he told her, 'I love you.'
'I love you too, Merlin,' she answered simply. 'Shall we have another bottle of wine?'
'Yes,' he cried, his heart beating at a great rate. 'Do you mean--'
'To drink to our engagement,' she interrupted bravely. 'May it be a short one!'
'No!' he almost shouted, bringing his fist fiercely down upon the table. 'May it last forever!'
'What?'
'I mean--oh, I see what you mean. You're right. May it be a short one.' He laughed and added, 'My error.'
After the wine arrived they discussed the matter thoroughly.
'We'll have to take a small apartment at first,' he said, 'and I believe, yes, by golly, I know there's a small one in the house where I live, a big room and a sort of a dressing-room-kitchenette and the use of a bath on the same floor.'
She clapped her hands happily, and he thought how pretty she was really, that is, the upper part of her face--from the bridge of the nose down she was somewhat out of true. She continued enthusiastically:
'And as soon as we can afford it we'll take a real swell apartment, with an elevator and a telephone girl.'
'And after that a place in the country--and a car.'
'I can't imagine nothing more fun. Can you?'
Merlin fell silent a moment. He was thinking that he would have to give up his room, the fourth floor rear. Yet it mattered very little now. During the past year and a half--in fact, from the very date of Caroline's visit to the Moonlight Quill--he had never seen her. For a week after that visit her lights had failed to go on--darkness brooded out into the areaway, seemed to grope blindly in at his expectant, uncurtained window. Then the lights had appeared at last, and instead of Caroline and her callers they stowed a stodgy family--a little man with a bristly mustache and a full-bosomed woman who spent her evenings patting her hips and rearranging bric-a-brac. After two days of them Merlin had callously pulled down his shade.
No, Merlin could think of nothing more fun than rising in the world with Olive. There would be a cottage in a suburb, a cottage painted blue, just one class below the sort of cottages that are of white stucco with a green roof. In the grass around the cottage would be rusty trowels and a broken green bench and a baby-carriage with a wicker body that sagged to the left. And around the grass and the baby-carriage and the cottage itself, around his whole world there would be the arms of Olive, a little stouter, the arms of her neo-Olivian period, when, as she walked, her cheeks would tremble up and down ever so slightly from too much face-massaging. He could hear her
