Tales of the Jazz Age

voice now, two spoons' length away:

'I knew you were going to say this to-night, Merlin. I could see--'

She could see. Ah--suddenly he wondered how much she could see. Could she see that the girl who had come in with a party of three men and sat down at the next table was Caroline? Ah, could she see that? Could she see that the men brought with them liquor far more potent than Pulpat's red ink condensed threefold?...

Merlin stared breathlessly, half-hearing through an auditory ether Olive's low, soft monologue, as like a persistent honey-bee she sucked sweetness from her memorable hour. Merlin was listening to the clinking of ice and the fine laughter of all four at some pleasantry--and that laughter of Caroline's that he knew so well stirred him, lifted him, called his heart imperiously over to her table, whither it obediently went. He could see her quite plainly, and he fancied that in the last year and a half she had changed, if ever so slightly. Was it the light or were her cheeks a little thinner and her eyes less fresh, if more liquid, than of old? Yet the shadows were still purple in her russet hair; her mouth hinted yet of kisses, as did the profile that came sometimes between his eyes and a row of books, when it was twilight in the bookshop where the crimson lamp presided no more.

And she had been drinking. The threefold flush in her cheeks was compounded of youth and wine and fine cosmetic--that he could tell. She was making great amusement for the young man on her left and the portly person on her right, and even for the old fellow opposite her, for the latter from time to time uttered the shocked and mildly reproachful cackles of another generation. Merlin caught the words of a song she was intermittently singing--

'Just snap your fingers at care, Don't cross the bridge 'til you're there--'

The portly person filled her glass with chill amber. A waiter after several trips about the table, and many helpless glances at Caroline, who was maintaining a cheerful, futile questionnaire as to the succulence of this dish or that, managed to obtain the semblance of an order and hurried away....

Olive was speaking to Merlin--

'When, then?' she asked, her voice faintly shaded with disappointment. He realized that he had just answered no to some question she had asked him.

'Oh, sometime.'

'Don't you--care?'

A rather pathetic poignancy in her question brought his eyes back to her.

'As soon as possible, dear,' he replied with surprising tenderness. 'In two months--in June.'

'So soon?' Her delightful excitement quite took her breath away.

'Oh, yes, I think we'd better say June. No use waiting.'

Olive began to pretend that two months was really too short a time for her to make preparations. Wasn't he a bad boy! Wasn't he impatient, though! Well, she'd show him he mustn't be too quick with her. Indeed he was so sudden she didn't exactly know whether she ought to marry him at all.

'June,' he repeated sternly.

Olive sighed and smiled and drank her coffee, her little finger lifted high above the others in true refined fashion. A stray thought came to Merlin that he would like to buy five rings and throw at it.

'By gosh!' he exclaimed aloud. Soon he would be putting rings on one of her fingers.

His eyes swung sharply to the right. The party of four had become so riotous that the head-waiter had approached and spoken to them. Caroline was arguing with this head-waiter in a raised voice, a voice so clear and young that it seemed as though the whole restaurant would listen--the whole restaurant except Olive Masters, self-absorbed in her new secret.

'How do you do?' Caroline was saying. 'Probably the handsomest head-waiter in captivity. Too much noise? Very unfortunate. Something'll have to be done about it. Gerald'--she addressed the man on her right--'the head-waiter says there's too much noise. Appeals to us to have it stopped. What'll I say?'

'Sh!' remonstrated Gerald, with laughter. 'Sh!' and Merlin heard him add in an undertone: 'All the bourgeoisie will be aroused. This is where the floorwalkers learn French.'

Caroline sat up straight in sudden alertness.

'Where's a floorwalker?' she cried. 'Show me a floorwalker.' This seemed to amuse the party, for they all, including Caroline, burst into renewed laughter. The head-waiter, after a last conscientious but despairing admonition, became Gallic with his shoulders and retired into the background.

Pulpat's, as every one knows, has the unvarying respectability of the table d'hote. It is not a gay place in the conventional sense. One comes, drinks the red wine, talks perhaps a little more and a little louder than usual under the low, smoky ceilings, and then goes home. It closes up at nine-thirty, tight as a drum; the policeman is paid off and given an extra bottle of wine for the missis, the coat-room girl hands her tips to the collector, and then darkness crushes the little round tables out of sight and life. But excitement was prepared for Pulpat's this evening--excitement of no mean variety. A girl with russet, purple-shadowed hair mounted to her table-top and began to dance thereon.

'Sacre nom de Dieu! Come down off there!' cried the head-waiter. 'Stop that music!'

But the musicians were already playing so loud that they could pretend not to hear his order; having once been young, they played louder and gayer than ever, and Caroline danced with grace and vivacity, her pink, filmy dress swirling about her, her agile arms playing in supple, tenuous gestures along the smoky air.

A group of Frenchmen at a table near by broke into cries of applause, in which other parties joined--in a moment the room was full of clapping and shouting; half the diners were on their feet, crowding up, and on the outskirts the hastily summoned proprietor was giving indistinct vocal evidences of his desire to put an end to this thing as quickly as possible.

'... Merlin!' cried Olive, awake, aroused at last; 'she's such a wicked girl! Let's get out--now!'

The fascinated Merlin protested feebly that the check was not paid.

'It's all right. Lay five dollars on the table. I despise that girl. I can't bear to look at her.' She was on her feet now, tagging at Merlin's arm.

Helplessly, listlessly, and then with what amounted to downright unwillingness, Merlin rose, followed Olive dumbly as she picked her way through the delirious clamor, now approaching its height and threatening to become a wild and memorable riot. Submissively he took his coat and stumbled up half a dozen steps into the moist April air outside, his ears still ringing with the sound of light feet on the table and of laughter all about and over the little world of the cafe. In silence they walked along toward Fifth Avenue and a bus.

It was not until next day that she told him about the wedding--how she had moved the date forward: it was much better that they should be married on the first of May.

III

And married they were, in a somewhat stuffy manner, under the chandelier of the flat where Olive lived with her mother. After marriage came elation, and then, gradually, the growth of weariness. Responsibility descended upon Merlin, the responsibility of making his thirty dollars a week and her twenty suffice to keep them respectably fat and to hide with decent garments the evidence that they were.

It was decided after several weeks of disastrous and well-nigh humiliating experiments with restaurants that they would join the great army of the delicatessen-fed, so he took up his old way of life again, in that he stopped every evening at Braegdort's delicatessen and bought potatoes in salad, ham in slices, and sometimes even stuffed tomatoes in bursts of extravagance.

Then he would trudge homeward, enter the dark hallway, and climb three rickety flights of stairs covered by an ancient carpet of long obliterated design. The hall had an ancient smell--of the vegetables of 1880, of the furniture polish in vogue when 'Adam-and Eve' Bryan ran against William McKinley, of portieres an ounce heavier with dust, from worn-out shoes, and lint from dresses turned long since into patch-work quilts. This smell would pursue him up the stairs, revivified and made poignant at each landing by the aura of contemporary cooking, then, as he began the next flight, diminishing into the odor of the dead routine of dead generations.

Eventually would occur the door of his room, which slipped open with indecent willingness and closed with almost a sniff upon his 'Hello, dear! Got a treat for you to-night.'

Olive, who always rode home on the bus to 'get a morsel of air,' would be making the bed and hanging