antiphon Sung verse. antistrophe The ‘counter-turn’, used as the second part of a triad in Pindaric Odes.
aphaeresis, aphaeretic The omission of a syllable at the beginning of a word: ’gainst, ’neath etc.
aphorism Wise saying, often witty. Like an epigram but with a more universal truth. An epigram could be made about the appearance of a particular bride at a wedding, say, but this would not be an aphorism unless its wit and truth held for any occasion.
apocope, apocopation An elision or omission of the final letter or syllable of a word, ‘i’the’ for ‘in the’, ‘seld’ for ‘seldom’ and the Chaucerian ‘bet’ for ‘better’ etc.
apostrophe Aside from the obvious reference to a punctuation mark, a moment when a poet turns to address some person, object or principle, often preceded by a (pro)vocative ‘O’, as in ‘O attic shape!’ as Keats liked to say to his favourite Grecian urns.
apothegm A short aphorism, q.v.
assonance, assonantal A repetition of vowel sounds either used internally, or as a partial rhyme q.v. ‘Most holy Pope’, ‘slurred first words’, etc.
asyndeton, asyndetic The omission of conjunctions, personal pronouns and other particles: ‘hoping see you tomorrow’, ‘not fond turkey, prefer goose,’ etc.
aubade A poetic celebration of dawn or a lament at daybreak’s interference with lovers and their private bliss e.g. Romeo and Juliet: ‘But soft what light at yonder window breaks?’, Donne’s ‘The Sun Rising’ etc. Also called an alba.
ballad Traditional verse form, often sung, usually in four-stress cross-rhyming quatrains, often alternating with three-stress lines. Not to be confused with ballade or salad q.v.
ballade Verse form of three stanzas, three rhymes and envoi: ababbabA ababbabA ababbabA babA.
bang, bang, bang–crash! Michael Alexander’s phrase describing the alliterative principle behind Anglo-Saxon verse. Three alliterated stresses followed by a non-alliterated one.
bathos, bathetic A (comic or pathetic) failure to achieve dignity, a banal anticlimax.
binary A metrical foot of two units: iambic, trochaic, spondaic or pyrrhic.
blank verse Non-rhyming verse: most often applied to iambic pentameter, such as that found in Shakespeare’s plays, Milton’s Paradise Lost and Wordsworth’s The Prelude.
burden A refrain, q.v.
cadence Lit. ‘falling’, the natural rhythm derived from accentuation, i.e. the rise and fall of stress. The sound that precedes a pause. caesura Of metrical verse: a pause or breath in mid line.
canto A series of long poems.
canzone A lyric poem, usually with envoi.
catalexis, catalectic Truncation: the docking of a final metrical unit, such as the last feminine syllable of a trochaic line.
cataplexis, cataplectic Hardly relevant, but a fun word. It means a poetical or rhetorical threatening of punishment, horror or disaster. Like King Lear’s ‘I will do such things, What they are, yet I know not; but they shall be The terrors of the earth’.
cauda, caudate sonnet Lit. tail. A three-line coda to a sonnet, consisting of a trimeter and two pentameters.
cento A collage poem made up of lines of real verse from different poems.
chant royal A sixty-line poem with envoi. I spared you it in Chapter Three out of care for your sanity.
chiasmus From the Gr. letter chi, meaning a ‘crossing’ of sense. A common rhetorical figure, ‘It’s not the men in my life, it’s the life in my men’, ‘one should eat to live, not live to eat’, ‘Real pain for sham friends, Champagne for real friends’ etc.
choliamb A scazon q.v.–kind of metrical substitution, usually with ternary feet replacing binary. Forget about it.
chronogram A gematric q.v. poem or motto whose letters when added as Roman numerals make up a significant number, such as a date: e.g. Lord have mercie vpon vs = 1666 (or 1464 or permutations thereof ).
cinquain A stanza of five lines. Esp. in reference to the verse of Adelaide Crapsey.
clerihew From Edmund Clerihew Bentley. A non-metrical comical and biographical quatrain whose first line is the name of its subject.
clipped As acephalous q.v., omission of the first metrical unit in a line of verse.
closed form Any form of verse whose stanza length, rhyme scheme and other features are fixed.
