Dean Koontz
The Taking
'When you're alone in the middle of the night and you
wake in a sweat and a hell of a fright'
– T. S. Eliot, Fragment of an Agon
This book is dedicated to Joe Stefko:
great drummer, publisher of exquisite special editions,
dog-lover three virtues that guarantee Heaven.
The bad feet can be overlooked.
PART ONE
'In my beginning is my end.'
– T. S. Eliot, East Coker
I
A FEW MINUTES PAST ONE O'CLOCK IN THE MORNING, a hard rain fell without warning. No thunder preceded the deluge, no wind.
The abruptness and the ferocity of the downpour had the urgent quality of a perilous storm in a dream.
Lying in bed beside her husband, Molly Sloan had been restless before the sudden cloudburst. She grew increasingly fidgety as she listened to the rush of rain.
The voices of the tempest were legion, like an angry crowd chanting in a lost language. Torrents pounded and pried at the cedar siding, at the shingles, as if seeking entrance.
September in southern California had always before been a dry month in a long season of predictable drought. Rain rarely fell after March, seldom before December.
In wet months, the rataplan of raindrops on the roof had sometimes served as a reliable remedy for insomnia. This night, however, the liquid rhythms failed to lull her into slumber, and not just because they were out of season.
For Molly, sleeplessness had too often in recent years been the price of thwarted ambition. Scorned by the sandman, she stared at the dark bedroom ceiling, brooding about what might have been, yearning for what might never be.
By the age of twenty-eight, she had published four novels. All were well received by reviewers, but none sold in sufficient numbers to make her famous or even to guarantee that she would find an eager publisher for the next.
Her mother, Thalia, a writer of luminous prose, had been in the early years of an acclaimed career when she died of cancer at thirty. Now, sixteen years later, Thalia's books were out of print, her mark upon the world all but erased.
Molly lived with a quiet dread of following her mother into obscurity. She didn't suffer from an inordinate fear of death; rather, she was troubled by the thought of dying before achieving any lasting accomplishment.
Beside her, Neil snored softly, oblivious of the storm.
Sleep always found him within a minute of the moment when he put his head on the pillow and closed his eyes. He seldom stirred during the night; after eight hours, he woke in the same position in which he had gone to sleep-rested, invigorated.
Neil claimed that only the innocent enjoyed such perfect sleep.
Molly called it the sleep of the slacker.
Throughout their seven years of marriage, they had conducted their lives by different clocks.
She dwelled as much in the future as in the present, envisioning where she wished to go, relentlessly mapping the path that ought to lead to her high goals. Her strong mainspring was wound tight.
Neil lived in the moment. To him, the far future was next week, and he trusted time to take him there whether or not he planned the journey.
They were as different as mice and moonbeams.
Considering their contrasting natures, they shared a love that seemed unlikely. Yet love was the cord that bound them together, the sinewy fiber that gave them strength to weather disappointment, even tragedy.
During Molly's spells of insomnia, Neil's rhythmic snoring, although not loud, sometimes tested love almost as much as infidelity might have done. Now the sudden crash of pummeling rain masked the noise that he made, giving Molly a new target upon which to focus her frustration.
The roar of the storm escalated until they seemed to be inside the rumbling machinery that powered the universe.
Shortly after two o'clock, without switching on a light, Molly got out of bed. At a window that was protected from the rain by the overhanging roof, she looked through her ghostly reflection, into a windless monsoon.
Their house stood high in the San Bernardino Mountains, embraced by sugar pines, knobcone pines, and towering ponderosas with dramatic fissured bark.
Most of their neighbors were in bed at this hour. Through the shrouding trees and the incessant downpour, only a single cluster of lights could be seen on these slopes above Black Lake.
The Corrigan place. Harry Corrigan had lost Calista, his wife of thirty-five years, back in June.
During a weekend visit to her sister, Nancy, in Redondo Beach, Calista parked her Honda near an ATM to withdraw two hundred dollars. She'd been robbed, then shot in the face.
Subsequently, Nancy had been pulled from the car and shot twice. She had also been run over when the two gunmen escaped in the Honda. Now, three months after Calista's funeral, Nancy remained in a coma.
While Molly yearned for sleep, Harry Corrigan strove every night to avoid it. He said his dreams were killing him.
In the tides of the storm, the luminous windows of Harry's house seemed like the running lights of a distant vessel on a rolling sea: one of those fabled ghost ships, abandoned by passengers and crew, yet with lifeboats still secured. Untouched dinners would be found on plates in the crew's mess. In the wheelhouse, the captain's favorite pipe, warm with smoldering tobacco, would await discovery on the chart table.
Molly's imagination had been engaged; she couldn't easily shift into neutral again. Sometimes, in the throes of insomnia, she tossed and turned into the arms of literary inspiration.
Downstairs, in her study, were five chapters of her new novel, which needed to be polished. A few hours of work on the manuscript might soothe her nerves enough to allow sleep.
Her robe draped the back of a nearby chair. She shrugged into it and knotted the belt.
Crossing to the door, she realized that she was navigating with surprising ease, considering the absence of lamplight. Her sureness in the gloom couldn't be explained entirely by the fact that she had been awake for hours, staring at the ceiling with dark-adapted eyes.
The faint light at the windows, sufficient to dilute the bedroom darkness, could not have traveled all the way from Harry Corrigan's house, three doors to the south. The true source at first eluded her.
