SUCH AS ENGLISH HAVE THE FOLLOWING IN

(That is the end of the last of the Corwin Papers I have been able to locate. It should be superfluous to urge all readers to examine carefully any fortune cookie slips they may encounter. The next one you break open may contain what my poor friend believed, or believes, to be a great message to mankind. He may be right. His tale is a wild one but it is consistent. And it embodies the only reasonable explanation I have ever seen for the presence of certain books on the best-seller list.

C.M.K.)

The Only Thing We Learn

[Startling Stories, July 1949]

The professor, though he did not know the actor's phrase for it, was counting the house—peering through a spyhole in the door through which he would in a moment appear before the class. He was pleased with what he saw. Tier after tier of young people, ready with notebooks and styli, chattering tentatively, glancing at the door against which his nose was flattened, waiting for the pleasant interlude known as

'Archaeo-Literature 203' to begin.

The professor stepped back, smoothed his tunic, crooked four books in his left elbow and made his entrance. Four swift strides brought him to the lectern and, for the thousandth-odd time, he impassively swept the lecture hall with his gaze. Then he gave a wry little smile. Inside, for the thousandth-odd time, he was nagged by the irritable little thought that the lectern really ought to be a foot or so higher.

The irritation did not show. He was out to win the audience, and he did.

A dead silence, the supreme tribute, gratified him. Imperceptibly, the lights of the lecture hall began to dim and the light on the lectern to brighten.

He spoke.

'Young gentlemen of the Empire, I ought to warn you that this and the succeeding lectures will be most subversive.'

There was a little rustle of incomprehension from the audience—but by then the lectern light was strong enough to show the twinkling smile about his eyes that belied his stern mouth, and agreeable chuckles sounded in the gathering darkness of the tiered seats. Glow-lights grew bright gradually at the students' tables, and they adjusted their notebooks in the narrow ribbons of illumination. He waited for the small commotion to subside.

'Subversive—' He gave them a link to cling to. 'Subversive because I shall make every effort to tell both sides of our ancient beginnings with every resource of archaeology and with every clue my diligence has discovered in our epic literature.

'There were two sides, you know—difficult though it may be to believe that if we judge by the Old Epic alone —such epics as the noble and tempestuous Chant of Remd, the remaining fragments of Krall's Voyage, or the gory and rather out-of-date Battle for the Ten Suns.' He paused while styli scribbled across the notebook pages.

'The Middle Epic is marked, however, by what I might call the rediscovered ethos.' From his voice, every student knew that that phrase, surer than death and taxes, would appear on an examination paper. The styli scribbled. 'By this I mean an awakening of fellow-feeling with the Home Suns People, which had once been filial loyalty to them when our ancestors were few and pioneers, but which turned into contempt when their numbers grew.

'The Middle Epic writers did not despise the Home Suns People, as did the bards of the Old Epic. Perhaps this was because they did not have to—since their long war against the Home Suns was drawing to a victorious close.

'Of the New Epic I shall have little to say. It was a literary fad, a pose, and a silly one. Written within historic times, the some two score pseudo-epics now moulder in their cylinders, where they belong. Our ripening civilization could not with integrity work in the epic form, and the artistic failures produced so indicate. Our genius turned to the lyric and to the unabashedly romantic novel.

'So much, for the moment, of literature. What contribution, you must wonder, have archaeological studies to make in an investigation of the wars from which our ancestry emerged?

'Archaeology offers—one—a check in historical matter in the epics—

confirming or denying. Two—it provides evidence glossed over in the epics—for artistic or patriotic reasons. Three—it provides evidence which has been lost, owing to the fragmentary nature of some of the early epics.'

All this he fired at them crisply, enjoying himself. Let them not think him a dreamy litterateur, nor, worse, a flat precisionist, but let them be always a little off-balance before him, never knowing what came next, and often wondering, in class and out. The styli paused after heading Three.

'We shall examine first, by our archaeo-literary technique, the second book of the Chant of Remd. As the selected youth of the Empire, you know much about it, of course—much that is false, some that is true and a great deal that is irrelevant. You know that Book One hurls us into the middle of things, aboard ship with Algan and his great captain, Remd, on their way from the triumph over a Home Suns stronghold, the planet Telse. We watch Remd on his diversionary action that splits the Ten Suns Fleet into two halves. But before we see the destruction of those halves by the Horde of Algan, we are told in Book Two of the battle for Telse.'

He opened one of his books on the lectern, swept the amphitheater again and read sonorously.

'Then battle broke

And high the blinding blast

Sight-searing leaped

While folk in fear below

Cowered in caverns

From the wrath of Remd—

'Or, in less sumptuous language, one fission bomb—or a stick of time-on-target bombs—was dropped. An unprepared and disorganized populace did not take the standard measure of dispersing, but huddled foolishly to await Algan's gunfighters and the death they brought.

'One of the things you believe because you have seen them in notes to elementary-school editions of Remd is that Telse was the fourth planet of the star, Sol. Archaeology denies it by establishing that the fourth planet— actually called Marse, by the way—was in those days weather-roofed at least, and possibly atmosphere-roofed as well. As potential warriors, you know that one does not waste fissionable material on a roof, and there is no mention of chemical explosives being used to crack the roof. Marse, therefore, was not the locale of Remd, Book Two.

'Which planet was? The answer to that has been established by X-radar, differential decay analyses, video- coring and every other resource of those scientists still quaintly called 'diggers.' We know and can prove that Telse was the third planet of Sol. So much for the opening of the attack. Let us jump to Canto Three, the Storming of the Dynastic Palace.

'Imperial purple wore they

Fresh from the feast

Grossly gorged

They sought to slay—

'And so on. Now, as I warned you, Remd is of the Old Epic, and makes no pretense at fairness. The unorganized huddling of Telse's population was read as cowardice instead of poor A.R.P. The same is true of the Third Canto. Video-cores show on the site of the palace a hecatomb of dead in once-purple livery, but also shows impartially that they were not particularly gorged and that digestion of their last meals had been well advanced. They didn't give such a bad accounting of themselves, either. I hesitate to guess, but perhaps they accounted for one of our ancestors apiece and were simply outnumbered. The study is not complete.

'That much we know.' The professor saw they were tiring of the terse scientist and shifted gears. 'But if the veil of time were rent that shrouds the years between us and the Home Suns People, how much more would we learn? Would we despise the Home Suns People as our frontiersman ancestors did, or would we cry: 'This is our spiritual home—this world of rank and order, this world of formal verse and exquisitely patterned arts'?'

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