her friends, or had unplugged it so she could concentrate on painting.”
But there is no justification. I should have taken your call. And when I didn’t do that, I should have
My mouth has become too dry to talk.
Mr. Wright gets up. “I’ll get you a glass of water.”
As the door closes behind him, I get up and pace the room, as if I can leave my guilt behind me. But it tracks me as I walk, an ugly shadow made by myself.
Before this, I’d confidently assumed myself to be a considerate, thoughtful person, vigilant about other people. I scrupulously remembered birthdays (my birthday book being annually transcribed onto the calendar); I sent thank-you cards promptly (ready-bought and waiting in the bottom drawer of my desk). But with my numbers on your phone bill I saw that I wasn’t considerate at all. I was conscientious about the minutiae of life, but in the important things I was selfishly and cruelly neglectful.
I can hear your question, demanding an answer: Why, when DS Finborough told me that you’d had your baby, didn’t I realize that you weren’t able to phone me and tell me? Why did I focus on your not turning to me rather than realizing it was
I can’t imagine what you must think of me. (Can’t or daren’t?) You must be surprised that I didn’t start off this whole letter to you with an apology, and then an explanation so that you could understand my negligence. The truth is that, lacking courage, I was putting it off as long as I could, knowing that there are no explanations to be offered.
I’d do anything to have a second chance, Tess. But unlike our storybooks, there’s no flying back past the second star to the right and through the open window to find you alive in your bed. I can’t sail back through the weeks and in and out of the days returning to my bedroom where my supper is warm and waiting for me and I’m forgiven. There is no new beginning. No second chance.
You turned to me and I wasn’t there.
You are dead. If I had taken your call, you would be alive.
It’s as blunt as that.
I’m sorry.
10
“So you knew Tess had turned to you?”
“Yes.”
“And that you had been right all along?”
“Yes.”
There was a flipside to the guilt. You
When I opened the front door, I saw Amias putting carrier bags on your pots, using a flashlight. He must have seen me illuminated in the doorway.
“Some of them blew off in the night,” he said. “So I need to get them put back again before too much damage is done.”
I thought about him recently planting daffodil bulbs in the freezing earth. From the beginning the bulbs never stood a chance. Not wanting to upset him, but not wanting to give him false platitudes about the efficacy of his carrier-bag greenhouses, I changed the subject.
“It’s so quiet at this time in the morning, isn’t it?”
“You wait till spring, then it’s a racket out here.”
I must have looked confused because he explained, “The dawn chorus. Not sure why the birds like this street particularly, but for some reason best known to themselves they do.”
“I’ve never really understood what the dawn chorus was about actually.” Keeping the conversation going to humor him or to avoid my thoughts?
“Their songs are to attract a mate and define territories,” replied Amias. “A shame that humans can’t take the musical approach to that, isn’t it?”
“Yes.”
“Do you know that they have an order?” he asked. “First blackbirds, then robins, wrens, chaffinches, warblers,