by three concrete bollards across the entrance, and was sealed off at its far end by the gates of a boat-builder's yard, now standing open. Bicycles were propped beside three of the ten front doors, but there was little other sign of human habitation. Although it was now beginning to grow dark, no light shone behind any of the net-curtained windows, and the little street seemed drab and uninviting. These were doubtless some of the cheaper houses built for those who once had worked on the canal: two up, two down-and that was all. The first house on the left was number 1, and Morse walked down the narrow pavement, past number 3, past number 5, past number 7-and there he was, standing in front of the last house and feeling strangely nervous and undecided. Instinctively he patted the pocket of his raincoat for a packet of cigarettes, but found he must have left them in the car. Behind him, a car splashed its way along Canal Street, its sidelights already switched on.
Morse knocked, but there was no answer. Just as well, perhaps? Yet he knocked again, a little louder this time, and stood back to look at the house. The door was painted a rust-red colour, and to its right was the one downstairs window, its crimson curtains drawn across; and just above it, the window of the first-floor bedroom where- Just a minute! There
But no one answered at the rust-red door.
Forget it? It was stupid, anyway. He'd swallowed rather too much beer at lunch-time, and the slight wave of eroticism which invariably washed over him after such mild excess had no doubt been responsible for his drive through Jericho that day… And then he thought he heard a noise from within the house. She
'Hello? Anyone there?' The street door led directly into the surprisingly large downstairs room, carpeted and neatly decorated, and the camera in Morse's mind clicked and clicked again as he looked keenly around.
'Hello? Anne?
A staircase faced him at the far left-hand corner of the room, and at the foot of the stairs he saw an expensive-looking, light brown leather jacket, lined with sheep's wool, folded over upon itself, and flecked with recent rain.
But even leaning slightly forward and straining his ears to the utmost, Morse could hear nothing. It was strange, certainly, her leaving the door unlocked like that. But then he'd just done exactly the same with his own car, had he not? He closed the door quietly behind him and stepped out on to the wet pavement. The house immediately opposite to him was number 10, and he was reflecting vaguely on the vagaries of those responsible for the numbering of street houses when he thought he saw the slightest twitch of the curtains behind its upper-storey window. Perhaps he was mistaken, though… turning once more, he looked back at the house he had come to visit and his thoughts lingered longingly on the woman he would never see again…
It was many seconds later that he noticed the change: the light on the upstairs floor of number 9 was now
Chapter Two
Towards the door we never opened.
– T. S. Eliot,
She seemed on nodding terms with all the great, and by any standards the visit of Dame Helen, emeritus Merton Professor of English Literature, to the Oxford Book Association was an immense success. She wore her learning lightly, yet the depths of scholarship and sensitivity became immediately apparent to the large audience, as with an assurance springing from an infinite familiarity she ranged from Dante down to T. S. Eliot. The texture of the applause which greeted the end of her lecture was tight and electric, the crackling clapping of hands seeming to constitute a continuous crepitation of noise, the palms smiting each other as fast as the wings of a humming bird. Even Morse, whose applause more usually resembled the perfunctory flapping of a large crow in slow flight, was caught up in the spontaneous appreciation, and he earnestly resolved that he would make an immediate attempt to come to terms with the complexities of the
Footfalls echo in the memory
Down the passage which we did not take
Towards the door we never opened.
That was writing for you! Christ, ah!
Morse recognised no one at the bar and took his beer over to the corner. He would have a couple of pints and get home reasonably early.
The siren of a police car (or was it an ambulance?) whined past outside in Walton Street, reminding him tantalizingly of the opening of one of the Chopin nocturnes. An accident somewhere, no doubt: shaken, white-faced witnesses and passengers; words slowly recorded in constables' notebooks; the white doors of the open ambulance with the glutinous gouts of dark blood on the upholstery. Ugh! How Morse hated traffic accidents!
'You look lonely. Mind if I join you?' She was a tall, slim, attractive woman in her early thirties.
'Delighted!' said a delighted Morse.
'Good, wasn't she?'
'Excellent!'
For several minutes they chatted happily about the Dame, and Morse, watching her large, vivacious eyes, found himself hoping she might not go away.
'I'm afraid I don't know you,' he said.
She smiled bewitchingly. 'I know you, though. You're Inspector Morse.'
'How-?'
'It's all right. I'm Annabel, the chairman's wife.'
'Oh.' The monosyllable was weighted flat with disappointment.
Another siren wailed its way outside on Walton Street, and Morse found himself trying to decide in which direction it was travelling. Difficult to tell though…
A few minutes later the bearded chairman pushed his way through from the crowded bar to join them. 'Ready for another drink, Inspector?'
'No-no. Let me get you one. My pleasure. What will you have-?'
'You're not getting anything, Inspector. I would have bought you a drink earlier but I had to take our distinguished speaker back to Eynsham.'
When the chairman came back with the drinks, he turned immediately to Morse. 'Bit of a traffic jam outside. Some sort of trouble down in Jericho, it seems. Police cars, ambulance, people stopping to see what's up. Still, you must know all about that sort of thing, Inspector.'
But Morse was listening no longer. He got to his feet, mumbling something about perhaps being needed; and leaving his replenished pint completely ungulped walked swiftly out of the Clarendon Press Institute.
Turning left into Richmond Road, he noticed with a curiously disengaged mind how the street lights, set on alternate sides at intervals of thirty yards, bent their heads over the street like guardsmen at a catafalque, and how the houses not directly illuminated by the hard white glow assumed a huddled, almost cowering appearance, as if