‘In the bog,’ said Charles Fairburn. ‘I’m surprised he doesn’t move his dressing-room in there. Can’t even keep down a brandy.’
‘Declan,’ shouted the Senior Cameraman. ‘You can stop worrying. Daysee’s too embarrassed to come in ’ere, but Johnny Friedlander’s people have just phoned to say they’ve come off the M4 and they’ll be wiv us in twenty minutes.’
‘Thank Christ for that,’ groaned Declan.
‘And ’ere’s a letter for you.’ A piece of writing paper appeared under the door.
‘
All the crew had signed it.
‘
Declan grinned, then he glanced at his watch, and nearly threw up again. He’d be on air in less than an hour.
Johnny Friedlander arrived in a black limo which seemed to stretch the length of Cotchester High Street. He was accompanied by a publicity girl and four security men. In a second limo were four lawyers. Looking at the bulges in the security men’s suits, the press allowed Johnny to be smuggled into the building without too much hassle.
From the start Johnny’s visit to Corinium went off with a bang. Taking one look at the ravishing Daysee, he pulled her into his dressing-room and locked the door. The four security men stood outside with folded arms.
‘Who’s she?’ asked Johnny’s publicity girl in horror.
‘A piece of ass,’ said one of the security men.
‘Are you quite sure she’s not a reporter?’
‘Couldn’t report a burglary,’ said Charles Fairburn, whisking past, thoroughly overexcited by so much security muscle.
In his dressing-room a pretty make-up girl with sheep in a field knitted on her bosom fussed around Declan. He wished he could lie down in her field and go to sleep.
‘At least let me paint out the dark rings and give you a bit of base; you’re so pale,’ she murmured. ‘And we’ll have to do something about the beard area. You really ought to shave.’
‘I’m shaking so much I’ll cut myself.’
‘I’ll shave you.’
Next moment Cameron stormed in.
‘Johnny Friedlander’s barricaded himself into his dressing-room with Daysee.’
‘Best place for him,’ said Declan. ‘At least if he’s having a bang, he’s not snorting coke.’
In his fifth-floor office, Tony Baddingham, even more nervous than Declan, was dispensing Krug to his special guests, who included several big advertising clients, the Mayor and Mayoress of Cotchester and Freddie and Valerie Jones. By a ghastly mischance, they had also been joined by the Reverend Fergus Penney, a former Prebendary of the Church of England. A fearful old prude constantly inveighing against sex on television, he had recently become a member of the IBA board, and was currently on a tour of the Independent television companies. Now, primly sipping Perrier, he kept peering across the corridor to the board room, where the press, assembled to watch Declan’s first programme on a big screen pulled down against the far wall, were getting drunk and stuffing their faces with quiche and chicken drumsticks.
In a corner of the board room, as disapproving as the ex-Prebendary, sat Johnny’s four lawyers, also sipping Perrier and fingering calculators at the prospect of litigation.
‘Why the fuck d’you ask so many press?’ Tony hissed to Cyril Peacock, who knew he’d have been equally roasted if only a handful had turned up.
Nor did the fact that Tony had been entirely responsible for hiring Declan stop him now blaming everything on Simon Harris. ‘You ought to be able to control Declan, Simon. That’s what you’re here for. He hasn’t even given Cameron a running order.’
‘All she needs now is a prayer sheet,’ said Charles.
‘Declan’s my favourite telly star,’ the Lady Mayoress was saying excitedly to Valerie. ‘I can’t wait to meet him later.’
‘Oh, we know him quaite well,’ said Valerie Jones, on the strength of last Sunday’s lunch party. ‘He always singles me out — because Ay tell him the truth. Ay think famous folk get so bored with flattery.’
A curious tension was building up through the building.
‘Declan’s just cut me dead,’ complained James Vereker, going into the bar. ‘Awfully uncool to get so uptight.’
Daysee came out of Johnny’s dressing-room, looking as though she’d found the Holy Grail.
‘He’s having a quick shower,’ she said. ‘Then he wants Make-up.’
‘Well, send in a boot,’ said Cameron. ‘We don’t want him banging her as well.’
It was five minutes to blast off. The four security men had taken up their positions in the studio. In the control room the production team sat at a desk like a vast dashboard, gazing at two rows of monitor screens. On four of the monitors which came direct from the studio, Cameron could see Johnny Friedlander’s carved, beautiful, degenerate face with its hollow cheek bones and Californian suntan. His fair hair was the red-gold of willows in winter, the irises of the deep-set Oxford-blue eyes were almost as dark as the pupils. Thin almost to the point of emaciation, he lounged easily in his three-thousand-dollar suit, with the sleeves rolled up to the elbow. But the air of relaxation was false.
‘Why the hell did I agree to do this shit?’ he drawled.
‘I’m sorry,’ said Declan, meaning it.
‘Aw that’s OK. I just don’t feel I’ve got proper lines when they’re my own. Rupert called, by the way. He said: “You can trust this guy, he’s one of us.”’
In his earpiece Declan could hear Daysee saying: ‘The pink strapless is more dressy, but my holiday tan’s nearly gone.’
‘Can we have some level?’ asked the Floor Manager. ‘What did you have for breakfast, Johnny?’
Johnny laughed. ‘You want to get me arrested?’
On Cameron’s left, Daysee was checking different stopwatches. The moment they were on air she would forget pink strapless dresses and become as cool as a computer, timing the programme to the second.
On the right sat the vision-mixer in a red T-shirt, hands at the ready over regiments of square buttons, lit up like spangles, ready to punch up the correct picture when Cameron demanded it.
‘Good luck, everyone,’ said Cameron, crossing her fingers. ‘Stand by Studio, stand by Opening Titles, stand by Music.’
‘One minute to air,’ said Daysee, clenching her stopwatch and glaring at the leaping red number of the clock. ‘Twenty seconds, ten, five, four, three, two, one and in.’
Schubert’s Fifth Symphony started on its jolly jazzed-up course. On the screen a rocket exploded in coloured stars above a night-lit Cotchester, and then cascaded down to form the word Declan. A great cheer went up in the bar. Tony puffed on his cigar.
‘I want another gin and tonic,’ said an already drunk reporter from the
‘Shut up,’ said Johnny’s four lawyers in unison, who were listening to the opening package like hawks, in the hope of finding something defamatory.
As Daysee cued Declan in, as a concession to Cameron, he swung round to talk directly to camera. For a moment his throat went dry. He’s forgotten his first question, thought Cameron in anguish. Then he said: ‘I welcome my first guest in this new series with the greatest humility. He is simply the best actor to come out of America in the last fifteen years. But this is the first interview you’ve ever given.’ He turned to Johnny, ‘Why?’
‘I hate publicity,’ drawled Johnny. ‘If all journalists were exterminated life would be just fine.’
Up in the board room a howl of protest went up from the press, who stopped filling up their drinks and started listening.
‘The press detest success,’ went on Johnny, ‘and they screw up your sex life. However much you try not to get fed up, it pisses you off when you read lies that your latest girlfriend’s been two-timing you with some Greek