Sword Woman and Other Historical Adventures

Shirkuh’s was the dynamic vitality of the nomad. Across the desert by Wadi el Ghizlan he had driven his riders until even the tough Seljuks reeled in their saddles. Into the teeth of a roaring sandstorm he had plunged, fighting like a madman for each mile, each second of time. He had crossed the Nile at Atfih, and now his riders were regaining their breath, while Shirkuh watched the eastern skyline for the moving forest of lances that would mark the coming of Amalric.

The king of Jerusalem dared not attempt a crossing in the teeth of his enemies; Shirkuh was in the same case. Without pitching camp, the Franks moved northward along the river bank. The iron men rode slowly, scanning the sullen stream for a possible crossing.

The Moslems broke camp and took up the march, keeping pace with the Franks. The fellaheen, peeking from their mud huts, were amazed by the sight of two hosts moving slowly in the same direction without hostile demonstration, with the river between.

So they came at last into sight of the towers of El Kahira.

The Franks pitched their camp close to the shores of Birket el Habash, near the gardens of el Fustat, whose six-storied houses reared their flat roofs among oceans of palms and waving blossoms. Across the river Shirkuh encamped at Gizeh, in the shadow of the scornful colossus reared by cryptic monarchs forgotten before his ancestors were born.

Matters fell at a deadlock. Shirkuh, for all his impetuosity, had the patience of the Kurd, imponderable as the mountains which bred him. He was content to play a waiting game, with the broad river between him and the terrible swords of the Europeans.

Shawar waited on Amalric with pomp and parade and the clamor of nakirs, and he found the lion wary as he was indomitable. Two hundred thousand dinars and the caliph’s hand on the bargain, that was the price he demanded for Egypt. And Shawar knew he must pay. Egypt slumbered as she had slumbered for a thousand years, inert alike under the heel of Macedonian, Roman, Arab, Turk or Fatimid. The fellah toiled in his field, and scarcely knew to whom he paid his taxes. There was no land of Egypt: it was a myth, a cloak for a despot. Shawar was Egypt; Egypt was Shawar; the price of Egypt was the price of Shawar’s head.

So the Frankish ambassadors went to the hall of the caliph.

Mystery ever shrouded the person of the Incarnation of Divine Reason. The spiritual center of the Shiite creed moved in a maze of mystic inscrutability, his veil of supernatural awe increasing as his political power was usurped by plotting viziers. No Frank had ever seen the caliph of Egypt.

Hugh of Caesarea and Geoffrey Fulcher, Master of the Templars, were chosen for the mission, blunt war-dogs, grim as their own swords. A group of mailed horsemen accompanied them.

They rode through the flowering gardens of el Fustat, past the chapel of Sitta Nefisa where Dirgham had died under the hands of the mob; through winding streets which covered the ruins of el Askar and el Katai; past the Mosque of Ibn Tulun, and the Lake of the Elephant, into the teeming streets of El Mansuriya, the quarter of the Sudanese, where weird native citterns twanged in the houses, and swaggering black men, gaudy in silk and gold, stared childishly at the grim horsemen.

At the Gate Zuweyla the riders halted, and the Master of the Temple and the lord of Caesarea rode on, attended by only one man – Giles Hobson. The fat Englishman wore good leather and chain-mail, and a sword at his thigh, though the portly arch of his belly somewhat detracted from his war-like appearance. Little thought was being taken in those perilous times of royal bastards or younger sons; but Giles had won the approval of Hugh of Caesarea, who loved a good tale and a bawdy song.

At Zuweyla gate Shawar met them with pomp and pageantry and escorted them through the bazaars and the Turkish quarter where hawk-like men from beyond the Oxus stared and silently spat. For the first time, Franks in armor were riding through the streets of El Kahira.

At the gates of the Great East Palace the ambassadors gave up their swords, and followed the vizier through dim tapestry-hung corridors and gold arched doors where tongueless Sudanese stood like images of black silence, sword in hand. They crossed an open court bordered by fretted arcades supported by marble columns; their iron- clad feet rang on mosaic paving. Fountains jetted their silver sheen into the air, peacocks spread their iridescent plumage, parrots fluttered on gold threads. In broad halls jewels glittered for eyes of birds wrought of silver or gold. So they came at last to the vast audience room, with its ceiling of carved ebony and ivory. Courtiers in silks and jewels knelt facing a broad curtain heavy with gold and sewn with pearls that gleamed against its satin darkness like stars in a midnight sky.

Shawar prostrated himself thrice to the carpeted floor. The curtains were swept apart, and the wondering Franks gazed on the gold throne, where, in robes of white silk, sat al Adhid, Caliph of Egypt.

They saw a slender youth, dark almost to negroid, whose hands lay limp, whose eyes seemed already shadowed by ultimate sleep. A deadly weariness clung about him, and he listened to the representations of his vizier as one who heeds a tale too often told.

But a flash of awakening came to him when Shawar suggested, with extremest delicacy, that the Franks wished his hand upon the pact. A visible shudder passed through the room. Al Adhid hesitated, then extended his gloved hand. Sir Hugh’s voice boomed through the breathless hall.

“Lord, the good faith of princes is naked; troth is not clothed.”

All about came a hissing intake of breath. But the Caliph smiled, as at the whims of a barbarian, and stripping the glove from his hand, laid his slender fingers in the bear-like paw of the Crusader.

All this Giles Hobson observed from his discreet position in the background. All eyes were centered on the group clustered about the golden throne. From near his shoulder a soft hiss reached Giles’ ear. Its feminine note brought him quickly about, forgetful of kings and caliphs. A heavy tapestry was drawn slightly aside, and in the sweet-smelling gloom, a slender white hand waved invitingly. Another scent made itself evident, a luring perfume, subtle yet unmistakable.

Giles turned silently and pulled aside the tapestry, straining his eyes in the semi-darkness. There was an alcove behind the hangings, and a narrow corridor meandering away. Before him stood a figure whose vagueness did not conceal its lissomeness. A pair of eyes glowed and sparkled at him, and his head swam with the power of that diabolical perfume.

He let the tapestry fall behind him. Through the hangings the voices in the throne room came vague and muffled.

The woman spoke not; her little feet made no sound on the thickly carpeted floor over which he stumbled. She invited, yet retreated; she beckoned, yet she withheld herself. Only when, baffled, he broke into earnest profanity, she admonished him with a finger to her lips and a warning: “Sssssh!”

“Devil take you, wench!” he swore, stopping short. “I’ll follow you no more. What manner of game is this, anyway? If you don’t want to deal with me, why did you wave at me? Why do you beckon and then run away? I’m going back to the audience hall and may the dogs bite your – ”

“Wait!” The voice was liquid sweet.

She glided close to him, laying her hands on his shoulders. What light there was in the winding tapestried corridor was behind her, outlining her supple figure through her filmy garments. Her flesh shone like dim ivory in the purple gloom.

“I could love you,” she whispered.

“Well, what detains you?” he demanded uneasily.

“Not here; follow me.” She glided out of his groping arms and drifted ahead of him, a lithely swaying ghost among the velvet hangings.

He followed, burning with impatience and questing not at all for the reason of the whole affair, until she came out into an octagonal chamber, almost as dimly lighted as had been the corridor. As he pushed after her, a hanging slid over the opening behind him. He gave it no heed. Where he was he neither knew nor cared. All that was important to him was the supple figure that posed shamelessly before him, veilless, naked arms uplifted and slender fingers intertwined behind her nape over which fell a mass of hair that was like black burnished foam.

He stood struck dumb with her beauty. She was like no other woman he had ever seen; the difference was not only in her dark eyes, her dusky tresses, her long kohl-tinted lashes, or the warm ivory of her roundly slender limbs. It was in every glance, each movement, each posture, that made voluptuousness an art. Here was a woman cultured in the arts of pleasure, a dream to madden any lover of the fleshpots of life. The English, French and Venetian women he had nuzzled seemed slow, stolid, frigid beside this vibrant image of