been offered any. “I wake at five every morning before even my footboy for taking your morning meal at once aids the labors of digestion and staves off sickness. Now, on to the little matter of your business, shall we?”
After Osgood explained their wish to examine Dickens's private belongings, Forster curtly said he would return to Gadshill and discuss the matter with its residents. He returned across the road to the Dickens estate shortly thereafter. An hour later, Osgood and Rebecca received a note on black-bordered mourning paper that they were welcome to Gadshill at their convenience.
“Perhaps I should stay here at the inn,” Rebecca suggested as she finished writing a note back accepting the offer. “Mr. Forster seemed rather, well, ungenial toward me.”
Osgood did not want to make her self-conscious, though she was correct. “He is ungenial in general. Remember, he was one of Mr. Dickens's closest friends. His spirits cannot be whole, after such a loss,” he said. “Come, Miss Sand. With a bit of luck we may secure our information and have some leisure time to do something very English around London, too, before we leave.”
On the outside, the redbrick Dickens family home was austere but still welcoming-stone steps leading up to a spacious portico where the large clan would once have gathered. Towering oaks formed the boundaries around the property where boys used to run and play, which gave way to wilderness beyond the gardens and now-empty cricket fields that the master of the house had made available to the townspeople for matches.
Walking through the fields felt like a walk through the legends of the novelist's life. Charles Dickens had written about first seeing the house when he was a very young child but still old enough to be aware of how poor his own family was. Before his troubles with debt that brought him to prison, John Dickens would take his queer small boy to look at Gadshill from the street.
Two big Newfoundland dogs, a mastiff, and a St. Bernard raced around from the side of the house. A tinge of disappointment seemed to pass through each animal's body upon seeing Osgood and Rebecca. One canine in particular, the largest among them, tilted his handsome head slowly with a devastated air that was heartbreaking. The head gardener called out and the dogs bounded as a pack back to the stable yard, then listlessly tiptoed into a cool tunnel, which led to the other side of the road.
Considerably less life awaited them inside Gadshill. The house, in fact, was being drained of it before their eyes. Some workmen were removing paintings and sculptures from the walls and tables; other somber-faced intruders in silk vests and linen suits were examining the furniture and prodding each object and fixture. The atmosphere was completed by a melancholy rendition of Chopin on piano floating on the air.
A workman lifted an oval portrait of a little girl as Forster led Osgood and Rebecca through the entrance hall to the threshold of the drawing room.
“You cannot visit Gadshill,” he suddenly announced with a gouty frown that was even less friendly than his demeanor at breakfast.
“What do you mean, Mr. Forster?” Osgood asked.
“Do you not see it with your own eyes, Mr. Osgood? Gadshill is
“Must every single thing in the house be sold, Mr. Forster?” Rebecca asked with genuine sadness.
“Don't tell
Osgood thought it an opportune time to interject with a question, but Forster put an imperial hand on his shoulder and steered him.
“There: that watercolor the workman is bringing through now from the dining room. That, Mr. Osgood and Miss Sand-is that the name, little dear?-that is a painting of the steame
Osgood felt a sharpness, a recrimination in the
“I hope you'd agree that Mr. Dickens's second tour of America,” Osgood said, “was a verifiable success.”
Forster laughed grimly and wrung his hands out as if squeezing wet laundry. “Monstrous thought! Your tour left Mr. Dickens ill, hobbled in his foot, drained of all life with which he parted from our shores! I fully opposed his going, as I said at the time to that gold-hungry gorilla Dolby. If American readers had not taken Mr. Dickens's books without paying any authors’ fees for so many years, if they had made us part of your copyright laws, he oughtn't ever needed the extra income. To think of everyone prancing around calling Mr. Dickens ‘Chief like he was an Indian savage-!”
“Charles liked to be called Chief, if I recall,” a female voice interrupted. “With the many things to make us sad, we can at least be happy he still had enough vigor for travel.”
The voice from above belonged to an elegant and slender woman a few steps past forty years old coming from upstairs.
“May I present to you, Miss Georgina Hogarth,” muttered Forster indifferently to their guests. “My fellow executor to the house and all its possessions.”
“Please call me Aunt Georgy. Everyone at Gadshill does,” she said in a soothing tone that overthrew Forster's shrillness.
Osgood knew her by name to be Dickens's sister-in-law. Even after Catherine, Charles Dickens's wife, moved away from Gadshill, Aunt Georgy was the novelist's confidante and housekeeper, and a mother to her two nieces and six nephews. The separation between Dickens and Catherine was never an official divorce-the novelist of domestic harmony could not afford so permanent a stain on the public record. Dickens's novels celebrated the family and the ideals of loyalty and forgiveness. The audience expected him to be an exemplar for the same.
Dickens and Georgy became so close that other members of the Hogarth family, furious that she had supported Charles, were even said to have repeated wicked slanders that he'd seduced her. It did not help allay the whispers that the lovely Georgy never married.
Osgood recalled that
“Thank you both. I can see well enough you are quite occupied without our intrusion,” said Osgood.
“In truth, Mr. Osgood, we only wish there were more guests who were not dreadful auctioneers or house seekers tramping up and down the stairs.” Aunt Georgy had a ready smile that brought to mind a picture of the lively household as it used to be. “Shall we?”
In the drawing room, a matronly and attractive young woman approximately of Osgood's age sat caressing the keys of the rosewood piano. She wore a fashionable mourning dress, weighed down by elaborate mourning jewels,