A SECOND.

And also mine.

A THIRD.

My heart exults with joy-

So excellent a general!

THE FIRST.

The king

Showed you no kindness, 'twas your strict desert.

LERMA (to MEDINA SIDONIA, taking leave).

Oh, how two little words have made your fortune!

[Exeunt all.

SCENE VIII.

The KING's Cabinet.

MARQUIS POSA and DUKE ALVA.

MARQUIS (as he enters).

Does he want me? What me? Impossible!

You must mistake the name. What can he want

With me?

ALVA.

To know you.

MARQUIS.

Curiosity!

No more; I regret the precious minutes

That I must lose: time passes swiftly by.

ALVA.

I now commend you to your lucky stars.

The king is in your hands. Employ this moment

To your own best advantage; for, remember,

If it is lost, you are alone to blame.

SCENE IX.

The MARQUIS alone.

MARQUIS.

Duke, 'tis well spoken! Turn to good account

The moment which presents itself but once!

Truly this courtier reads a useful lesson

If not in his sense good, at least in mine.

[Walks a few steps backwards and forwards.

How came I here? Is it caprice or chance

That shows me now my image in this mirror?

Why, out of millions, should it picture me-

The most unlikely-and present my form

To the king's memory? Was this but chance?

Perhaps 'twas something more!-what else is chance

But the rude stone which from the sculptor's hand

Receives its life? Chance comes from Providence,

And man must mould it to his own designs.

What the king wants with me but little matters;

I know the business I shall have with him.

Were but one spark of truth with boldness flung

Into the despot's soul, how fruitful 'twere

In the kind hand of Providence; and so

What first appeared capricious act of chalice,

May be designed for some momentous end.

Whate'er it be, I'll act on this belief.

[He takes a few turns in the room, and stands at last

in tranquil contemplation before a painting. The KING

appears in the neighboring room, where he gives some

orders. He then enters and stands motionless at the door,

and contemplates the MARQUIS for some time without being

observed.

SCENE X.

The KING, and MARQUIS POSA.

The MARQUIS, as soon as he observes the KING, comes forward

and sinks on one knee; then rises and remains standing before

him without any sign of confusion.

KING (looks at him with surprise).

We've met before then?

MARQUIS.

No.

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