2
Mike Masnick, “The Future of Music Business Models (and Those Who Are Already There),” 25 January 2010, http://techdirt.com/articles/20091119/1634117 011.shtml.
3
Kevin Kelly is a commentator on digital culture and the founder of
4
Kevin Kelly, “1,000 True Fans,” 4 March 2008, http://kk.org/thetechnium/archives/200 8/03/1000_true_fans.php.
5
See http://mecenatglobal.org/ for more information.
6
The SGAE is Spain’s main copyright collective for composers, authors, and publishers.
Chapter 33 notes
1
Brad Stone, “Amazon Erases Orwell Books from Kindle,”
Chapter 40 notes
1
Bradley Horowitz, “The Tech Lab: Bradley Horowitz,” BBC News, 29 June 2007, http://news.bbc.co.uk/2/hi/technology/6252716.stm .
2
Charles Stross, “The Tech Lab: Charles Stross,” BBC News, 10 July 2007, http://news.bbc.co.uk/2/hi/technology/6287126.stm .
3
Dave Winer, “The Tech Lab: Dave Winer,” BBC News, 14 June 2007, http://news.bbc.co.uk/2/hi/technology/6748103.stm .
Chapter 43 notes
1
William J. Mitchell,
Appendix A notes
1
In other programming languages, such as Scheme, the
(define (factorial n) (if (= n 0) 1 (* n (factorial (- n 1)))))
This computes the factorial of a number; that is, running (factorial 5)
would output 120, which is computed by doing 5 * 4 * 3 * 2 * 1 * 1.