2

Mike Masnick, “The Future of Music Business Models (and Those Who Are Already There),” 25 January 2010, http://techdirt.com/articles/20091119/1634117 011.shtml.

3

Kevin Kelly is a commentator on digital culture and the founder of Wired magazine.

4

Kevin Kelly, “1,000 True Fans,” 4 March 2008, http://kk.org/thetechnium/archives/200 8/03/1000_true_fans.php.

5

See http://mecenatglobal.org/ for more information.

6

The SGAE is Spain’s main copyright collective for composers, authors, and publishers.

Chapter 33 notes

1

Brad Stone, “Amazon Erases Orwell Books from Kindle,” New York Times, 17 July 2009, sec. B1, http://nytimes.com/2009/07/18/t echnology/companies/18amazon.html.

Chapter 40 notes

1

Bradley Horowitz, “The Tech Lab: Bradley Horowitz,” BBC News, 29 June 2007, http://news.bbc.co.uk/2/hi/technology/6252716.stm .

2

Charles Stross, “The Tech Lab: Charles Stross,” BBC News, 10 July 2007, http://news.bbc.co.uk/2/hi/technology/6287126.stm .

3

Dave Winer, “The Tech Lab: Dave Winer,” BBC News, 14 June 2007, http://news.bbc.co.uk/2/hi/technology/6748103.stm .

Chapter 43 notes

1

William J. Mitchell, City of Bits: Space, Place, and the Infobahn (Cambridge, Mass.: MIT Press, 1995), p. 111, as quoted by Lawrence Lessig in Code and Other Laws of Cyberspace, Version 2.0 (New York, NY: Basic Books, 2006), p. 5.

Appendix A notes

1

In other programming languages, such as Scheme, the Hello World program is usually not your first program. In Scheme you often start with a program like this:

(define (factorial n) (if (= n 0) 1 (* n (factorial (- n 1)))))

This computes the factorial of a number; that is, running (factorial 5) would output 120, which is computed by doing 5 * 4 * 3 * 2 * 1 * 1.

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