in which there was a dash of surprise and covert incredulity. However, like the clever saleswoman that she was, she was profuse in complimentary remarks. 'Ah, mademoiselle, I shall be so happy to sell to you! Your miracle is so beautiful! Look, the whole shop is at your disposal. We have the largest choice.'
Marie was ill at ease. 'Thank you,' she replied, 'you are very good. But we have only come to buy a few small things.'
'If you will allow us,' said M. de Guersaint, 'we will choose ourselves.'
'Very well. That's it, monsieur. Afterwards we will see!'
And as some other customers now came in, Apolline forgot them, returned to her duties as a pretty saleswoman, with caressing words and seductive glances, especially for the gentlemen, whom she never allowed to leave until they had their pockets full of purchases.
M. de Guersaint had only two francs left of the louis which Blanche, his eldest daughter, had slipped into his hand when he was leaving, as pocket-money; and so he did not dare to make any large selection. But Pierre declared that they would cause him great pain if they did not allow him to offer them the few things which they would like to take away with them from Lourdes. It was therefore understood that they would first of all choose a present for Blanche, and then Marie and her father should select the souvenirs that pleased them best.
'Don't let us hurry,' repeated M. de Guersaint, who had become very gay. 'Come, Marie, have a good look. What would be most likely to please Blanche?'
All three looked, searched, and rummaged. But their indecision increased as they went from one object to another. With its counters, show-cases, and nests of drawers, furnishing it from top to bottom, the spacious shop was a sea of endless billows, overflowing with all the religious knick-knacks imaginable. There were the chaplets: skeins of chaplets hanging along the walls, and heaps of chaplets lying in the drawers, from humble ones costing twenty sons a dozen, to those of sweet-scented wood, agate, and lapis-lazuli, with chains of gold or silver; and some of them, of immense length, made to go twice round the neck or waist, had carved beads, as large as walnuts, separated by death's-heads. Then there were the medals: a shower of medals, boxes full of medals, of all sizes, of all metals, the cheapest and the most precious. They bore different inscriptions, they represented the Basilica, the Grotto, or the Immaculate Conception; they were engraved, /repoussees/, or enamelled, executed with care, or made by the gross, according to the price. And next there were the Blessed Virgins, great and small, in zinc, wood, ivory, and especially plaster; some entirely white, others tinted in bright colours, in accordance with the description given by Bernadette; the amiable and smiling face, the extremely long veil, the blue sash, and the golden roses on the feet, there being, however, some slight modification in each model so as to guarantee the copyright. And there was another flood of other religious objects: a hundred varieties of scapularies, a thousand different sorts of sacred pictures: fine engravings, large chromo-lithographs in glaring colours, submerged beneath a mass of smaller pictures, which were coloured, gilded, varnished, decorated with bouquets of flowers, and bordered with lace paper. And there was also jewellery: rings, brooches, and bracelets, loaded with stars and crosses, and ornamented with saintly figures. Finally, there was the Paris article, which rose above and submerged all the rest: pencil-holders, purses, cigar-holders, paperweights, paper-knives, even snuff-boxes; and innumerable other objects on which the Basilica, Grotto, and Blessed Virgin ever and ever appeared, reproduced in every way, by every process that is known. Heaped together pell-mell in one of the cases reserved to articles at fifty centimes apiece were napkin-rings, egg-cups, and wooden pipes, on which was carved the beaming apparition of Our Lady of Lourdes.
Little by little, M. de Guersaint, with the annoyance of a man who prides himself on being an artist, became disgusted and quite sad. 'But all this is frightful, frightful!' he repeated at every new article he took up to look at.
Then he relieved himself by reminding Pierre of the ruinous attempt which he had made to improve the artistic quality of religious prints. The remains of his fortune had been lost in that attempt, and the thought made him all the more angry, in presence of the wretched productions with which the shop was crammed. Had anyone ever seen things of such idiotic, pretentious, and complicated ugliness! The vulgarity of the ideas and the silliness of the expressions portrayed rivalled the commonplace character of the composition. You were reminded of fashion-plates, the covers of boxes of sweets, and the wax dolls' heads that revolve in hairdressers' windows; it was an art abounding in false prettiness, painfully childish, with no really human touch in it, no tone, and no sincerity. And the architect, who was wound up, could not stop, but went on to express his disgust with the buildings of new Lourdes, the pitiable disfigurement of the Grotto, the colossal monstrosity of the inclined ways, the disastrous lack of symmetry in the church of the Rosary and the Basilica, the former looking too heavy, like a corn market, whilst the latter had an anaemical structural leanness with no kind of style but the mongrel.
'Ah! one must really be very fond of God,' he at last concluded, 'to have courage enough to come and adore Him amidst such horrors! They have failed in everything, spoilt everything, as though out of pleasure. Not one of them has experienced that moment of true feeling, of real naturalness and sincere faith, which gives birth to masterpieces. They are all clever people, but all plagiarists; not one has given his mind and being to the undertaking. And what must they not require to inspire them, since they have failed to produce anything grand even in this land of miracles?'
Pierre did not reply, but he was very much struck by these reflections, which at last gave him an explanation of a feeling of discomfort that he had experienced ever since his arrival at Lourdes. This discomfort arose from the difference between the modern surroundings and the faith of past ages which it sought to resuscitate. He thought of the old cathedrals where quivered that faith of nations; he pictured the former attributes of worship-the images, the goldsmith's work, the saints in wood and stone-all of admirable power and beauty of expression. The fact was that in those ancient times the workmen had been true believers, had given their whole souls and bodies and all the candour of their feelings to their productions, just as M. de Guersaint said. But nowadays architects built churches with the same practical tranquillity that they erected five-storey houses, just as the religious articles, the chaplets, the medals, and the statuettes were manufactured by the gross in the populous quarters of Paris by merrymaking workmen who did not even follow their religion. And thus what slopwork, what toymakers', ironmongers' stuff it all was! of a prettiness fit to make you cry, a silly sentimentality fit to make your heart turn with disgust! Lourdes was inundated, devastated, disfigured by it all to such a point as to quite upset persons with any delicacy of taste who happened to stray through its streets. It clashed jarringly with the attempted resuscitation of the legends, ceremonies, and processions of dead ages; and all at once it occurred to Pierre that the social and historical condemnation of Lourdes lay in this, that faith is forever dead among a people when it no longer introduces it into the churches it builds or the chaplets it manufactures.
However, Marie had continued examining the shelves with the impatience of a child, hesitating, and finding nothing which seemed to her worthy of the great dream of ecstasy which she would ever keep within her.
'Father,' she said, 'it is getting late; you must take me back to the hospital; and to make up my mind, look, I will give Blanche this medal with the silver chain. After all it's the most simple and prettiest thing here. She will wear it; it will make her a little piece of jewellery. As for myself, I will take this statuette of Our Lady of Lourdes, this small one, which is rather prettily painted. I shall place it in my room and surround it with fresh flowers. It will be very nice, will it not?'
M. de Guersaint approved of her idea, and then busied himself with his own choice. 'O dear! oh dear! how embarrassed I am!' said he.
He was examining some ivory-handled penholders capped with pea-like balls, in which were microscopic photographs, and while bringing one of the little holes to his eye to look in it he raised an exclamation of mingled surprise and pleasure. 'Hallo! here's the Cirque de Gavarnie! Ah! it's prodigious; everything is there; how can that colossal panorama have been got into so small a space? Come, I'll take this penholder; it's curious, and will remind me of my excursion.'
Pierre had simply chosen a portrait of Bernadette, the large photograph which represents her on her knees in a black gown, with a handkerchief tied over her hair, and which is said to be the only one in existence taken from life. He hastened to pay, and they were all three on the point of leaving when Madame Majeste entered, protested, and positively insisted on making Marie a little present, saying that it would bring her establishment good-fortune. 'I beg of you, mademoiselle, take a scapulary,' said she. 'Look among those there. The Blessed Virgin who chose you will repay me in good luck.'
She raised her voice and made so much fuss that the purchasers filling the shop were interested, and began gazing at the girl with envious eyes. It was popularity bursting out again around her, a popularity which ended even by reaching the street when the landlady went to the threshold of the shop, making signs to the tradespeople
