The Three Cities Trilogy: Paris

As soon as he had relapsed into silence and immobility, she continued: 'If I were to die to-morrow, Gerard would not even find here the little fortune which he still fancies is in my hands. The dear child has often cost me large sums of money without apparently being conscious of it. I ought to have been more severe, more prudent. But what would you have? Ruin is at hand. I have always been too weak a mother. And do you now understand in what anguish I live? I ever have the thought that if I die Gerard will not even possess enough to live on, for he is incapable of effecting the miracle which I renew each day, in order to keep the house up on a decent footing. . . . Ah! I know him, so supine, so sickly, in spite of his proud bearing, unable to do anything, even conduct himself. And so what will become of him; will he not fall into the most dire distress?'

Then her tears flowed freely, her heart opened and bled, for she foresaw what must happen after her death: the collapse of her race and of a whole world in the person of that big child. And the Marquis, still motionless but distracted, feeling that he had no title to offer his own fortune, suddenly understood her, foresaw in what disgrace this fresh disaster would culminate.

'Ah! my poor friend!' he said at last in a voice trembling with revolt and grief. 'So you have agreed to that marriage-yes, that abominable marriage with that woman's daughter! Yet you swore it should never be! You would rather witness the collapse of everything, you said. And now you are consenting, I can feel it!'

She still wept on in that black, silent drawing-room before the chimney-piece where the fire had died out. Did not Gerard's marriage to Camille mean a happy ending for herself, a certainty of leaving her son wealthy, loved, and seated at the banquet of life? However, a last feeling of rebellion arose within her.

'No, no,' she exclaimed, 'I don't consent, I swear to you that I don't consent as yet. I am fighting with my whole strength, waging an incessant battle, the torture of which you cannot imagine.'

Then, in all sincerity, she foresaw the likelihood of defeat. 'If I should some day give way, my friend, at all events believe that I feel, as fully as you do, how abominable such a marriage must be. It will be the end of our race and our honour!'

This cry profoundly stirred the Marquis, and he was unable to add a word. Haughty and uncompromising Catholic and Royalist that he was, he, on his side also, expected nothing but the supreme collapse. Yet how heartrending was the thought that this noble woman, so dearly and so purely loved, would prove one of the most mournful victims of the catastrophe! And in the shrouding gloom he found courage to kneel before her, take her hand, and kiss it.

Just as the servant was at last bringing a lighted lamp Gerard made his appearance. The past-century charm of the old Louis XVI. drawing-room, with its pale woodwork, again became apparent in the soft light. In order that his mother might not be over-saddened by his failure to dine with her that evening the young man had put on an air of brisk gaiety; and when he had explained that some friends were waiting for him, she at once released him from his promise, happy as she felt at seeing him so merry.

'Go, go, my dear boy,' said she, 'but mind you do not tire yourself too much. . . . I am going to keep Morigny; and the General and Larombiere are coming at nine o'clock. So be easy, I shall have someone with me to keep me from fretting and feeling lonely.'

In this wise Gerard after sitting down for a moment and chatting with the Marquis was able to slip away, dress, and betake himself to the Cafe Anglais.

When he reached it women in fur cloaks were already climbing the stairs, fashionable and merry parties were filling the private rooms, the electric lights shone brilliantly, and the walls were already vibrating with the stir of pleasure and debauchery. In the room which Baron Duvillard had engaged the young man found an extraordinary display, the most superb flowers, and a profusion of plate and crystal as for a royal gala. The pomp with which the six covers were laid called forth a smile; while the bill of fare and the wine list promised marvels, all the rarest and most expensive things that could be selected.

'It's stylish, isn't it?' exclaimed Silviane, who was already there with Duvillard, Fonsegue and Duthil. 'I just wanted to make your influential critic open his eyes a little! When one treats a journalist to such a dinner as this, he has got to be amiable, hasn't he?'

In her desire to conquer, it had occurred to the young woman to array herself in the most amazing fashion. Her gown of yellow satin, covered with old Alencon lace, was cut low at the neck; and she had put on all her diamonds, a necklace, a diadem, shoulder-knots, bracelets and rings. With her candid, girlish face, she looked like some Virgin in a missal, a Queen-Virgin, laden with the offerings of all Christendom.

'Well, well, you look so pretty,' said Gerard, who sometimes jested with her, 'that I think it will do all the same.'

'Ah!' she replied with equanimity. 'You consider me a bourgeoise, I see. Your opinion is that a simple little dinner and a modest gown would have shown better taste. But ah! my dear fellow, you don't know the way to get round men!'

Duvillard signified his approval, for he was delighted to be able to show her in all her glory, adorned like an idol. Fonsegue, for his part, talked of diamonds, saying that they were now doubtful investments, as the day when they would become articles of current manufacture was fast approaching, thanks to the electrical furnace and other inventions. Meantime Duthil, with an air of ecstasy and the dainty gestures of a lady's maid, hovered around the young woman, either smoothing a rebellious bow or arranging some fold of her lace.

'But I say,' resumed Silviane, 'your critic seems to be an ill-bred man, for he's keeping us waiting.'

Indeed, the critic arrived a quarter of an hour late, and while apologising, he expressed his regret that he should be obliged to leave at half-past nine, for he was absolutely compelled to put in an appearance at a little theatre in the Rue Pigalle. He was a big fellow of fifty with broad shoulders and a full, bearded face. His most disagreeable characteristic was the narrow dogmatic pedantry which he had acquired at the Ecole Normale, and had never since been able to shake off. All his herculean efforts to be sceptical and frivolous, and the twenty years he had spent in Paris mingling with every section of society, had failed to rid him of it. Magister he was, and magister he remained, even in his most strenuous flights of imagination and audacity. From the moment of his arrival he tried to show himself enraptured with Silviane. Naturally enough, he already knew her by sight, and had even criticised her on one occasion in five or six contemptuous lines. However, the sight of her there, in full beauty, clad like a queen, and presented by four influential protectors, filled him with emotion; and he was struck with the idea that nothing would be more Parisian and less pedantic than to assert she had some talent and give her his support.

They had seated themselves at table, and the repast proved a magnificent one, the service ever prompt and assiduous, an attendant being allotted to each diner. While the flowers scattered their perfumes through the room, and the plate and crystal glittered on the snowy cloth, an abundance of delicious and unexpected dishes were handed round-a sturgeon from Russia, prohibited game, truffles as big as eggs, and hothouse vegetables and fruit as full of flavour as if they had been naturally matured. It was money flung out of window, simply for the pleasure of wasting more than other people, and eating what they could not procure. The influential critic, though he displayed the ease of a man accustomed to every sort of festivity, really felt astonished at it all, and became servile, promising his support, and pledging himself far more than he really wished to. Moreover, he showed himself very gay, found some witty remarks to repeat, and even some rather ribald jests. But when the champagne appeared after the roast and the grand burgundies, his over-excitement brought him back perforce to his real nature. The conversation had now turned on Corneille's 'Polyeucte' and the part of 'Pauline,' in which Silviane wished to make her debut at the Comedie Francaise. This extraordinary caprice, which had quite revolted the influential critic a week previously, now seemed to him simply a bold enterprise in which the young woman might even prove victorious if she consented to listen to his advice. And, once started, he delivered quite a lecture on the past, asserting that no actress had ever yet understood it properly, for at the outset Pauline was simply a well-meaning little creature of the middle classes, and the beauty of her conversion at the finish arose from the working of a miracle, a stroke of heavenly grace which endowed her with something divine. This was not the opinion of Silviane, who from the first lines regarded Pauline as the ideal heroine of some symbolical legend. However, as the critic talked on and on, she had to feign approval; and he was delighted at finding her so beautiful and docile beneath his ferule. At last, as ten o'clock was striking, he rose and tore out of the hot and reeking room in order to do his work.

'Ah! my dears,' cried Silviane, 'he's a nice bore is that critic of yours! What a fool he is with his idea of Pauline being a little bourgeoise! I would have given him a fine dressing if it weren't for the fact that I have some need of him. Ah! no, it's too idiotic! Pour me out a glass of champagne. I want something to set me right after all that!'