The Three Cities Trilogy: Paris

life of certain disreputable callings, and the other, Sanfaute, a born Parisian blackguard, a pale, beardless, vicious and impudent stripling of La Chapelle, whose long curly hair fell down upon either side of his bony cheeks.

'Oh! pray now!' feverishly said Rosemonde to Bergaz; 'as you seem to know all these horrid people, just show me some of the celebrities. Aren't there some thieves and murderers among them?'

He laughed shrilly, and in a bantering way replied: 'But you know these people well enough, madame. That pretty, pink, delicate-looking woman over yonder is an American lady, the wife of a consul, whom, I believe, you receive at your house. That other on the right, that tall brunette who shows such queenly dignity, is a Countess, whose carriage passes yours every day in the Bois. And the thin one yonder, whose eyes glitter like those of a she-wolf, is the particular friend of a high official, who is well known for his reputation of austerity.'

But she stopped him, in vexation: 'I know, I know. But the others, those of the lower classes, those whom one comes to see.'

Then she went on asking questions, and seeking for terrifying and mysterious countenances. At last, two men seated in a corner ended by attracting her attention; one of them a very young fellow with a pale, pinched face, and the other an ageless individual who, besides being buttoned up to his neck in an old coat, had pulled his cap so low over his eyes, that one saw little of his face beyond the beard which fringed it. Before these two stood a couple of mugs of beer, which they drank slowly and in silence.

'You are making a great mistake, my dear,' said Hyacinthe with a frank laugh, 'if you are looking for brigands in disguise. That poor fellow with the pale face, who surely doesn't have food to eat every day, was my schoolfellow at Condorcet!'

Bergaz expressed his amazement. 'What! you knew Mathis at Condorcet! After all, though, you're right, he received a college education. Ah! and so you knew him. A very remarkable young man he is, though want is throttling him. But, I say, the other one, his companion, you don't know him?'

Hyacinthe, after looking at the man with the cap-hidden face, was already shaking his head, when Bergaz suddenly gave him a nudge as a signal to keep quiet, and by way of explanation he muttered: 'Hush! Here's Raphanel. I've been distrusting him for some time past. Whenever he appears anywhere, the police is not far off.'

Raphanel was another of the vague, mysterious Anarchists whom Janzen had presented to the Princess by way of satisfying her momentary passion for revolutionism. This one, though he was a fat, gay, little man, with a doll-like face and childish nose, which almost disappeared between his puffy cheeks, had the reputation of being a thorough desperado; and at public meetings he certainly shouted for fire and murder with all his lungs. Still, although he had already been compromised in various affairs, he had invariably managed to save his own bacon, whilst his companions were kept under lock and key; and this they were now beginning to think somewhat singular.

He at once shook hands with the Princess in a jovial way, took a seat near her without being invited, and forthwith denounced the dirty bourgeoisie which came to wallow in places of ill fame. Rosemonde was delighted, and encouraged him, but others near by began to get angry, and Bergaz examined him with his piercing eyes, like a man of energy who acts, and lets others talk. Now and then, too, he exchanged quick glances of intelligence with his silent lieutenants, Sanfaute and Rossi, who plainly belonged to him, both body and soul. They were the ones who found their profit in Anarchy, practising it to its logical conclusions, whether in crime or in vice.

Meantime, pending the arrival of Legras with his 'Flowers of the Pavement,' two female vocalists had followed one another on the stage, the first fat and the second thin, one chirruping some silly love songs with an under- current of dirt, and the other shouting the coarsest of refrains, in a most violent, fighting voice. She had just finished amidst a storm of bravos, when the assembly, stirred to merriment and eager for a laugh, suddenly exploded once more. Silviane was entering the little box at one end of the hall. When she appeared erect in the full light, with bare arms and shoulders, looking like a planet in her gown of yellow satin and her blazing diamonds, there arose a formidable uproar, shouts, jeers, hisses, laughing and growling, mingled with ferocious applause. And the scandal increased, and the vilest expressions flew about as soon as Duvillard, Gerard and Duthil also showed themselves, looking very serious and dignified with their white ties and spreading shirt fronts.

'We told you so!' muttered Duvillard, who was much annoyed with the affair, while Gerard tried to conceal himself in a dim corner.

She, however, smiling and enchanted, faced the public, accepting the storm with the candid bearing of a foolish virgin, much as one inhales the vivifying air of the open when it bears down upon one in a squall. And, indeed, she herself had sprung from the sphere before her, its atmosphere was her native air.

'Well, what of it?' she said replying to the Baron who wanted her to sit down. 'They are merry. It's very nice. Oh! I'm really amusing myself!'

'Why, yes, it's very nice,' declared Duthil, who in like fashion set himself at his ease. 'Silviane is right, people naturally like a laugh now and then!'

Amidst the uproar, which did not cease, little Princess Rosemonde rose enthusiastically to get a better view. 'Why, it's your father who's with that woman Silviane,' she said to Hyacinthe. 'Just look at them! Well, he certainly has plenty of bounce to show himself here with her!'

Hyacinthe, however, refused to look. It didn't interest him, his father was an idiot, only a child would lose his head over a girl in that fashion. And with his contempt for woman the young man became positively insulting.

'You try my nerves, my dear fellow,' said Rosemonde as she sat down. 'You are the child with your silly ideas about us. And as for your father, he does quite right to love that girl. I find her very pretty indeed, quite adorable!'

Then all at once the uproar ceased, those who had risen resumed their seats, and the only sound was that of the feverish throb which coursed through the assembly. Legras had just appeared on the platform. He was a pale sturdy fellow with a round and carefully shaven face, stern eyes, and the powerful jaws of a man who compels the adoration of women by terrorising them. He was not deficient in talent, he sang true, and his ringing voice was one of extraordinary penetration and pathetic power. And his repertoire, his 'Flowers of the Pavement,' completed the explanation of his success; for all the foulness and suffering of the lower spheres, the whole abominable sore of the social hell created by the rich, shrieked aloud in these songs in words of filth and fire and blood.

A prelude was played on the piano, and Legras standing there in his velvet jacket sang 'La Chemise,' the horrible song which brought all Paris to hear him. All the lust and vice that crowd the streets of the great city appeared with their filth and their poison; and amid the picture of Woman stripped, degraded, ill-treated, dragged through the mire and cast into a cesspool, there rang out the crime of the bourgeoisie. But the scorching insult of it all was less in the words themselves than in the manner in which Legras cast them in the faces of the rich, the happy, the beautiful ladies who came to listen to him. Under the low ceiling, amidst the smoke from the pipes, in the blinding glare of the gas, he sent his lines flying through the assembly like expectorations, projected by a whirlwind of furious contempt. And when he had finished there came delirium; the beautiful ladies did not even think of wiping away the many affronts they had received, but applauded frantically. The whole assembly stamped and shouted, and wallowed, distracted, in its ignominy.

'Bravo! bravo!' the little Princess repeated in her shrill voice. 'It's astonishing, astonishing, prodigious!'

And Silviane, whose intoxication seemed to have increased since she had been there, in the depths of that fiery furnace, made herself particularly conspicuous by the manner in which she clapped her hands and shouted: 'It's he, it's my Legras! I really must kiss him, he's pleased me so much!'

Duvillard, now fairly exasperated, wished to take her off by force. But she clung to the hand-rest of the box, and shouted yet more loudly, though without any show of temper. It became necessary to parley with her. Yes, she was willing to go off and let them drive her home; but, first of all, she must embrace Legras, who was an old friend of hers. 'Go and wait for me in the carriage!' she said, 'I will be with you in a moment.'

Just as the assembly was at last becoming calmer, Rosemonde perceived that the box was emptying; and her own curiosity being satisfied, she thought of prevailing on Hyacinthe to see her home. He, who had listened to Legras in a languid way without even applauding, was now talking of Norway with Bergaz, who pretended that he had travelled in the North. Oh! the fiords! oh! the ice-bound lakes! oh! the pure lily-white, chaste coldness of the eternal winter! It was only amid such surroundings, said Hyacinthe, that he could understand woman and love, like a kiss of the very snow itself.

'Shall we go off there to-morrow?' exclaimed the Princess with her vivacious effrontery. 'I'll shut up my house and slip the key under the door.'