in my garage. It was sitting on the hood of my jeep. I thought the judge might've left it there. Guilt maybe. Who knows?'
'You knew right away it was Josh's skull?'
'Oh, yeah.' The sheriff was silent until the last volunteer was no longer visible through the dense foliage. 'I could tell by the overlap of the front teeth and a chip in one back molar. I've had the boy's dental records in my files for twenty years. And that skull was in real good shape, no predator marks. Between that and the soil stains-well, the boy didn't bury himself. You know the parents are always at the top of the suspect list. I had to rule out your father-or make a case against him.'
'So you took a soil sample from the skull, but you didn't send it to a state lab.' Oren held up the map with its telltale stamp of origin. 'You had it analyzed by a university geologist.'
The sheriff nodded. 'Then I went looking for the rest of the bones on my own time. It took me a while to locate the grave-just a hole in the ground, not very big. And I dug up the-'
'Why would the judge kill Josh?'
'Oren, you know damn well I don't need motive. Who knows what goes on inside of that old man's head? The day you got home, you must've realized your dad had a few screws loose. The way he keeps that house. My God, he even stuffed Horatio.' Cable hurried his steps to catch up to his own group of searchers. He glanced back over one shoulder to see Oren dogging him. 'Son, you don't want to be here when they find that hole.'
True enough.
In U.S. Army terminology, he had
'You want me to go? Fine,' said Oren. 'Give me the keys to your office and that file cabinet.'
Too late.
They ran toward the sound of the scream.
The elderly owner of the dry-goods store, Mrs. Mooney, had found the burial site by falling into it. After treading on a canvas tarp, camouflaged by windblown leaves and dry brush, she had fallen into the narrow trench beneath it. The canvas now covered the old woman as well, almost like a shroud, and possibly that had also been her own thought when she screamed. Her gnarly white hands reached out of the grave to be saved.
Oren dragged out the tarp, then climbed into the hole and gently lifted the old woman up and into the waiting hands of volunteers.
The last time he had stood on the floor of a grave, there had been so many bodies, fifty or more, and a plethora of clues to the cause of death: bullet holes and blindfolds still tied around the skulls, hands bound behind the backs of men and women. Some of the evidence collected for identification had been small toys taken from the skeletal hands of children.
This more barren grave was a greater assault on his mind. He was not ready for this. He stood frozen, looking down at a familiar belt buckle, a shred of his brother's rotted blue jeans and a freshly exposed shard of bone.
Part of a yellow plastic garment jutted out from the loose dirt, and this must belong to the stranger whose remains had been mixed with Josh's in the coffin. Oren and his brother had owned yellow slickers that same color, but both of them were back at the house, still hanging side by side near the kitchen door-exhibits in his father's museum.
The sheriff, to his credit, pretended no surprise at this find, and he called out to one of the deputies, 'Get that body bag out of the trunk!'
'Not so fast.' Oren kept his voice low as he climbed out of the hole. 'You have to call the Justice Department. They'll find you a team for the excavation-specialists.'
'No time for that, son.' The sheriff slowly turned his head to stare in disbelief. A female volunteer, a tourist in an out-of-state T-shirt, stepped up to the edge of the grave to snap a picture of her summer vacation.
'That's enough of that!' Cable Babitt snatched the disposable-box camera, and a deputy led the souvenir hunter away. 'Oren, the reporters must've heard that scream. They'll be here any second. Anyway, there's nothing in that hole but rags and bones.'
And evidence of a grave robber.' Oren took the camera from the sheriff's hands and snapped a picture of the hole. He raised his voice for an approaching deputy to hear. 'See the ridges on the sides? The shovel had a nick in it. Almost as good as a fingerprint.' He snapped another picture of that shallow wall of dirt, and then he heard the sound of running feet. The reporters were coming through the woods, and they were legion.
Almost here.
'You don't want to lose this evidence, do you?' Oren pushed the film forward and snapped a photo of Cable Babitt. There was no flash, but the sheriff blinked in surprise.
Unwilling to trust this man to follow any protocols, Oren barked orders, military style, to the nearest deputy. This woman never even glanced at Cable for confirmation, but ran to her jeep to radio a request for an evidence officer on the scene. Oren issued another order to fence off the site with crime-scene tape. 'And get these people out of here!
He turned his back on his brother's grave and walked uphill toward the turnout where he had parked the judge's car.
'Son? Wait up!'
'I'm in a hurry, Sheriff.' Oren kept walking, making the older man run to catch up. 'Lots of work to do. I have to check out toolsheds for a nicked shovel. Maybe just
'You're not a cop anymore! You've got no authority to-'
'I think we're past that little technicality.' Without breaking stride, Oren glanced over one shoulder to see deputies pushing the reporters back and others stringing yellow tape from tree to tree-all on the authority of a man who was not a cop anymore.
'Son, you only think you know what's going on.'
'Well, you tell me when I get something wrong.' Whirling around, he faced the startled sheriff. 'You tampered with a crime scene.' As Oren walked toward him, Cable Babitt stepped backward. 'You hand-delivered evidence to the judge, a suspect at the top of your list. You spent six weeks playing ugly little games with my brother's bones. I bet you even know the day when my father bought Josh's coffin… and then you left him
The sheriff had his back against a tree. 'I was working this case. I knew I wouldn't have much time before all hell broke loose.'
'When you found Josh's skull in your garage, was it in a bag or a box?'
'A plain old cardboard box. No prints on it. I still got the box. I'll show it to you.'
'You'll need to voucher it as evidence.'
'Oren, you
'Right. And how could you explain leaving all those bones for a grieving old man to find in the dead of night? Why couldn't you work this case the right way?'
'It was a favor to your father.' The sheriff almost whined this line, and then he flinched, as if afraid that the younger man was going to strike him.
Oren only folded his arms and kept his silence-waiting.
'I wanted to see what the judge would do when I left that skull on his porch. It was like a test.'
Oren saw it as an act of cowardice. The sheriff, a political animal, had not wanted to risk the wrath of an influential man by asking an honest question. 'So you stayed to watch. Did my father cry?'
'No, he just sat there on the porch for the longest time. I hoped he'd call me, but he never did. He didn't do anything. A week went by.'
'And you left him more of his son's bones. Did you think he wouldn't
'When Josh went missing, your father was a sitting judge, and he had a lot of clout, but he never pushed for results, never once asked me for an update. Not one damn call to my office.' The sheriff lifted both hands to stay Oren's next words. 'I know he got help from William Swahn. But I figure that man's job ended when he found you an alibi.'
'The soil analysis led you to an open grave.' Oren rolled one hand, motioning for the older man to continue that thought.
'Yeah. Like I said, the hole was a small one. No sign of digging anywhere near it. Whoever left me that skull knew right where to look and found it on the first try. I had to widen it some to dig up more bones.'
'Did you put that sheet of canvas over the grave?'
'Well, yeah. I had to protect my evidence.'
'Son, if you
'Don't call me
'Because I need more time to clear your father. Just something to think about, Oren. If I lose this case to the state, they'll tear into that old man. He'll be at the top of somebody else's list. You
'While I'm thinking that over, I need the name of the woman who gave you my second alibi.' He watched the sheriff's eyes as the man weighed a nicked shovel against this old bit of evidence.
Cable Babitt shrugged. And now it was obvious that it had never occurred to this man that one of the false alibis could have been made by a witness to a murder-or a killer.
'I suppose it hardly matters now,' said the sheriff. 'Nobody in this town would've believed her. I wish she'd never come in. I had Evelyn's story to clear you. But two alibis, well, that just-'
'Alibis you said you never wrote down, statements never signed. You've got
After being turned away from the gravesite, Ferris Monty was outraged. His bile spilleth over with indignation, and he poured it into the telephone. The California Bureau of Investigation was remarkably nonchalant about homicides north of Sacramento. However, they did have a CBI agent billeted in Saulburg on special assignment.
Ferris drove to the county seat, where he marched into the local headquarters of the Highway Patrol and demanded to speak with Special Agent Polk.
Following a wait of thirty minutes-another outrage-he laid out his case in the office temporarily assigned to the CBI agent. 'Oren Hobbs was giving the orders,' said Ferris. 'I
Sally-call me Sally-Polk was years younger than Ferris, and yet this investigator reminded him of his mother, though he could not say why. Perhaps it was the rounded maternal shape, the gray in her hair-the plate of warm cookies on the desk.
'Sweetheart, is your tea too hot?' she wanted to know.
It was peppermint tea. Every article ever written about him had mentioned his love of this variety. He would swear this was even his brand.
He had imagined this scene in advance of his arrival, and nowhere in that scenario did a cop call him sweetheart like she really meant it, and there was no damned tea or cookies. Adding to his