‘No. I think not. Once you'd got to play the part of Mrs Something Hardinge, you liked the idea of 'Louisa'. Why not? You may not know all that much about Coleridge. But about Hardy? That's different. You remembered that when Hardy was a youth he fell in love with a girl who was a bit above him in class and wealth and privilege, and so he tried to forget her. In fact he spent all the rest of his life trying to forget her.'
She was looking down at the table as Morse went gently on: ‘Hardy never really spoke to her. But when he was an old man he used to go and stand over her unmarked grave in Stinsford churchyard.'
It was Morse's turn now to look down at the table
‘Would you like some more coffee, madame?' The waiter smiled:ely and sounded a pleasant young chap. But 'madame' shook -~ nead, stood up, and prepared to leave
‘Claire – Claire Osborne – that's my name.'
‘Well, thanks again – for the paper, Claire.'
‘That's all right.' Her voice was trembling slightly and her eyes; suddenly moist with tears.
‘Shall I see you for breakfast?' asked Morse.
‘No. I'm leaving early.'
‘Like this morning.'
'Like this morning.'
‘I see,' said Morse.
'Perhaps you see too much.'
'Perhaps I don't see enough.'
'Goodnight – Morse.'
'Goodnight. Goodnight, Claire.'
When an hour and several drinks later Morse finally decided to retire, he found it difficult to concentrate on anything else except taking one slightly swaying stair at a time. On the second floor, Room 14 faced him at the landing; and if only a line of light had shown itself at the foot of that door, he told himself that he might have knocked gently and faced the prospect of the wrath to come. But there was no light.
Claire Osborne herself lay awake into the small hours, the duvet kicked aside, her hands behind
chapter ten
Mrs Kidgerbury was the oldest inhabitant of Kentish Town, I believe, who went out charing, but was too feeble to execute her conceptions of that art
(Charles Dickens,
With a sort of expectorant 'phoo', followed by a cushioned 'phlop', Chief Superintendent Strange sat his large self down opposite Chief Inspector Harold Johnson. It was certainly not that he enjoyed walking up the stairs, for he had no pronounced adaptability for such exertions; it was just that he had promised his very slim and very solicitous wife that he would try to get in a bit of exercise at office wherever possible. The trouble lay in the fact that he usually too feeble in both body and spirit to translate such resolve into execution. But not on the morning of Tuesday, 30 June 1992, four days before Morse had booked into the Bay Hotel…
THE Chief Constable had returned from a fortnight's furlough the previous day, and his first job had been to look through the correspondence which his very competent secretary had been unable, or unauthorized, to answer. The letter containing the ‘Swedish Maiden' verses had been in the in-tray (or so she thought) about a week. It had come (she thought she remembered) in a cheap brown envelope addressed (she
The Chief Constable himself had felt unwilling to apportion blame: five stanzas by a minor poet named Austin were not exactly the pretext for declaring a state of national emergency, were they? yet the 'Swedish' of the first line combined with the 'maiden' of penultimate line had inevitably rung the bell, and so he had in turn rung Strange, who in turn had reminded the CC that it was DCI Johnson who had been – was – in charge of the earlier investigations.
A photocopy of the poem was waiting on his desk that day when] Johnson returned from lunch.
It had been the following morning, however, when things had really started to happen. This time, certainly, it
The note-paper clearly came from the same wad as that used for the first letter: 'Recycled Paper – OXFAM • Oxford • Britain’ printed along the bottom. There was every sign too that the note was written on the same typewriter, since the four middle characters of 'letter' betrayed the same imperfections as those observable in the Swedish Maiden verses.
This time the CC summoned Strange immediately to his office
'Prints?' suggested Strange, looking up from the envelope and note-paper which lay on the table before him.
'Waste o' bloody time! The envelope? The postman who collected it – the sorter – the postman who delivered it – the post room people here – the girl who brought it round – my secretary…’
'And me, yes.'
'What about the letter itself?'
'You can try if you like.'
'I'll get Johnson on to it -'
'I don't want Johnson. He's no bloody good with this sort of case. I want Morse on it.'
'He's on holiday.'
'First I've heard of it!'
'You've been on holiday, sir.'
'It'll have to be Johnson then. But for Christ's sake tell him to get off his arse and actually
For a while Strange sat thinking silently. Then he said, 'I've got a bit of an idea. Do you remember that correspondence they had in
'The Irish business – yes.'
'I was just thinking – thinking aloud, sir – that if you were to ring
'Me? What's wrong with
Strange said nothing.
'Look! I don't care what we do so long as we do