KATHY REICHS
206 BONES
This book is dedicated to my colleagues in the forensic sciences who have demonstrated their professional commitment and aptitude by applying for and obtaining legitimate board certification.
The exam was a bear, but we did it!
Bravo!
American Board of Forensic Anthropology
American Board of Criminalistics
American Board of Forensic Document Examiners
American Board of Forensic Engineering and Technology
American Board of Forensic Entomology
American Board of Forensic Odontology
American Board of Forensic Psychology
American Board of Forensic Toxicology
American Board of Pathology
American Board of Psychiatry and Neurology
ACKNOWLEDGMENTS
My heartfelt thanks to Peter Bush, Laboratory of Forensic Odontology Research, School of Dental Medicine, SUNY at Buffalo, for his advice on scanning electron microscopy and energy dispersive X-ray spectroscopy, and to S. Kelly Sears, Facility for Electron Microscopy Research, McGill University.
My sincere gratitude to Michael Warns, who, as usual, researched many things. Who knew the Chicago burbs had so many quarries?
Michael Cook shared his knowledge of sewers. Renate Reichs aided me in mapping Chicago terrain. Jack Kenney offered tips on the Cook County Medical Examiner’s office. William Rodriguez helped with forensic anthropology minutia. Michael Bisson enlightened me on CRM archaeology. Ronnie Harrison answered cop questions. And, of course, there was the nice lady who took my call at the Bibliotheque et Archives nationales du Quebec.
I appreciate the continued support of Philip L. Dubois, Chancellor of the University of North Carolina at Charlotte.
I am grateful to my family for their patience and understanding, especially when I am cranky. Or gone. Credit to Paul Reichs for reading and commenting on the manuscript.
Particularly useful was the article by B. C. Smith, “A Preliminary Report: Proximal Facet Analysis and the Recovery of Trace Restorative Materials from Unrestored Teeth,”
Deepest thanks to my splendid agent, Jennifer Rudolph Walsh, and to my dazzling editors, Nan Graham and Susan Sandon. I also want to acknowledge all those who work so very hard on my behalf, especially: Susan Moldow, Katherine Monaghan, Paul Whitlatch, Emma Rose, Margaret Riley, Britton Schey, Tracy Fisher, Elizabeth Reed, and Michelle Feehan. And of course, I am indebted to the Canadian crew, especially to Kevin Hanson and Amy Cormier.
If there are errors in this book, I own them. If I have forgotten to thank someone, I apologize. You know the drill.
1
Am I dead?
Corpses don’t breathe. Dead hearts don’t beat.
I feel pain. I react. I am alive.