THE INFORMATION

him idled the uninviting Atlantic, in bayside calm; on either side the raked and watered sands of South Beach, Miami, stretched far away… Gwyn and the publicity boy were staying in a five-star citadel farther up the shore, whereas Richard was more informally lodged down here on South. And that was okay. Richard's snobbery was sincere snobbery; he didn't just pretend to be a snob because he thought it looked upper class. All right, he hadn't made it as a contemporary guy. He was a modern. But he wasn't a postmodern. So he really didn't want to be wallowing and languishing, with Gwyn, in that twenty-first-century nautilus, that regency spaceship offish tanks and startling energy bills, where every room had three televisions and five telephones (American luxury having much to do with the irreducible proximity of televisions and telephones), and in which money flew off you every minute whatever you did. Solacing himself, too (as always), with the fixtures of neglect, he liked his flaking medium-rise on South Beach, with its shot early-morning smell of damp plaster and India. Kafka's beetle didn't just pretend to like lying around on unswept floors beneath items of disused and disregarded furniture. To paraphrase a critic who also knew about beetles and what they liked, Kafka's beetle took a beetle pleasure, a beetle solace, in all the darkness and the dust and the discards.

Behind him, between the beach and the main drag, where resort commerce convulsed itself against an innocuous proscenium of art deco, lay a halfheartedly vegetated area, bounded by low brick walls, in which Gwyn Barry, and others, were making a rock video. Gwyn's role was more or less a passive one, it had to be allowed. He wasn't dancing in it or singing in it. He was just sitting in it-at the request of the featured band's lead singer, an Amelior enthusiast. All Gwyn had to do was place himself at a table that had a globe and a book on it; behind him they had positioned a flapping tapestry where bent sheep grazed, wisely watched over by white-haired pards holding crooks and lyres, aeolian harps. A squad of young black dancers were then to move past him, dipping and straightening, like cookie cutouts. Richard had stayed to monitor an edi-fying conversation, duly recorded in his notebook, between Gwyn and the sleek publicity boy. Something like:

'Trust me. This'll help Regained. It'll groundbreak it.' 'Maybe,' said Gwyn. 'But it might hurt the Profundity thing.' 'We have their guarantee that it won't screen until after the Profundity thing.'

'. .. How much will it help Regained?' 'Major. Come on. Just think who it'll reach.'

After that Richard had fled, down toward the sand and the sea, the eye-hurting metal of the sky. It was not the spectacle of vulgarity or venality that hastened his departure. The reason lay inward, as everything, now, lay increasingly and irreversibly inward. Richard fled the black dancers and their grip and torque of life, their raised temperature of youth and health. These little black stars, teenagers, every inch of their bodies primed and juiced, were nonetheless the opposite of artists in that they did what other people told them to, and unreservedly accepted the time and place they were living in. They were still enslaved. Richard could claim as his forebears only free men and women, but he was a slave and a ghost in his own life; the only bit of him that acted freely was the bit that planned and typed his fiction. Then, too, the dancers were at the top of the chattels business, cosseted calves, priceless specimens, skittish and exquisite. Whereas Richard … Still, it wasn't his thoughts that had driven him over the wall and onto the beach, where the sky glistened and pulsed more heavily than the sea, his head down, one forearm bent beneath the two big books he carried, the other raised to soothe or steady his flinching face. It was the burn of their brownness, and the colder clarity of their eyes and teeth, the pulp salmon of their tongues-which made him feel that from now on all life and love would be harbored elsewhere. It seemed as if the atrocious doses of powerful medications that he soon must surely take were already in dour operation, bringing down a thick and wobbling penumbra of turbulent air, the kind which, in larger quantities, makes big jets quake, secluding him, roping him off from life and love. Before him on the beach Americans exercised, and played games. American health got everyone where it hurt, in the pocket, and had things so arranged that each disaster for the body was a multiple disaster for you and everyone around you in your life. Loved ones, and so on. But those with the money were Clearly getting a lot out of it, the health deal here, and Miami, with all the robot methuselahs of Miami Beach, was the holy city of its miracles. On the faces of those who leapt and limped and hollered and panted in front of him Richard was seeing something that he hadheard about only in discussions of American foreign policy (and then not recently): American resolve. Visible on the face of the fattest jogger. American resolve, which is like no other resolve, not the steeliest, quite, but always saying that their right to it need never be examined. Seriously considering the removal of his bow tie, Richard lit another cigarette.

He was heating up, and not just in his person. Also, apparently, as a commodity. Even the publicity boy, surveying Richard's situation, might have said without irony that all his prospectives were zeroing in. Once or perhaps twice every day Richard had called the Lazy Susan, deploying one or other of his strikingly talentless American accents (he was no better than the twins, who, when imitating Americans, pronounced yes as a trisyllable and put three ns in banana); and it seemed that Untitled was suddenly and unaccountably taking fire. Instead of having two copies in stock, the Lazy Susan now had one copy in stock. With his enhanced royalty deal, that meant he was a clear $2.50 to the good. More than this, much more than this, he now had something resembling a publicity schedule. He would be interviewed, the following afternoon, by Pete Sahl of the Miami Herald; in Chicago he would be the subject of the hour-long Dub Traynor interview; and in Boston he would give a reading-signing at the Founder Theater. All fixed or facilitated by Gwyn. The publicity boy had sent over a sheet of paper with all the details typed out on it.

'Hi.'

Richard looked up. A young woman was standing over him. She wore cutoffs, tattoos, a plastic money pouch like a belt with a beer-gut.

'That'll be three bucks.'

'What'll be three bucks?'

'The lounger you're lying on.'

'I haven't got any money on me.'

'Sorry, sir.'

It was a nice idea, Americans calling everyone sir, addressing everyone-waiters, cabbies, toilet attendants, serial murders-as sir. The consequence was, though, that they made sir sound like Mac or bub or scumbag.

'Okay. I might just have it.'

Bearing his two crumpled bills and a handful of his brown and silver change, she climbed back into her caddycart and whirred softly off on it, looking for other people who were lying on loungers. 'Great job you got,' said Richard quietly. Said Richard to himself. He lay back on his padded rack, and yawned, and briefly nursed his bubonic jet lag. Anyway, that was what he hoped it was: merely jet lag, rather than a no- surprises, by-the-book expiration from advanced old age.

His one concession to his surroundings was a Day-Glo yellow flexi-grip highlighting pen (found beneath the bedside table in his hotel room), with which he was marking passages of especial interest in The Character of Sir Thomas Overbury (1581-1613). But really he was reading two books at once, with one drooping and one auspicious eye. The book on his lap was a literary biography. The book in his head was his own, Unfitted, from whose pages he would read in Boston, Massachusetts. Which bits? The description of the escort-agency advertisement done as a chapter-long parody of The Romance of the Rose? That miraculously sustained tour de force in which five unreliable narrators converse on crossed mobile-phone lines while stuck in the same revolving door? Gwyn had given him confirmation of the engagement that lunchtime, backstage at the Miami Book Festival, as the seconds ticked away before 'An Hour with Gwyn Barry.' Touched by his friend's words, Richard hung around for the event, hoping it would simply be a severe disappointment as opposed to an unqualified flop. Annoyingly, about a thousand people showed up for it. Why? In Miami, for pity's sake, where there was so much else on offer. Why not the mall, the pool, the casino, the crack house? Didn't they have anything better to do? The only good bit came as Gwyn was leaving the auditorium, lingeringly, accepting congratulations and handshakes, and giving previews of his book-