THE INFORMATION

a dimension, not a force. But women felt it as a force, because they could feel its violence, every hour. They knew they would be half dead at forty-five. This information did not fall in the path of men. Men, at forty-five, were in 'the prime of life.' The prime? Prima (bora): first (hour)? They get the Change. We get the Prime. And this is the reason why our bodies weep and seep in the night, because we're half dead too, and don't know how or why.

'Wow,' said the publicity boy. 'Too bad about your face. Does it hurt a lot?'

Richard said, 'Not as much as you'd think.'

'Pardon me?'

'Not as much as you'd think.'

'Pardon me?'

He shook his head no. That hurt a lot. Just before dawn Richard had got out of bed and moved toward the bathroom mirror with unusually intense disquiet. Sure enough, his face was the shape of a television. He looked like one of the Simpsons. He looked like Bart Simpson. In profile Richard resembled the joke figure in a newspaper cartoon about a den-tist's waiting room. Full face, though, he looked like Bart Simpson. Because he had two joke toothaches: lower right, upper left.

At the airport he sat with Gwyn while the publicity boy banged his head against the wall of a nearby phone booth, rearranging interviews. Their flight to Boston was delayed, and there were further complications. Following the mid-afternoon reading they were to make a short hop to Provincetown, over the bay, in Cape Cod, there to attend a party at the holiday home of the toiletry tycoon or burger king who owned Gwyn's publishers. The publicity boy returned, saying,

'The Globe guy and the Herald lady will meet us at Logan and we can do a double interview in the cab.'

'Did you get Elsa Oughton?'

'I keep getting this jig who just bawls me out and won't take a message.'

The publicity boy sat down heavily.

Gwyn was staring at him. 'Try again. What is this? She's Profundity Three for Christ's sake.'

On the afternoon of Gwyn's Los Angeles reading the publicity boy had pointed to the lone cloud in the sky-pink-fringed, chef's-hat-shaped, utterly lost-and predicted, drolly, and wrongly, that no one would show up, this being Los Angeles. In Los Angeles the sky had only one imitation it could do: that of the interstellar void. As for telling Los Angeles about the kind of day it was having, the sky, like Gwyn Barry when they asked him about the Millennium deal on Amelior, had no comment. The sky above Los Angeles was a no-comment sky.

The simultaneous or parallel reading was to be given in a converted theater in Boston's commercial midtown. Richard took it as auspicious when he saw the crowd outside, and the crowd in the entrance hall, and the crowd lining the passage, and the crowd in the bar where the simultaneous or parallel signing session would later take place. Gwyn's table was ready, hardly visible beneath the earthworks and palisades of his fiction: the stacks of Amelior Regained, the stacks of Amelior, and (Jesus) the stacks of Summertown in a bright new paperback original. Richard approached his own table, which was of course entirely bare, and started unloading his mail sack. Lifting out the first copy of Untitled, and catching the usual hangnail in the rough loom of its jacket, Richard watched Gwyn and tried to imitate his expression, benign, bemused, unsurpris-able. He was also endeavoring to take heart from the rampant and (by definition) laughably undiscriminating enthusiasm on display. In England, if your favorite living author who also happened to be your long-lost twin brother was giving a reading in the next house along, it would never occur to you even to stick your head round the door. But Americans clearly went out and did things.

For the next fifteen minutes the two writers were to occupy a sectioned area of the bar, where a group of journalists and academics had been gathered for them to hobnob with. Elsa Oughton stood among them. Richard was startled by her appearance. She was no longer the angular, Gina-like dryad of her jacket photograph: he wouldn't have identified her if she hadn't had both Gwyn's shoes sticking out of the back of her skirt. On the happenstance/coincidence/enemy-action principle, Richard had decided against any further defamation of his friend. But after Gwyn was done with her (in parting he gave Elsa the full PR handshake, two palms enfolding hers as if in joint prayer), she came over to where he was standing with his swollen face and his plastic beaker of white wine and Richard thought what the hey and said,

'Elsa Oughton? Richard lull. I wonder if you saw our review of Saddle Leather in The Little Magazine. A favorable and also a very interesting piece. I'll make sure you get sent a copy.'

'Thanks. Good. How was your tour?'

What Richard was looking at here was a narrative of fat. The whole story: how she'd got that way, how she'd tried to get back. How muchshe hated it. He wondered whether it was in him to dream up something about Gwyn hating fat people-a taunt directed at a small child with gland problems, perhaps. But he didn't see how the subject of fat people could be smoothly raised. For a moment he felt pride in the shaming bloat of his own face. The only other stuff he knew about Elsa was that she wrote twangingly sensitive short stories about hikes and sleepouts and mingling with animals. And that she had recently married Viswanathan Singh, the Harvard economist.

He sucked in his chest and stuck out his gut and said, 'Rather shocking, actually.'

'How so?'

'Well. I've known Gwyn for twenty years.' Richard didn't even bother to tell himself not to get carried away. 'I know his foibles. Or I thought I did. Outrageous looks-snob. Loves his creature comforts. Hates animals. So what? Who cares? But I had no idea he was such an unreconstructed racist. Really. I'm flabbergasted.'

'Racist?'

'Of course he did grow up in Wales, which is racially very homogeneous. And in London he and his wife-that's Lady Demeter to you- move in very select circles. But over here, in the great 'melting pot'…'

'What kind of thing?'

'For two weeks now I've had to endure a constant stream of snide remarks about geeks and slopes and wops and wogs and boogies and pakkis. Send them back to the hellholes they came from. You know the kind of thing.' What next? Gwyn punching eye-slits in his hotel pillow slips? Gwyn with his blazing cross, thundering over … No. No horses. Richard made a serious effort and managed to mutter in his clogged new voice, 'I tried reading him Dickens on the American South. No earthly use, of course. Oh no. Not with friend Barry.'

'But his wofk's so bland. So bland.'

'Yes, well this is often the way, isn't it.'

'I can't stay for the reading. I… can't stay.'

Elsa Oughton couldn't stay for the reading because a curtain-hanger was expected at the house, and Viswanathan refused to deal with tradespeople. The Singhs had moved, not so long ago, and something like this happened almost every day. Viswanathan would call and tell her to come home because there was a man outside trying to deliver a parcel. Late the night before he had caught her crouched over the icebox in the dark and announced his intention of moving into a separate bedroom. And a separate bathroom. That morning: another fight. She had crossed the room in front of his desk. In future she was to cross the room behind hisdesk. Even as things stood it seemed that she was only allowed to look his way every other Tuesday.

'At the airport just now,' said Richard, 'our porter was an elderly Asian gentleman and he accidentally dropped Gwyn's shooting-stick. And Gwyn called him a fucking monkey! I'm sorry. But can you believe that? I mean / don't care whether people are green or blue or polka-dotted …'

Oh sure, she thought. Come back to my place and try handling my