The three women were walking slowly along the edge of the sea. The smooth sea was a light luminous uniform colour of blue, scattered over with twinkling, shifting gems of brightness, and divided by a thin dark blue line from the more pallid empty blue sky, into which on such a day it seemed that one could look infinitely far. There had been a few natives on the beach that morning, but now they had gone away in the dead time of the early afternoon. On the curve of the open green hillside just inland, like a figure in the background of a painting by Uccello, Barbara could be seen riding her new pony.

Outlined against the pale blue light, the figures of the women seemed monumental in the empty scene. They walked slowly and lazily in single file, Paula first, dressed in a plain shift of yellow cotton, Mary next in a white dress covered with small blue daisies, and Kate last, in a purplish reddish dress of South Sea island flowers. Kate, wearing her canvas shoes, was walking along with her feet in the sea. At low tide there was a little sand at the sea's edge and she was walking upon the sand.

The other two walked higher up, upon the crest of mauve and white pebbles.

Paula was twisting her wedding ring round and round upon her thin finger. She had often felt inclined to throw the ring into the sea, and been prevented by some almost superstitious scruple. She was thinking now, what on earth shall I do? She had just received a postcard from Eric posted in Singapore.

Something about the slow progress across the globe of her exlover appalled and paralysed her. Her first reaction had been one of sheer terror. Yet it was possible that she had a genuine duty here; and in the light of that word 'duty' she had found herself able once more to reflect. Perhaps Eric's mind, wounded and crippled by her fault, could only be healed by her ministration? She need not after all now marry Eric, or become again his mistress, as it had seemed to her in the first shock, and for no very clear reason, that she must. All that was necessary was that she should resolutely confront him, talk to him with reason and kindness, talk if necessary on and on and on. He had gone away too quickly and she had been so cravenly glad of this. She had never understood that situation, she had never really contemplated it, she had shuffled it off. Perhaps if she tried now to understand it and to help Eric to understand it she would do them both some good of which at present she had not even the conception. It was simply that the idea of confronting Eric was an idea of such pure and awful pain that she could not in any way manipulate it in her thought.

I never understood what happened, Paula thought. Everything was so dreadful that I stopped thinking. I never tried to see what it was like for Richard either. If I had I might have tried to stop him from going away. But I hated myself and the muddle of it all so much, I let Richard go just because I wanted to be left alone. I ought to have fought Richard then with my intelligence. Yet it all seemed inevitable and perhaps it was. Is it fruitless to think about the past and build up coherent pictures of how one's life went wrong? I have never believed in remorse and repentance. But one must do something about the past. It doesn't just cease to be. It goes on existing and affecting the present, and in new and different ways, as if in some other dimension it too were growing.

She looked away over the sinister silent blue surface of the Eric-bearing sea. If I could think clearly now, she wondered, about what I did then could I do us all some good? Then she reflected that this 'us all' seemed to include Richard; yet there was nothing further in the rest of time that she could do for Richard except leave him utterly alone. It was Eric, not Richard, whom she might have now the power to help, and she must save her wits from crazy fear by thinking on the problem of how to do it. I must think it all out beforehand, she thought, and I must be in control. Eric could make me do things, that was what was so dreadful. Of course Paula had revealed her trouble to no one. She preserved it in her private heart like the awful bloody arcana of a mystical religion.

Mary was thinking, suppose I were to marry Willy and take him right away? The idea was vague, wonderful, with its sudden suggestion of purpose, of space, of change. It was a surprise idea. And yet why not? Ducane had been right when he said that she had settled down to feeling inferior to Willy. She had allowed Willy to cast a bad sleepy spell upon both of them.

What she needed now was will, some freshness out of her own soul to break that spell. I've never had gaiety of my own, thought Mary. Alistair was gay, the gaiety of our marriage was all his. I am naturally an anxious person, she thought, stupidly, wickedly anxious. Even now, as I walk along beside this blue sea covered with sugary light I see it all through a veil of anxiety. My world is a brown world, a dim spotty soupy world like an old photograph. Can I change all this for Willy's sake? There is a grace of the gods which sends goodness. Perhaps there is a grace of the gods which sends joy. Perhaps, indeed they are the same thing and another name for this thingY is hope. If I could only believe a little more in happiness I could control Willy, I could save Willy.

In fact John Ducane's 'You have power' had already made a difference to her relations with Willy. She could not yet imagine herself proposing marriage to him, though she had tried to picture this scene. Yet, between them, things were changing.

I think I was too obsessed with the idea that he should talk to me about the past, she thought, about what it was like there. I felt that this was a barrier between us. But I know now that I can leap over the barrier, I can come close to Willy and hustle him just by a sort of animal cheerfulness, just by a sort of very simple love. It isn't my business to knit up Willy's past, to integrate it into a present I can share with him. It may be impossible to do this anyway. I must be loving to him in a free unanxious sort of way, even ready to make use of him to procure my own happiness! I already feel much more independent with him. Mary had felt this greater independence as a sense of almost bouncy physical well-being as she moved, differently now, about Willy's room. And she had seen Willy being positively his dear tace she laughed the best laugh she had laughed tor a long time.

Kate was thinking how wonderfully cool the water goes on feeling upon my ankles, a marvellous feeling of something cool caressing something warm, like those puddings where there's a hot cake hidden inside a mound of ice cream. And what an intense heavenly blue the sea is, not a dark blue at all, but like a cauldron of light. How wonderful colour is, how I should like to swim in the colour of that sea, and go down and down a revolving blue shaft into a vortex of pure brightness where there isn't even colour any more but just bliss. How wonderful everything is and Octavian isn't the least bit hurt about John, I know he isn't, not the least little bit, it doesn't worry him at all. Octavian is happy and I'm going to make John happy. He's still worried about Octavian but he'll soon see that all is well, that all is perfectly well, and then he'll settle down to be happy too. How wonderful love is, the most wonderful thing in the whole world. And how lucky I am to be able to love without muddle, without fear, in absolute freedom. Of course Octavian is great. He has such a divine temperament. And then, if it comes to that, so have I. We were both breast-fed babies with happy childhoods. It does make a difference. I think being good is just a matter of temperament in the end. Yes, we shall all be so happy and good too. Oh, how utterly marvellous it is to be me!

Fifteen

'Oh it's you, is it,' said Willy Kost. 'Long time no see.'

Theo came into the cottage slowly, not looking at his host, and closed the door, by leaning his shoulder against it. He moved along the room, setting the bottle of whisky down on the window ledge. He went into Willy's kitchen and fetched two glasses and a jug of water. He poured some whisky and some water into each glass and offered one glass to Willy, who was sitting at the table.

'What's the music?' said Theo. 'Slow movement of the twelfth quartet, opus 127.' 'I can't bear it.' Willy switched the gramophone off. 'A consciousness in agony represented in slow motion.' 'Yes,' said Willy. Theo leaned against the long window, looking out. 'Wonderful binoculars these. Did Barbara give them to you?' 'Yes.' 'I can see our Three Graces walking along by the edge of the sea. Each one more beautiful than the last.' 'Oh.'
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