Memories of my Melancholy Whores

heart in my mouth. She smiled, turned toward me with a grace of a gazelle, and showed me her entire body. The whole room felt saturated with her intimacy. Her nakedness was not absolute, for like Manet’s Olympia, behind her ear she had a poisonous flower with orange petals, and she wore a gold bangle on her right wrist and a necklace of tiny pearls. I imagined I would never see anything more exciting for as long as I lived, and today I can confirm that I was right.

I slammed the door shut, embarrassed by my blundering and determined to forget her. But Ximena Ortiz prevented that. She sent me messages with mutual friends, provocative notes, brutal threats, while she spread the rumor that we were mad with love for each other though we hadn’t exchanged a word. She was impossible to resist. She had the eyes of a wildcat, a body provocative with clothes as without, and luxuriant hair of uproarious gold whose woman’s smell made me weep with rage into my pillow. I knew it would never turn into love, but the satanic attraction she held for me was so fiery that I attempted to find relief with every green-eyed tart I came across. I never could put out the flame of her memory in the bed at Pradomar, and so I surrendered my weapons to her with a formal request for her hand, an exchange of rings, and the announcement of a large wedding before Pentecost.

The news exploded with greater impact in Barrio Chino than in the social clubs. At first it was met with derision, but this changed into absolute vexation on the part of those erudite women who viewed my marriage as a condition more ridiculous than sacred. My engagement satisfied all the rituals of Christian morality on the terrace, with its Amazonian orchids and hanging ferns, of my fiancee’s house. I would arrive at seven in the evening dressed all in white linen, with a gift of handcrafted beads or Swiss chocolates, and we would talk, half in code and half in seriousness, until ten, watched over by Aunt Argenida, who fell asleep in the blink of an eye, like chaperones in the novels of the day.

Ximena became more voracious the better we got to know each other, she would loosen her bodices and petticoats as the sultry heat of June increased, and it was easy to imagine the devastating power she would have in the dark. After two months of being engaged we had nothing left to talk about, and without saying anything she brought up the subject of children by crocheting little boots for newborns from raw wool. I, the agreeable fiance, learned to crochet wither, and in this way we passed the useless hours until the wedding. I crocheted little blue booties for boys and she crocheted pink ones for girls, we’d see who guessed right, until there were enough for more than fifty babies. Before the clock struck ten, I would climb into a horse-drawn carriage and go to the Barrio Chino to live my night in the peace of God.

The tempestuous farewells to bachelorhood that they gave me in the Barrio Chino were the opposite of the oppressive evenings at the Social Club. A contrast that helped me find out which of the two worlds in reality was mine, and I hoped that both were, each at its proper time, because from either one I would watch the other moving away with the heartrending sighs of two ships passing at sea. On the night before the wedding, the dance at El Poder de Dios included a final ceremony that could have occurred only to a Galician priest foundering in concupiscence, who dressed the entire female staff in veils and orange blossoms so that all of them would marry me in universal sacrament. It was a night of great sacrileges in which twenty-two women promised love and obedience and I reciprocated with fidelity and support for as long as we lived.

I could not sleep because of a presentiment of something irremediable. In the middle of the night I began to count the passage of the hours on the cathedral clock, until the seven dreadful bells when I was supposed to be at the church. The telephone began to ring at eight, long, tenacious, unpredictable rings for more than an hour. Not only did I not answer: I did not breathe. A little before ten someone knocked at the door, first a fist pounding and then the shouting of voices I knew and despised. I was afraid they would push down the door in some serious mishap, but by eleven the house was left in the bristling silence that follows great catastrophes. Then I wept for her and for me, and I prayed with all my heart never to see her again in all my days. Some saint half-heard me, because Ximena Ortiz left the country that same night and did not return until twenty years later, married and with seven children who could have been mine.

It was difficult for me to keep my position and my column at El Diario de La Paz after that social affront. It wasn’t because of this, however, that they relegated my columns to page eleven, but because of the blind impetus with which the twentieth century came on the scene. Progress became the myth of the city. Everything changed; planes flew, and a businessman tossed a sack of letters out of a Junker and invented airmail.

The only things that remained the same were my columns in the newspaper. Younger generations launched an attack against them as if they were assaulting a mummy from the past that had to be destroyed, but I maintained the same tone and made no concessions to the winds of renovation. I remained deaf to everything. I had turned forty, but the young staff writers named it the Column of Mudarra the Bastard. The editor at the time called me into his office to ask me to conform to the latest currents. In a solemn way, as if he had just thought of it, he said: The world is moving ahead. Yes, I said, it’s moving ahead, but it’s revolving around the sun. He kept my Sunday column because he could not have found another cable editor. Today I know I was right, and I know why. The adolescents of my generation, greedy for life, forgot in body and soul about their hopes for the future until reality taught them that tomorrow was not what they had dreamed, and they discovered nostalgia. My Sunday columns were there, like an archeological relic among the ruins of the past, and they realized they were not only for the old but also for the young who were not afraid of aging. Then the column returned to the editorial section and, on special occasions, to the front page.

Whenever someone asks I always answer with the truth: whores left me no time to be married. Still, I should acknowledge that I did not come up with this explanation until the day of my ninetieth birthday, when I left Rosa Cabarcas’s house determined never again to provoke fate. I felt like a different man. My mood was upset by the disreputable mob I saw leaning against the metal railings around the park. I found Damiana washing the floor, on all fours in the living room, and the youthfulness of her thighs at her age revive in me a tremor from another time. She must have sensed it because she covered herself with her skirt. I could not resist the temptation to ask: Tell me something, Damiana: what do you recall? I wasn’t recalling anything, she said, but your question makes me remember, I felt a weight in my chest. I’ve never fallen in love, I told her. She replied without hesitation: I have. And she concluded, not interrupting her work: I cried over you for twenty-two years. My heart skipped a beat. Looking for a dignified way out, I said: We would have made a good team. Well, it’s wrong of you to say so now, she said, because you’re no good to me anymore even as a consolation. As she was leaving the house, she said in the most natural way: You won’t believe me but thanks be to God, I’m still a virgin.

A short while later i discovered that she had left vases filled with red roses all over the house, and a card on my pillow: I hope you reach a hunnert. With this bad taste in my mouth i sat down to continue the column i had left half-finished the day before. I completed it without stopping less than two hours and had to “twist the neck of the swan,” as the Mexican poet said, to write from my heart and not have anyone noticed my tears. In a belated moment of inspiration, i decided to finish it with the announcement that with this column i was bringing to a happy conclusion a long and worthy life without the sad necesity of having to die.

My intension was to leave it with reception at the paper and return home. But i couldn’t. The entire staff was waiting for me in order to celebrate my birthday. The building was being renovated, and scaffolding and rubble were everywhere, but they had stopped work for the party. On a carpenter’s table were drinks for the toast and birthday presents wrapped in gift paper. Dazed by flashing cameras, I was included in every photograph taken as a memento.

I was glad to see radio newscasters and reporters from other papers in the city: La Prensa, the conservative morning paper, El Heraldo, the liberal morning paper, and El Nacional, the evening sensationalist tabloid that always tried to relieve tensions in the public order with serialized stories of passion. It wasn’t strange that they were together, for in the spirit of the city it was always considered good form to maintain friendships among the troops while the officers waged editorial war.

Also present, though not at his regular hours, was the official censor, Don Jeronimo Ortega, whom we called the Abominable No-Man because he would arrive with his reactionary satrap’s blood-red pencil at nine sharp every night and stay until he was certain no letter in the morning edition went unpunished. He had a personal aversion to me, either because of my grammarian’s airs or because I would use Italian words without quotation marks or italics when they seemed more expressive than Spanish, which ought to be legitimate practice