“So you don’t like the blue?”
“I didn’t say that.”
“I was going to wear the blue.”
“Well wear the blue, then.”
“Well I can’t now, can I? Since you obviously think I look horrible in it… Now I’ve got to start thinking all over again…”
Madness, absolute madness, particularly since it’s only Trevor and Kit, for heaven’s sake. George and Melinda were invited too but they couldn’t get a babysitter. I pointed out to Lucy that that sort of thing will happen to us if ever we do score. I don’t actually think that she’s thought the whole social side of having babies through at all. Not being able to go out or get pissed when we want to, all spontaneity wiped from our lives in one single act. I said to her, I said, here we are, two highly educated, fully rounded people and yet we are
I just reminded Lucy that kids are, in the end, just another lifestyle option and I think I made her feel better.
On the other hand. Sometimes I must admit that I catch a glimpse of Lucy, or a look at her while she’s asleep, and I think how pretty she is, and how much I love her. And I think how much more I would like to love her and how I would like to find new and more complete ways of expressing that love. That’s when I think that perhaps having a baby might be the most wonderful thing in the world. Oh well, mustn’t dwell.
It was nice to have a really good laugh. We always do with Trevor and Kit. Trevor is good at taking the piss out of himself and it seems he’s become a victim of his own success with this alternative sports quiz he’s developed. Two of the blokes on it have inevitably been picked up for representation by the bull-like Aiden Fumet. Fumet has been to see Trevor and explained that, on the strength of their current “ballistic” status, his “turns” must immediately be given their own sitcoms. When Trevor asked if before committing hundreds of thousands of pounds worth of licence payers’ money to an untried project it might be possible to see a script, Aiden Fumet immediately turned into the spiritual skinhead he is and called Trevor “a pointless timeserving cunt”. He also threatened that any suggestion of artistic interference from Trevor or the “BB-fucking-C” would result in Aiden Fumet’s entire “stable” being no longer available to the Corporation.
Trevor does a very good Aiden Fumet, who has a strange hybrid accent – half bored aristocratic rock star and half East End stallholder. “What the BBC ’ave gotta understand is that all my boys are
Trevor, George and I all agree that artists are a lot more arrogant with the BBC than they used to be. I suppose it’s down to the incredible diversity of employment options that anybody half good (or not even) is presented with these days. I mean, there was a time when there was only one channel and anybody, no matter how talented, who wanted to be on telly did so by the grace of the BBC. That was how we used to get those incredible long runs of things. People did what they were told, and if that meant doing sixty episodes of the same sitcom then that was what they did. These days, with eight million channels available the celebs call the shots, which makes life a lot more difficult for us execs.
Trevor also blames the Montreal Comedy Festival. This takes place in Canada (well it would do) and hence appearing at it is as close to playing in the United States as the vast majority of British comics are ever going to get. Which is why they all go there. Trevor and I go too whenever we can swing it, as it really is the most monumental piss-up, and the restaurants are excellent! The problem is that big Hollywood TV people also go. Well, not actually big Hollywood TV people. In fact, the minions of the minions of big Hollywood TV people. Those so low down the US TV totem pole that they have nothing more pressing to do in LA or New York. In fact, as far as I can make out, the Montreal Comedy Festival is really just an annual holiday for failed Americans because it is the one time of the year where they get to lord it over people even more desperate to make it in the States than they are themselves.
Anyway, these US non-executives swan about the place being bought drinks by British agents and pretending to be important. Then they go up to all the desperate British, Irish, Australian and Kiwi comedians and tell them that they are “just incredibly interesting and original” and that CBS will probably be very interested in turning them into Eddie Murphy probably or at the very least possibly giving them a sitcom development deal probably.
The sad truth, of course, is that the British comics swear far too much to be of any real interest to the Americans and I have to say that the Ozzies are even fouler. Also, the Montreal Comedy Festival is of only slightly more significance to American Television people than is the Big Knob Comedy Club in Brick Lane. So all that happens is that the British come home (having been drunk for a fortnight and having abused the sacred sexual trust of some poor little nineteen-year-old Canadian publicist), with eye-popping tales of impending and colossal success in the glamorous world of American sitcom. These tales are then circulated by the comedians’ managers and dutifully published in the
“Listen, Sam,” Aiden Fumet regularly says to me, “I’ve been