“[One] of the most adroit plot-spinners of the paperback era.”
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“Gil Brewer has spent a long time in the shadows of his more famous contemporaries, but his best work—a noir blend of James M. Cain, Dashiell Hammett and Ernest Hemingway—gives his rivals a run for their money. I’m delighted to see him making a comeback.”
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“There is a Woolrichian darkness and desperation in his best work. It stays with you a long, long time.”
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“The prose is lean [yet] rich with raw emotion genuinely portrayed and felt.”
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“A short but full-packed story, pointed and restrained...an effective tale of an ordinary man trying to turn sharpie and destroying himself in the process.”
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“One of the most respected (and collected) of the Gold Medal writers.”
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“His style is simple and direct, with sharp dialogue and considerable passion and intensity; at times it takes on an almost Hemingwayesque flavor.”
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“Skillfully conveys the despair of a man with a lifelong dream after he succumbs to the temptation provided by a...fortune.”
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“One of the leading writers of paperback originals.”
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“At his best, he hooked you in his first paragraph and never let you go.”
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SOME OTHER HARD CASE CRIME BOOKS YOU WILL ENJOY:
GRIFTER’S GAME
FADE TO BLONDE
TOP OF THE HEAP
LITTLE GIRL LOST
TWO FOR THE MONEY
THE CONFESSION
HOME IS THE SAILOR
KISS HER GOODBYE
361
PLUNDER OF THE SUN
BRANDED WOMAN
DUTCH UNCLE
THE GIRL WITH THE LONG GREEN HEART
THE GUTTER AND THE GRAVE
NIGHT WALKER
A TOUCH OF DEATH
SAY IT WITH BULLETS
WITNESS TO MYSELF
BUST
STRAIGHT CUT
LEMONS NEVER LIE
THE LAST QUARRY
THE GUNS OF HEAVEN
THE LAST MATCH
GRAVE DESCEND
THE PEDDLER
LUCKY AT CARDS
ROBBIE’S WIFE
A HARD CASE CRIME BOOK
(HCC-030)
She wasn’t what you would call beautiful. She was just a red-haired girl with a lot of sock. She stood behind the screen door on the front porch, frowning at me.
“I’m Jack Ruxton,” I said. “From Ruxton’s TV. Sorry I’m late.”
“That’s all right.”
She was maybe seventeen or eighteen. The porch light was on. It was about eight o’clock on a Monday night. Looking past her, I could see through a long, broad living room, expensively furnished, and on into a brightly lighted bedroom. A man with iron-gray hair lay on a hospital bed under a sheet, with his toes sticking straight up. His head was flung back as if he were in a cramp. There was a lot of tricky-looking paraphernalia, rubber hoses and tanks and stuff, beside the bed. A fluorescent bedlight glared across his face. It was eerie.
“Well,” I said. “TV on the blink?”
“No. That’s not what I called you for, Mr. Ruxton.”