changes with the few minutes which had elapsed. From the semblance of distress which it had worn when Tarzan first saw it, it had changed to one of craftiness as he had wheeled to meet the attack from behind; but the change Tarzan had not seen.

Later an expression of surprise and then one of horror superseded the others. And who may wonder. For the immaculate gentleman her cries had lured to what was to have been his death had been suddenly metamorphosed into a demon of revenge. Instead of soft muscles and a weak resistance, she was looking upon a veritable Hercules gone mad.

“MON DIEU!” she cried; “he is a beast!” For the strong, white teeth of the ape-man had found the throat of one of his assailants, and Tarzan fought as he had learned to fight with the great bull apes of the tribe of Kerchak.

He was in a dozen places at once, leaping hither and thither about the room in sinuous bounds that reminded the woman of a panther she had seen at the zoo. Now a wrist— bone snapped in his iron grip, now a shoulder was wrenched from its socket as he forced a victim's arm backward and upward.

With shrieks of pain the men escaped into the hallway as quickly as they could; but even before the first one staggered, bleeding and broken, from the room, Rokoff had seen enough to convince him that Tarzan would not be the one to lie dead in that house this night, and so the Russian had hastened to a nearby den and telephoned the police that a man was committing murder on the third floor of Rue Maule, 27.

When the officers arrived they found three men groaning on the floor, a frightened woman lying upon a filthy bed, her face buried in her arms, and what appeared to be a well— dressed young gentleman standing in the center of the room awaiting the reenforcements which he had thought the footsteps of the officers hurrying up the stairway had announced —but they were mistaken in the last; it was a wild beast that looked upon them through those narrowed lids and steel— gray eyes. With the smell of blood the last vestige of civilization had deserted Tarzan, and now he stood at bay, like a lion surrounded by hunters, awaiting the next overt act, and crouching to charge its author.

“What has happened here?” asked one of the policemen.

Tarzan explained briefly, but when he turned to the woman for confirmation of his statement he was appalled by her reply.

“He lies!” she screamed shrilly, addressing the policeman.

“He came to my room while I was alone, and for no good purpose. When I repulsed him he would have killed me had not my screams attracted these gentlemen, who were passing the house at the time. He is a devil, monsieurs; alone he has all but killed ten men with his bare hands and his teeth.”

So shocked was Tarzan by her ingratitude that for a moment he was struck dumb. The police were inclined to be a little skeptical, for they had had other dealings with this same lady and her lovely coterie of gentlemen friends.

However, they were policemen, not judges, so they decided to place all the inmates of the room under arrest, and let another, whose business it was, separate the innocent from the guilty.

But they found that it was one thing to tell this well— dressed young man that he was under arrest, but quite another to enforce it.

“I am guilty of no offense,” he said quietly. “I have but sought to defend myself. I do not know why the woman has told you what she has. She can have no enmity against me, for never until I came to this room in response to her cries for help had I seen her.”

“Come, come,” said one of the officers; “there are judges to listen to all that,” and he advanced to lay his hand upon Tarzan's shoulder. An instant later he lay crumpled in a corner of the room, and then, as his comrades rushed in upon the ape-man, they experienced a taste of what the apaches had but recently gone through. So quickly and so roughly did he handle them that they had not even an opportunity to draw their revolvers.

During the brief fight Tarzan had noted the open window and, beyond, the stem of a tree, or a telegraph pole—he could not tell which. As the last officer went down, one of his fellows succeeded in drawing his revolver and, from where he lay on the floor, fired at Tarzan. The shot missed, and before the man could fire again Tarzan had swept the lamp from the mantel and plunged the room into darkness.

The next they saw was a lithe form spring to the sill of the open window and leap, panther-like, onto the pole across the walk. When the police gathered themselves together and reached the street their prisoner was nowhere to be seen.

They did not handle the woman and the men who had not escaped any too gently when they took them to the station; they were a very sore and humiliated detail of police.

It galled them to think that it would be necessary to report that a single unarmed man had wiped the floor with the whole lot of them, and then escaped them as easily as though they had not existed.

The officer who had remained in the street swore that no one had leaped from the window or left the building from the time they entered until they had come out. His comrades thought that he lied, but they could not prove it.

When Tarzan found himself clinging to the pole outside the window, he followed his jungle instinct and looked below for enemies before he ventured down. It was well he did, for just beneath stood a policeman. Above, Tarzan saw no one, so he went up instead of down.

The top of the pole was opposite the roof of the building, so it was but the work of an instant for the muscles that had for years sent him hurtling through the treetops of his primeval forest to carry him across the little space between the pole and the roof. From one building he went to another, and so on, with much climbing, until at a cross street he discovered another pole, down which he ran to the ground.

For a square or two he ran swiftly; then he turned into a little all-night cafe and in the lavatory removed the evidences of his over-roof promenade from hands and clothes.

When he emerged a few moments later it was to saunter slowly on toward his apartments.

Not far from them he came to a well-lighted boulevard which it was necessary to cross. As he stood directly beneath a brilliant arc light, waiting for a limousine that was approaching to pass him, he heard his name called in a sweet feminine voice. Looking up, he met the smiling eyes of Olga de Coude as she leaned forward upon the back seat of the machine.

He bowed very low in response to her friendly greeting.

When he straightened up the machine had borne her away.

“Rokoff and the Countess de Coude both in the same evening,” he soliloquized; “ Paris is not so large, after all.”

 Chapter 4

The Countess Explains

“Your Paris is more dangerous than my savage jungles, Paul,” concluded Tarzan, after narrating his adventures to his friend the morning following his encounter with the apaches and police in the Rue Maule. “Why did they lure me there? Were they hungry?”

D'Arnot feigned a horrified shudder, but he laughed at the quaint suggestion.

“It is difficult to rise above the jungle standards and reason by the light of civilized ways, is it not, my friend?” he queried banteringly.

“Civilized ways, forsooth,” scoffed Tarzan. “Jungle standards do not countenance wanton atrocities. There we kill for food and for self-preservation, or in the winning of mates and the protection of the young. Always, you see, in accordance with the dictates of some great natural law.

But here! Faugh, your civilized man is more brutal than the brutes. He kills wantonly, and, worse than that, he utilizes a noble sentiment, the brotherhood of man, as a lure to entice his unwary victim to his doom. It was in answer to an appeal from a fellow being that I hastened to that room where the assassins lay in wait for me.

“I did not realize, I could not realize for a long time afterward, that any woman could sink to such moral depravity as that one must have to call a would-be rescuer to death.

But it must have been so—the sight of Rokoff there and the woman's later repudiation of me to the police make it impossible to place any other construction upon her acts.

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