This time it wasn’t the smell and speech of his island that sucked him back there but the stupidity, the ferocity, the horror.
~
After making love, Livia fell silent for a while, then took his hand.
“What’s wrong? What did your sergeant tell you?”
“Nothing important, I assure you.”
“Then why are you suddenly so gloomy?”
Montalbano felt confirmed in his conviction: if there was one person in all the world to whom he could sing the whole High Mass, it was Livia. To the commissioner he’d sung only half the Mass, skipping some parts. He sat up in bed, fluffed up the pillow.
“Listen.”
~
He told her about the Pasture, about Luparello, about the affection a nephew of his, Giorgio, had for him, about how at some point this affection turned (degenerated?) into love, into passion, about the final tryst in the bachelor pad at Capo Massaria, about Luparello’s death and how young Giorgio, driven mad by the fear of scandal—not for himself but for his uncle’s image and memory—had dressed him back up as best he could, then dragged him to the car to drive him away and leave the body to be found somewhere else. . . .
He told her about Giorgio’s despair when he realized that this fiction wouldn’t work, that everyone would see he was carrying a dead man in the car, about how he got the idea to put the neck brace he’d been wearing until that very day—and which he still had in the car—on the corpse, about how he had tried to hide the brace with a piece of black cloth, how he became suddenly afraid he might have an epileptic fit, which he suffered from, about how he had phoned Rizzo—
Montalbano explained to her who the lawyer was—
and how Rizzo had realized that this death, with a few arrangements, could be his lucky break.
He told her about Ingrid, about her husband Giacomo, about Dr. Cardamone, about the violence—he couldn’t think of a better word—to which the doctor customarily resorted with his daughter-in-law (“That’s disgusting,” Livia commented), about how Rizzo had suspicions as to their relationship and tried to implicate Ingrid, getting Cardamone but not himself to swallow the bait; he told her about Marilyn and his accomplice, about the phantasmagorical ride in the car, about the horrific pantomime acted out inside the parked car at the Pasture (Livia: “Excuse me a minute, I need a strong drink”). And when she returned, he told her still other sordid details—the necklace, the purse, the clothes—he told her about Giorgio’s heartrending despair when he saw the photographs, having understood Rizzo’s double betrayal, of him and of Luparello’s memory, which he had wanted to save at all costs.
“Wait a minute,” said Livia. “Is this Ingrid beautiful?”
“Very beautiful. And since I know exactly what you’re thinking, I’ll tell you even more: I destroyed all the false evidence against her.”
“That’s not like you,” she said resentfully.
“I did even worse things, just listen. Rizzo, who now had Cardamone in the palm of his hand, achieved his political objective, but he made a mistake: he underestimated Giorgio’s reaction. Giorgio’s an extremely beautiful boy.”
“Oh, come on! Him, too!” said Livia, trying to make light.
“But with a very fragile personality,” the inspector continued. “Riding the wave of his emotions, devastated, he ran to the house at Capo Massaria, grabbed Luparello’s pistol, tracked down Rizzo, beat him to a pulp, and shot him at the base of the skull.”
“Did you arrest him?”
“No, I just said I did worse than destroy evidence.
You see, my colleagues in Montelusa think—and the hypothesis is not just hot air—that Rizzo was killed by the Mafia. And I never told them what I thought the truth was.”
“Why not?”
Montalbano didn’t answer, throwing his hands up in the air. Livia went into the bathroom, and the inspector heard the water running in the tub. A little later, after asking permission to enter, he found her still in the full tub, her chin resting on her raised knees.
“Did you know there was a pistol in that house?”
“Yes.”
“And you left it there?”
“Yes.”
“So you gave yourself a promotion, eh?” asked Livia after a long silence. “From inspector to god—a fourth-rate god, but still a god.”
~
After getting off the airplane, he headed straight for the airport cafe. He was in dire need of a real espresso after the vile, dark dishwater they had forced on him in flight. He heard someone calling him: it was Stefano Luparello.
“Where are you going, Mr. Luparello, back to Milan?”
“Yes, back to work. I’ve been away too long. I’m also going to look for a larger apartment; as soon as I find one, my mother will come live with me. I don’t want to leave her alone.”
“That’s a very good idea, even though she has her sister and nephew in Montelusa—”
The young man stiffened.
