There was a rustling sound, of someone moving through the corn, faster now, keeping pace with him.
Stott began to jog along the far side of the road.
The rustling in the corn kept pace. The voice, the strange gasping voice, rose in volume and insistence.
Now Stott broke into a run. There was a corresponding crashing in the corn to his right. He could see, against the faintest sky, the tops of the corn alongside the road thrashing and snapping. More crashing, and then he saw what he thought was a dark shape coming out of the corn, very fast, first moving parallel to him, then angling closer.
In a second, some atavistic instinct drove Willie Stott to jump the ditch on the left side of the road and crash headlong into the corn. As the tall ears swallowed him up, he glanced back for only a second. As he did so he saw a large, dark shape scuttling across the road behind him at a terrible speed.
Stott crashed through the next row, and the next, forcing himself as deeply as possible into the dark, suffocating corn, gasping out loud. But always he heard the crash of dry ears being trampled behind him.
He took a ninety-degree angle and ran down a row. Behind, the crashing stopped.
Stott ran. He had long legs and in high school he’d been on the track team. That had been years ago, but he still knew how to run. And so he ran, thinking of nothing else except planting one foot before the other, outrunning whatever it was behind him.
Despite the encircling corn, he was not yet fully disoriented. Medicine Creek lay ahead of him, just over a mile away. He could still make it. . .
Behind him now, he could hear the loud slapping of feet against earth. And with each step, a rhythmic grunt.
The long row of corn made a slow curve along the topography of the land, and he flew along it, running with a speed born of sheer terror.
Christ, it was getting closer. He swerved, desperately crashing through another row, still running.
He heard an echoing crash behind him as the pursuer broke through the row, following him, closing in.
“Leave me the fuck alone!” he screamed.
It was getting closer, so close he almost imagined he could feel puffs of hot breath on his neck, keeping time with the thudding feet. A sudden wet warmth flooded his thighs as his bladder let go. He swerved, crashed through yet another row, swerved, veered back. The thing kept right behind him, closer, ever closer.
It was still gaining, and gaining fast.
Stott felt something grab his hair, something horribly strong. He tried to jerk his head away, the sudden pain awful, but the grip held fast. His lungs were on fire. He could feel his legs slackening with terror.
“
Nineteen
Ludwig had a pretty good idea what Art Ridder and the sheriff wanted to talk to him about. Well, tough: he’d already written the story about the dog, and it was going to run that very afternoon. He strode down the sidewalk, feeling the heat soaking through the soles of his shoes, feeling the pressure of the sun on his head. Magg’s Candlepin Castle was only a five minute walk, but two minutes into it Ludwig realized his mistake in not driving. He would arrive sweaty and disheveled: a tactical error. At least, he told himself, Magg’s was air-conditioned to tundra-like temperatures.
He pushed through the double doors into a blast of icy air, and was greeted by silence: at this time of the morning the alleys were dark, the pins like tall white teeth in the gloom, the racking machines mute. At the far end of the alley he could see the lights of the Castle Club, where every morning Art Ridder held court with his paper and his breakfast. Ludwig adjusted his collar, straightened his shoulders, and started forward.
The Castle Club was not so much a club as a glassed-in eating area with red fake-leather banquettes, Formica tables made to look like wood, and beveled mirrors shot through with faux gold marbling. Ludwig pushed through the door and approached the corner table, where Ridder and Sheriff Hazen were seated, talking in low tones. Ridder caught sight of Ludwig, rose with a big smile, held out his hand, and guided the reporter into a chair.
“Smitty! Real good of you to come.”