The Prowler in the City at the Edge of the World

The Prowler in the City at the Edge of the World by Harlan Ellison

First there was the city, never night. Tin and reflective, walls of antiseptic metal like an immense autoclave. Pure and dust-free, so silent that even the whirling innards of its heart and mind were sheathed from notice. The city was self-contained, and footfalls echoed up and around—flat slapped notes of an exotic leather-footed instrument. Sounds that reverberated back to the maker like yodels thrown out across mountain valleys. Sounds made by humbled inhabitants whose lives were as ordered, as sanitary, as metallic as the city they had caused to hold them bosom-tight against the years. The city was a complex artery, the people were the blood that flowed icily through the artery. They were a gestalt with one another, forming a unified whole. It was a city shining in permanence, eternal in concept, flinging itself up in a formed and molded statement of exaltation; most modern of all modern structures, conceived as the pluperfect residence for the perfect people. The final end-result of all sociological blueprints aimed at Utopia. Living space, it had been called, and so, doomed to live they were, in that Erewhon of graphed respectability and cleanliness.

Never night.

Never shadowed.

…a shadow.

A blot moving against the aluminum cleanliness. The movement of rags and bits of clinging earth from graves sealed ages before. A shape.

He touched a gunmetal-gray wall in passing: the imprint of dusty fingers. A twisted shadow moving through antiseptically pure streets, and they become—with his passing—black alleys from another time.

Vaguely, he knew what had happened. Not specifically, not with particulars, but he was strong, and he was able to get away without the eggshell-thin walls of his mind caving in. There was no place in this shining structure to secrete himself, a place to think, but he had to have time. He slowed his walk, seeing no one. Somehow— inexplicably—he felt…safe? Yes, safe. For the first time in a very long time.

A few minutes before he had been standing in the narrow passageway outside No.13 Miller’s Court. It had been 6: 15 in the morning. London had been quiet as he paused in the passageway of MCarthy’s Rents, in that fetid, urine-redolent corridor where the whores of Spitalfields took their clients. A few minutes before, the foetus in its bath of formaldehyde tightly-stoppered in a glass bottle inside his Gladstone bag, he had paused to drink in the thick fog, before taking the circuitous route back to Toynbee Hall. That had been a few minutes before. Then, suddenly, he was in another place and it was no longer 6:15 of a chill November morning in 1888.

He had looked up as light flooded him in that other place. It had been soot silent in Spitalfields, but suddenly, without any sense of having moved or having been moved, he was flooded with light. And when he looked up he was in that other place. Paused now, only a few minutes after the transfer, he leaned against the bright wall of the city, and recalled the light. From a thousand mirrors. In the walls, in the ceiling. A bedroom with a girl in it. A lovely girl. Not like Black Mary Kelly or Dark Annie Chapman or Kate Eddowes or any of the other pathetic scum he had been forced to attend…

A lovely girl. Blonde, wholesome, until she had opened her robe and turned into the same sort of slut he had been compelled to use in his work in Whitechapel…

A sybarite, a creature of pleasures, a Juliette she had said, before he used the big-bladed knife on her. He had found the knife under the pillow, on the bed to which she had led him—how shameful, unresisting had he been, all confused, clutching his black bag with all the tremors of a child, he who had been moved through the London night like oil, moved where he wished, accomplished his ends unchecked eight times, now led toward sin by another, merely another of the tarts, taking advantage of him while he tried to distinguish what had happened to him and where he was, how shameful—and he had used it on her.

That had only been minutes before, though he had worked very efficiently on her.

The knife had been rather unusual. The blade had seemed to be two wafer-thin sheets of metal with a pulsing, glowing something between. A kind of sparking, such as might be produced by a Van de Graaf generator. But that was patently ridiculous. It had no wires attached to it, no bus bars, nothing to produce even the crudest electrical discharge. He had thrust the knife into the Gladstone bag, where now it lay beside the scalpels and the spool of catgut and the racked vials in their leather cases, and the foetus in its bottle. Mary Jane Kelly’s foetus.

He had worked efficiently, but swiftly, and had laid her out almost exactly in the same fashion as Kate Eddowes: the throat slashed completely through from ear-to-ear, the torso laid open down between the breasts to the vagina, the intestines pulled out and draped over the right shoulder, a piece of the intestines being detached and placed between the left arm and the body. The liver had been punctured with the point of the knife, with a vertical cut slitting the left lobe of the liver. (He had been surprised to find the liver showed none of the signs of cirrhosis so prevalent in these Spitalfields tarts, who drank incessantly to rid themselves of the burden of living the dreary lives they moved through grotesquely. In fact, this one seemed totally unlike the others, even if she had been more brazen in her sexual overtures. And that knife under the bed pillow…) He had severed the vena cava leading to the heart. Then he had gone to work on the face.

He had thought of removing the left kidney again, as he had Kate Eddowes’. He smiled to himself as he conjured up the expression that must have been on the face of Mr. George Lusk, chairman of the Whitechapel Vigilance Committee, when he received the cardboard box in the mail. The box containing Miss Eddowes’ kidney, and the letter, impiously misspelled:

From hell, Mr. Lusk, sir, I send you half the kidne I took from one woman, prasarved it for you, tother piece I fried and ate it; was very nice. I may send you the bloody knif that took it out if you only wate while longer. Catch me when you can, Mr. Lusk.

He had wanted to sign that one “Yours Truly, Jack the Ripper” or even Spring- Heeled Jack or maybe Leather Apron, whichever had tickled his fancy, but a sense of style had stopped him. To go too far was to defeat his own purposes. It may even have been too much to suggest to Mr. Lusk that he had eaten the kidney. How hideous. True, he had smelled it…

This blonde girl, this Juliette with the knife under her pillow. She was the ninth. He leaned against the smooth steel wall without break or seam, and he rubbed his eyes. When would he be able to stop? When would they realize, when would they get his message, a message so clear, written in blood, that only the blindness of their own cupidity forced them to misunderstand! Would he be compelled to decimate the endless regiments of Spitalfields sluts to make them understood? Would he be forced to run the cobbles ankle-deep in black blood before they sensed what he was saying, and were impelled to make reforms?

But as he took his blood-soaked hands from his eyes, he realized what he must have sensed all along: he was no longer in Whitechapel. This was not Miller’s Court, nor anywhere in Spitalfields. It might not even be London. But how could that be?

Had God taken him? Had he died, in a senseless instant between the anatomy lesson of Mary Jane Kelly (that filth, she had actually kissed him!) and the bedroom disembowelment of this Juliette? Had Heaven finally called him to his reward for the work he had done?

The Reverend Mr. Barnett would love to know about this. But then, he’d have loved to know about it all. But “Leather Apron” wasn’t about to tell. Let the reforms come as the Reverend and his wife wished for them, and let them think their pamphleteering had done it, instead of the scalpels of Jack.

If he was dead, would his work be finished? He smiled to himself. If Heaven had taken him, then it must be that the work was finished. Successfully. But if that was so, then who was this Juliette who now lay spread out moist and cooling in the bedroom of a thousand mirrors? And in that instant he felt fear.

What if even God misinterpreted what he had done?

As the good folk of Queen Victoria’s London had misinterpreted. As Sir Charles Warren had misinterpreted. What if God believed the superficial and ignored the real reason? But no! Ludicrous. If anyone would understand, it was the good God who had sent him the message that told him to set things a-