Flashback

vaguely tubercular-looking six years ago in a properly poetic way, his hair already turned mostly gray in his early fifties, but there had been a coiled-spring energy to the thin figure then and the eyes had been as animated as the poet’s conversation. Now he was an animated corpse: skin and eyes a jaundiced yellow; gray hair as yellowed as the teeth of the heavy smoker; laugh lines and somewhat attractive scholarly wrinkles transformed to grooves and furrows in skin pulled far too tight over an eagerly emerging skull.

Nick knew that Danny Oz had come out of what the Jews called the Second Holocaust with some sort of radiation-induced cancer (all eleven of the bombs had been made very dirty indeed by the True Believers who’d built them), but he couldn’t remember what kind of cancer it was.

It didn’t matter. Whatever it was, it was slowly killing the poet.

“It’s a pleasure to see you again, Detective Bottom. Did you ever catch young Mr. Nakamura’s killer?”

“No ‘Detective’ before my name any longer, Mr. Oz,” said Nick. “They fired me from the force more than five and a half years ago. And no, they’re no closer to getting Keigo Nakamura’s killer than they were six years ago.”

Danny Oz drew deeply from his cigarette—Nick belatedly realized that it was cannabis, possibly for the cancer pain—and squinted through exhaled smoke. “If you’re not with the police any longer, to what do I owe the pleasure of this visit, Mr. Bottom?”

Nick explained that he’d been hired by the victim’s father while he noticed that, even allowing for the joint and the possibility that they’d wakened Oz for this visit, the poet’s eyes were too unfocused, set in a stare above and beyond Nick’s right shoulder. Nick recognized that kind of thousand-yard stare from those mornings when he decided to shave. Danny Oz was using a lot more flashback than he’d been on six years ago.

“So do we go through the same questions as six years ago or come up with new ones?” asked Danny Oz.

“Have you thought of anything else that might be of help, Mr. Oz?”

“Danny. And no, I haven’t. You and your fellow investigators are still going on the assumption that it was something that came up during his video interviews that got Keigo Nakamura killed?”

“There aren’t any ‘fellow investigators,’ ” said Nick with a ghost of a smile. “And I don’t have anything as elegant or advanced as a theory. Just going over old ground, I’m afraid.”

“Well, it’s still a pleasure to talk to a character from A Midsummer Night’s Dream,” said Oz. “And I’ve often thought of what you told me.”

“What’s that?”

“That you didn’t know that you were a character in Shakespeare’s play until your wife told you.”

Nick did grin now. “You have a damned good memory, Mr… Danny.” Unless you flashed on our last meeting, too. But why would you waste money and drug for that? To keep your story straight? “But Dara wasn’t my wife yet when she broke the news of the other Nick Bottom to me. We were dating… sort of. She was an undergraduate and I was already a cop, going back to school to get hours toward my master’s degree.”

“How did you take the news? Of your ears and possible sexual intimacy with the Queen of the Fairies, I mean.”

“I dealt with it,” said Nick. “It was the other Nick Bottom’s vision—or what he said was a dream-vision he’d awakened from—that Dara was interested in. She thought that I had just such a joyous awakening… an epiphany, she called it… in my future. That first night on our date, she recited almost the entire passage from the play from memory. I was very impressed.”

Danny Oz smiled, drew deeply from the joint, and stubbed it out in a coffee can lid he was using as an ashtray. He lit another cigarette—a regular one this time, which seemed to please him more—and squinted through the smoke as he recited:

“When my cue comes, call me and I will answer. My next is ‘Most fair Pyramus.’ Heigh-ho! Peter Quince? Flute the bellows-mender? Snout, the tinker? Starveling? God’s my life! Stolen hence, and left me asleep! I have had a most rare vision. I have had a dream, past the wit of man to say what dream it was. Man is but an ass if he go about to expound this dream. Methought I was—there is no man can tell what. Methought I was—and methought I had—but man is but a patched fool if he will offer to say what methought I had. The eye of man hath not heard, the ear of man hath not seen, man’s hand is not able to taste, his tongue to conceive, or his heart to report, what my dream was. I will get Peter Quince to write a ballad of this dream: it shall be called Bottom’s Dream, because it hath no bottom; and I will sing it in the latter end of a play, before the Duke. Peradventure, to make it the more gracious, I shall sing it at her death.”

Nick felt something like a hot electric shock run through his system. He’d never heard those words spoken aloud by anyone but Dara. “As I said, you’ve got one hell of a memory, Mr. Oz,” he said.

The older man shrugged and drew deeply on his cigarette, as if the smoke were holding back his pain. “Poets. We remember things. That’s part of what makes us poets.”

“My wife had one of your books,” said Nick and was immediately and painfully sorry he’d brought it up. “One of your books of poetry, I mean. In English. She showed it to me after I interviewed you six years ago.”

Less than three months before she died.

Danny Oz smiled slightly, waiting.

Realizing that he had to say something about the poems, Nick said, “I don’t really understand modern poems.”

Now Oz’s smile was real, showing the large, nicotine-stained teeth. “I’m afraid my verse never attained modernity, Detective… I mean, Mr. Bottom. I wrote in the epic form, old in Homer’s day.”

Nick showed his palms in surrender.

“Did you and your wife,” began Oz, “on your first date, I mean, get into what Shakespeare’s Bottom was talking about in that passage?”

The Santa Fe knife wounds deep in Nick Bottom’s deeper belly muscles were hurting as if they were new, shooting threads of fire deeper into him. Why the goddamn hell had he brought up Dara and that fucking passage from the play? Oz wouldn’t even know that Dara was dead. Nick’s belly clenched in anticipation of what the dying poet might say next. He hurried to fill the silence before Oz could speak.

“Yeah, sort of. My wife was the English major. We both thought it was weird that Bottom waking from his dream had his senses all mixed up. You know—the eye hath not heard, the ear hath not seen, the hand is not able to taste—all that stuff. We decided Bottom’s dream had messed up his senses, like that real disease of the nerves… whatchamacallit.”

“Synesthesia,” said Danny Oz, tipping ashes into the coffee can lid. Another brief flick of what could have been a wry, self-mocking smile. “I only know the word because it’s the same one used in writing where a metaphor uses terms from one kind of sense impression to describe another, like… oh… a ‘loud color.’ Yes, that was very strange and Shakespeare uses synesthesia again later in the play when the actors in the play-within-a-play ask Theseus, the Duke of Athens, whether he’d prefer to ‘hear’ a bergamask dance or ‘see’ an epilogue.”

“I don’t really understand any of that literary stuff,” said Nick. He wondered if he should just abort the interview and stand up and walk away.

Oz persisted. His pain-filled eyes seemed to catch a new gleam of interest as he squinted through the smoke. “But it is very queer, to use an old word that’s coming back into proper usage. Bottom says at the end of his dream-epiphany speech that after his friend Peter Quince turns the revelation in his, Bottom’s, dream into a ballad, ‘I shall sing it at her death.’ But whose death? Who is the ‘she’ who will be dying?”

The knife twisted in Nick Bottom’s bowels. He spoke through gritted teeth. “Whatshername. The character who dies in the play the Bottom guy is putting on in front of the Duke.”

Danny Oz shook his head. “Thisbe? No, I think not. Nor is he speaking of the death of Titania, the fairy queen that Bottom may have slept with. The woman at whose death he’ll be singing this all-important ballad is a total mystery… something above or outside the play. It’s like a clue to a Shakespearean mystery that no one has noticed.”

Ask me if I give a fucking shit, Nick thought fiercely. Surely the older man could see Nick’s pain even through his own smugness and smoke. But the thousand-yard stare seemed more focused on Nick and at ease than at any time before. Nick was very aware of the 9mm semiautomatic pistol on his hip. If he shot Danny Oz in the head today, both he and the poet would feel better.