Water rumbled in the pipes.
Then it got quiet.
Then a shot rang out.
“That’s it,” said Maxim. “Get dressed.”
The transvestite, chalk-white with fear, started.
“No!”
“Idiot. You’re going with me. You’ll be a witness.”
“Why?!”
“You’re not on trial, darling. But I have to explain to the investors why I crushed all those snakes and cut the manager’s balls off before I killed him.”
Maxim crossed the streetcar tracks and jumped the low barrier dividing the fetid boulevard from the street stinking of exhaust fumes. He strode toward the house with columns, digging the heels of his massive lace-up boots into the road. The manager had twenty minutes left to live. His moronic bodyguards, with earphone wires sticking out from underneath their jacket collars, had even less time.
The transvestite hurried along, sticking close by, in a tight English skirt, his face crumpled in fear. From an outsider’s perspective, it might have looked like a stately middle-aged man walking an exotic, purebred dog.
A bum sitting on a park bench took a sip from the bottle of extra strong Ohota he had just found— miraculously, almost full. What a wonderful evening, he thought to himself.
DECAMERON
BY IGOR ZOTOV
Facewise, Ryabets resembles a skull: gaunt, with a deep-set, chalk-white gaze and lips slightly parted—a permanent grin of large yellowed teeth. At school they called him Skull behind his back but didn’t dare to his face, so they gave him a nickname from his last name: Ryaba.
Now that he’s on the wrong side of fifty, the skull resemblance applies to his whole frame: shriveled and bony.
At breakfast Ryabets is reading the
Under “Private Prison with Torture Chamber in Silver Pine Forest,” it says that the cops picked up a naked vagrant wearing handcuffs, right there on the street in broad daylight, with a cracked skull and evidence of beatings to his body. The vagrant called himself Andryukha and managed to say he’d been tortured in a cellar with “electricity and tongs.” He whispered the address, 43 Second Line, then fell silent. They didn’t get Andryukha to No. 67 Hospital in time. He died in a traffic jam without regaining consciousness. The cops went to the address but the jailers were gone and the trail was cold. But the prison was remarkable: three cells with a stun gun, tongs, a rack, a Spanish boot, and all kinds of other things. The two corpses were also Silver Pine Forest vagrants.
Ryabets sets the newspaper aside and looks out the window. July. Hazy, hot, and stuffy. When he’s finished with breakfast, he puts his Marlboros, towel, swimsuit, three big sausage sandwiches (carefully wrapped in that same newspaper so they wouldn’t go bad), a bottle of water, a bottle of 777 port, and a plastic cup into a paper bag.
He tucks his short-sleeved shirt into his pants and slips on his sandals. Two trolley stops to Kaluzhskaya and then the subway to Kitai-Gorod. The route remembers itself, even though the last time he took it was back in the early 1970s, when Kitai-Gorod was called Nogin Square. Transfer to the purple line to Polezhaevskaya. He’ll ask from there.
Not much out the trolley window has changed in all those years: dust, buildings, poplar trees. Here’s the arched bridge and to the left another bridge—red cables, looks new. Beyond that the river and the Krylatskie Hills. The trolley dives down a slope and stops at a square. Ryabets gets out.
A few streets fanning away, fences, and behind the fences pines and high dacha roofs. Ryabets glances around—should be here somewhere. There used to be a beer stand here, but not anymore. They’d gone from the beer stand to the dacha last time. Not him. His feelings were hurt so he went home. Bolt took his book away from him. A word clicked in his memory:
It’s too hot for port … He then bought beer at a stand and took a sharp left turn into the woods.
Ryabets sleeps briefly. Right here under this willow. The beer-sun has taken it out of him. More like dozing, with quick dreams involving water splashing, children squealing, and a female mocking whisper directly above him. He opens his eyes but no one’s there and it’s quiet. Close them and all over again—a squeal, a splash, a whisper. And a rustling—are they stealing his bag? No one, a total haze. He sits up, gazing blearily at the river and at the white church on the opposite bank, cockeyed.
Below—stretch his legs out—the evening water lightly laps-spills over. Music, laughter, a shashlik smell coming from beyond the fence on the private beach. A volleyball thumps. A little closer, in a chaise longue, a woman with a book. The view from behind: short haircut, folds in her neck, the edge of her glasses, her ass. Ryabets reaches into his swimsuit and tugs and tugs—nothing doing. A languid spite sours inside him. He did drag himself all the way out here! Halfway—no, all the way—across Moscow!
The woman is approached by another, younger, who leans over and says something as her white breasts rise lusciously from her blue swimsuit. Ryabets is back in his trunks, kneading away furiously. Nothing. The cupola radiates an officious sneer. He gives the church a dirty look and kneads and kneads. Out of the corner of his eye he notices Luscious observing him, a combination of revulsion and curiosity on her face. He pulls out his hand. Just scratching. He stands up—his trunks sag in back—scrambles down the bank, and swims noisily. The water isn’t refreshing; it’s too warm.
Ryabets slowly plies the shoreline, watching Luscious. You’d think he wouldn’t care, but imagine, he’s horny; he feels dumb too, old goat.
Once Luscious leaves, Ryabets moves ashore. He towels off and gets out the 777: to drink or not to drink? No, first go
First he follows the shore and edges around the beach fence, but immediately, in a young pine grove, he runs across some naked men lying there, privates exposed. Ryabets sidesteps them but the farther he goes, the more naked men there are catching some rays, arms spread wide. “Cocksuckers,” he mutters, veering more to the left. He tries not to look but can’t help it. The bushes along the river are filled with naked men’s bodies. He spits. Right in the middle of Moscow!
He fantasizes TNT exploding and scraps of genitalia in the bushes—too many to collect! The bloody image calms him, and Ryabets moves deeper into the woods, emerging on paths that lead to Lake Bezdonka. Evening is falling and the crowds stretch from the riverbank to the park entrance. Ryabets has nearly changed his mind about going to the address in the newspaper. He’s tired. He wants to go home. He’s walking down Tamanskaya when across the street on the left he notices a street sign:
The street is suddenly quiet. The dachas are behind a fence. Turrets, porticos, balconies. As if they weren’t right next to that half-naked, heat-wasted mob. No. 43. In back of them, a new red-brick, three-story house. The kind ministers of state and oligarchs live in, Ryabets thinks. Actually, the house gives the impression of being uninhabited. Ryabets “accidentally” pushes the gate, which yields with a light creak. The house is standing where the dacha burned; Ryabets recognizes the lawn behind it and the semicircle of tall pines. But a prison? Construction debris, doorframes in their original packing, the porch unfinished. On the door, yellow police tape—looks like this
