porches were made of crude gray lumber. The trees were cottonwood elms and ailanthus, the grass was crabgrass, the bushes lilacs, the flowers sunflowers and elephant-ears. The heat was corrosive, the cold like a guillotine as you waited for the streetcar. The family, Zet’s bullheaded father and two maiden aunts who were “practical nurses” with housebound patients (dying, usually), read Russian novels, Yiddish poetry, and were mad about culture. He was encouraged to be a little intellectual. So, in short pants, he was a junior Immanuel Kant. Musical (like Frederick the Great or the Esterhazys), witty (like Voltaire), a sentimental radical (like Rousseau), bereft of gods (like Nietzsche), devoted to the heart and to the law of love (like Tolstoy). He was earnest (the early shadow of his father’s grimness), but he was playful, too. Not only did he study Hume and Kant but he discovered Dada and Surrealism as his voice was changing. The mischievous project of covering the great monuments of Paris in mattress ticking appealed to him. He talked about the importance of the ridiculous, the paradox of playful sublimity. Dostoyevsky, he lectured me, had it right. The intellectual (petty bourgeois-plebeian) was a megalomaniac. Living in a kennel, his thoughts embraced the universe. Hence the funny agonies. And remember Nietzsche, the gai savoir. And Heine and the “Aristophanes of Heaven.” He was a learned adolescent, was Zetland.
Books in Chicago were obtainable. The public library in the twenties had many storefront branches along the car lines. Summers, under flipping gutta-percha fan blades, boys and girls read in the hard chairs. Crimson trolley cars swayed, cowbellied, on the rails. The country went broke in 1929. On the public lagoon, rowing, we read Keats to each other while the weeds bound the oars. Chicago was nowhere. It had no setting. It was something released into American space. It was where trains arrived; where mail orders were dispatched. But on the lagoon, with turning boats, the water and the sky clear green, pure blue, the boring power of a great manufacturing center arrested (there was no smoke, the mills were crippled—industrial distress benefited the atmosphere), Zet recited “Upon the honeyed middle of the night…” Polack children threw rocks and crab apples from the shore.
Studying his French, German, math, and music. In his room a bust of Beethoven, a lithograph of Schubert (also with round specs) sitting at the piano, moving his friends’ hearts. The shades were drawn, the lamp burned. In the alley, peddlers’ horses wore straw hats to ward off sunstroke. Zet warded off the prairies, the real estate, the business and labor of Chicago. He boned away at his Kant. Just as assiduously, he read Breton and Tristan Tzara. He quoted, “The earth is blue, like an orange.” And he propounded questions of all sorts.
Had Lenin really expected democratic centralism to work within the Bolshevik party? Was Dewey’s argument in Human Nature and Conduct unassailable? Was the “significant form” position fruitful for painting? What was the future of primitivism in art?
Zetland wrote surrealist poems of his own: Plum lips suck the green of sleeping hills… or: Foaming rabbis rub electrical fish!
The Zetland apartment was roomy, inconvenient, in the standard gloomy style of 1910. Built-in buffets and china closets, a wainscot in the dining room with Dutch platters, a gas log in the fireplace, and two stained-glass small windows above the mantelpiece. A windup Victrola played “Eli, Eli,” the Peer Gynt Suite. Chaliapin sang “The Flea” from Faust, Galli-Curci the “Bell Song” from Lakme, and there were Russian soldiers’ choruses. Surly Max Zetland gave his family “everything,” he said. Old Zetland had been an immigrant. His start in life was slow. He learned the egg business in the poultry market on Fulton Street. But he rose to be assistant buyer in a large department store downtown: imported cheeses, Czech ham, British biscuits and jams—fancy goods. He was built like a fullback, with a black cleft in the chin and a long mouth. You would wear yourself out to win this mouth from its permanent expression of disapproval. He disapproved because he knew life. His first wife, Elias’s mother, died in the flu epidemic of 1918. By his second wife old Zetland had a feebleminded daughter. The second Mrs. Zetland died of cancer of the brain. The third wife, a cousin of the second, was much younger. She came from New York; she had worked on Seventh Avenue; she had a past. Because of this past Max Zetland gave way to jealousy and made nasty scenes, breaking dishes and shouting brutally. “Des histoiress,” said Zet, then practicing his French. Max Zetland was a muscular man who weighed two hundred pounds, but these were only scenes—not dangerous. As usual, the morning after, he stood at the bathroom mirror and shaved with his painstaking brass Gillette, made neat his reprehending face, flattened his hair like an American executive, with military brushes. Then, Russian style, he drank his tea through a sugar cube, glancing at the Tribune, and went off to his position in the Loop, more or less in Ordnung. A normal day. Descending the back stairs, a short cut to the El, he looked through the window of the first floor at his Orthodox parents in the kitchen. Grandfather sprayed his bearded mouth with an atomizer—he had asthma. Grandmother made orange-peel candy. Peels dried all winter on the steam radiators. The candy was kept in shoeboxes and served with tea.
Sitting in the El, Max Zetland wet his finger on his tongue to turn the pages of the thick newspaper. The tracks looked down on small brick houses. The El ran like the bridge of the elect over the damnation of the slums. In those little bungalows Poles, Swedes, micks, spies, Greeks, and niggers lived out their foolish dramas of drunkenness, gambling, rape, bastardy, syphilis, and roaring death. Max Zetland didn’t even have to look; he could read about it in the Trib. The little trains had yellow cane seats. Hand-operated gates of bent metal, waist-high, let you out of the car. Tin pagoda roofs covered the El platforms. Each riser of the long staircase advertised Lydia Pinkham’s Vegetable Compound. Iron loss made young girls pale. Max Zetland himself had a white face, white-jowled, a sarcastic bear, but acceptably pleasant, entering the merchandising palace on Wabash Avenue, neat in his office, smart on the telephone, fluent except for a slight Russian difficulty with initial aitches, releasing a mellow grumble when he spoke, his mind factual, tabular, prices and contracts memorized. He held in the smoke of his cigarettes as he stood by his desk. The smoke drifted narrowly from his nose. With a lowered face, he looked about. He judged with furious Jewish snobbery the laxity and brainlessness of the golf- playing goy who could afford to walk in knickers on the restricted fairway, who could be what he seemed, who had no buried fury, married no lascivious New York girls, had no idiot orphans, no house of death. Max Zetland’s hard paunch subdued by the cut of his jacket, the tense muscles of his calves showing through trouser legs, the smoke- retentive nose, the rage of taciturnity—well, in the business world one must be a nice fellow. He was an executive in a great retail organization and he was a nice fellow. He was a short-headed man whose skull had no great depth. But his face was broad, heavily masculine, self-consciously centered between the shoulders. His hair was parted in the middle and brushed flat. There was a wide space between his front teeth, which Zet inherited. Only the unshavable pucker in his father’s chin was a sign of pathos, and this hint of the pitiful Max Zetland was defied by the Russian military stoutness of his bearing, by his curt style of smoking, by the snap with which he drank a glass of schnapps. Among friends his son had various names for him. The General, the Commissar, Osipovich, Ozymandias, he often called him. “My name is Ozymandias, king of kings: Look on my works, ye Mighty, and despair!”
Before his third marriage, Ozymandias the widower would come home from the Loop with the Evening American, printed on peach-colored paper. He took a glass of whiskey before dinner and saw his daughter. Perhaps she was not feebleminded, only temporarily retarded. His bright son tried to tell him that Casanova was hydrocephalie until he was eight and considered an imbecile, and that Einstein was a backward child. Max hoped she might be taught to sew. He started with table manners. Meals, for a time, were horrible. She was unreachable. In her the family face was compressed, reduced, condensed into a cat’s face. She stammered, she tottered, her legs were long and undeveloped. She picked up her skirt in company, she trickled on the toilet without closing the door. The kid gave away all the weaknesses of the breed. Relatives were sympathetic, but this sympathy of aunts and cousins Max sensed to be self-congratulatory. He coldly rejected it, looking straight before him and lengthening his straight mouth. When people spoke sympathetically to him about his daughter, he seemed to be considering the best way to put them to death.
Father Zetland read Russian and Yiddish poetry. He preferred the company of musical people and artists, bohemian garment workers, Tolstoyans, followers of Emma Goldman and of Isadora Duncan, revolutionists who wore pince-nez, Russian blouses, Lenin or Trotsky beards. He attended lectures, debates, concerts, and readings; the Utopians amused him; he respected brains and was sold on high culture. It was obtainable in Chicago, in those days.
Facing Humboldt Park, on California Avenue, the Chicago anarchists and Wobblies had their forum; the Scandinavians had their fraternal lodges, churches, a dance hall; the Galician Jews a synagogue; the Daughters of Zion their charity day nursery. On Division Street, after 1929, little savings banks crashed. One became a fish store. A tank for live carp was made of the bank marble. The vault became an icebox. A movie house turned into a funeral
