never told. Wilhelm had lied first boastfully and then out of charity to himself. But his memory was good, he could still separate what he had invented from the actual happenings, and this morning he found it necessary as he stood by Rubin’s showcase with his
I didn’t seem even to realize that there was a depression. How could I have been such a jerk as to not prepare for anything and just go on luck and inspiration? With round gray eyes expanded and his large shapely lips closed in severity toward himself he forced open all that had been hidden. Dad I couldn’t affect one way or another. Mama was the one who tried to stop me, and we carried on and yelled and pleaded. The more I lied the louder I raised my voice, and charged—like a hippopotamus. Poor mother! How I disappointed her. Rubin heard Wilhelm give a broken sigh as he stood with the forgotten
When Wilhlelm was aware that Rubin watched him, loitering and idle, apparently not knowing what to do with himself this morning, he turned to the Coca-Cola machine. He swallowed hard at the coke bottle and coughed over it, but he ignored his coughing, for he was still thinking, his eyes upcast and his lips closed behind his hand. By a peculiar twist of habit he wore his coat collar turned up always, as though there were a wind. It never lay flat. But on his broad back, stooped with its own weight, its strength warped almost into deformity, the collar of his sports coat appeared anyway to be no wider than a ribbon.
He was listening to the sound of his own voice as he explained, twenty-five years ago in the living room on West End Avenue, “But Mother, if I don’t pan out as an actor I can still go back to school.”
But she was afraid he was going to destroy himself. She said, “Wilky, Dad could make it easy for you if you wanted to go into medicine.” To remember this stifled him.
“I can’t bear hospitals. Besides, I might make a mistake and hurt someone or even kill a patient. I couldn’t stand that. Besides, I haven’t got that sort of brains.”
Then his mother had made the mistake of mentioning her nephew Artie, Wilhelm’s cousin, who was an honor student at Columbia in math and languages. That dark little gloomy Artie, with his disgusting narrow face, and his moles and self-sniffing ways and his unclean table manners, the boring habit he had of conjugating verbs when you went for a walk with him. “Roumanian is an easy language. You just add a
At first the letter from the talent scout was nothing but a flattering sort of joke. Wilhelm’s picture in the college paper when he was running for class treasurer was seen by Maurice Venice, who wrote to him about a screen test. Wilhelm at once took the train to New York. He found the scout to be huge and oxlike, so stout that his arms seemed caught from beneath in a grip of flesh and fat; it looked as though it must be positively painful. He had little hair. Yet he enjoyed a healthy complexion. His breath was noisy and his voice rather difficult and husky because of the fat in his throat. He had on a double-breasted suit of the type then known as the pillbox; it was chalk-striped, pink on blue; the trousers hugged his ankles.
They met and shook hands and sat down. Together these two big men dwarfed the tiny Broadway office and made the furnishings look like toys. Wilhelm had the color of a Golden Grimes apple when he was well, and then his thick blond hair had been vigorous and his wide shoulders unwarped; he was leaner in the jaws, his eyes fresher and wider; his legs were then still awkward but he was impressively handsome. And he was about to make his first great mistake. Like, he sometimes thought, I was going to pick up a weapon and strike myself a blow with it.
Looming over the desk in the small office darkened by overbuilt midtown-sheer walls, grey spaces, dry lagoons of tar and pebbles—Maurice Venice proceeded to establish his credentials. He said, “My letter was on the regular stationary, but maybe you want to check on me?”
“Who,
“There’s guys who think I’m in a racket and make a charge for the test. I don’t ask a cent. I’m no agent. There ain’t no commission.”
“I never even thought of it,” said Wilhelm. Was there perhaps something fishy about this Maurice Venice? He protested too much.
In his husky, fat-weakened voice he finally challenged Wilhelm, “If you’re not sure, you can call the distributor and find out who I am, Maurice Venice.”
Wilhelm wondered at him. “Why shouldn’t I be sure? Of course I am.”
“Because I can see the way you size me up, and because this is a dinky office. Like you don’t believe me. Go ahead. Call. I won’t care if you’re cautious. I mean it. There’s quite a few people who doubt me at first. They can’t really believe that fame and fortune are going to hit ’em.
“But I tell you I do believe you,” Wilhelm said, and bent inward to accommodate the pressure of his warm, panting laugh. It was purely nervous. His neck was ruddy and neatly shaved about the ears?he was fresh from the barbershop; his face anxiously glowed with his desire to make a pleasing impression. It was all wasted on Venice, who was just as concerned about the impression
“If you’re surprised, I’ll just show you what I mean,” Venice had said. “I was about fifteen months ago right in this identical same office when I saw a beautiful thing in the paper. It wasn’t even a photo but a drawing, a brassiere ad, but I knew right away that this was star material. I called up the paper to ask who the girl was, they gave me the name of the advertising agency; I phoned the agency and they gave me the name of the artist; I got hold of the artist and he gave me the number of the model agency. Finally, finally I got her number and phoned her and said, ‘This is Maurice Venice, scout for Kaskaskia Films.’ So right away she says, ‘Yah, so’s your old lady.’ Well, when I saw I wasn’t getting nowhere with her I said to her, ‘Well, miss, I don’t blame you. You’re a very beautiful thing and must have a dozen admirers after you all the time, boy friends who like to call and pull your leg and give a tease. But as I happen to be a very busy fellow and don’t have the time to horse around or argue, I tell you what to do. Here’s my number, and here’s the number of Kaskasia Distributors, Inc. Ask them who I am, Maurice Venice. The scout.’ She did it. A little while later she phoned me back, all apologies and excuses, but I didn’t want to embarrass her and get off on the wrong foot with an artist. I know better than to do that. So I told her it was a natural precaution, never mind. I wanted to run a screen test right away. Because I seldom am wrong about talent. If I see it, it’s there. Get that, please. And do you know who that little girl is today?”
“No,” said Wilhelm eagerly. “Who is she?”
“Venice said impressively,” ’Nita Christenberry.”
Wilhelm sat utterly blank. This was failure. He didn’t know the name, and Venice was waiting for his response and would be angry.
And in fact Venice had been offended. He said, “What’s the matter with you! Don’t you read a magazine? She’s a starlet.”
“I’m sorry,” Wilhelm answered. “I’m at school and don’t have time to keep up. If I don’t know her, it doesn’t mean a thing. She made a big hit, I’ll bet.”
“You can say that again. Here’s a photo of her.” He handed Wilhelm some pictures. She was a bathing beauty—short, the usual breasts, hips, and smooth thighs. Yes, quite good, as Wilhelm recalled. She stood on high heels and wore a Spanish comb and mantilla. In her hand was a fan.
He had said, “She looks awful peppy.”
“Isn’t she a divine girl? And what personality! Not just another broad in the show business, believe me.” He had a surprise for Wilhelm. “I have found happiness with her,” he said.
“You have?” said Wilhelm, slow to understand.
“Yes, boy, we’re engaged.”
Wilhelm saw another photograph, taken on the beach. Venice was dressed in a terry-cloth beach outfit, and he and the girl, cheek to cheek, were looking into the camera. Below, in white ink, was written “Love at Malibu Colony.”
“I’m sure you’ll be very happy. I wish you—”