My heart skips a beat. What kind of farm boy has soft hands?
I ease his hand away from my chest. He stirs, sighing against my neck. Now the hairs tickled by his lips dance a different kind of jig. I lightly brush my fingertips over his palm. Soft as a baby’s bottom.
Hunting in the woods…
I dip my head slightly to sniff his fingers. It’s probably my overactive imagination, but do I detect the acrid, metallic smell of gunpowder? When did he fire a gun? He hadn’t gone hunting tonight, just to visit Lauren’s grave.
Lying wide awake in his arms as dawn breaks, feeling his heart beating against my back while my own heart pushes against his hand.
What do you have the heart to do, Evan Walker?
54
THE NEXT DAY is agony.
I know I can’t confront him. Way too risky. What if the worst is true? That there is no Evan Walker farm boy, only Evan Walker human traitor—or the unthinkable (one word that pretty much sums up this alien invasion): Evan Walker, Silencer. I tell myself this last possibility is ridiculous. A Silencer wouldn’t nurse me back to health—much less give me nicknames and play snuggles in the dark. A Silencer would just—well, silence me.
Once I take that irreversible step of confronting him, it’s pretty much game over. If he isn’t who he claims to be, I’d be giving him no choice. Whatever his reason for keeping me alive, I don’t think I’d stay alive very long if he thought I knew the truth.
So I pretend nothing’s wrong. Over breakfast, though, I work the conversation around to his pre-Arrival days. What kind of work did he do around the farm? Name it, he says. Drove the tractor, baled hay, fed the animals, repaired equipment, strung barbed wire. My eyes on his hands while my mind makes excuses for him. He always wore gloves is the best one, but I can’t think of a natural-sounding way to ask.
He doesn’t want to talk about the past; it’s the future he’s worried about. He wants details about the mission. Like every footstep between the farmhouse and Wright-Patterson has to be mapped out, every contingency considered. What if we don’t wait till spring and another blizzard hits? What if we find the base abandoned? How do we pick up Sammy’s trail then? When do we say enough is enough and give up?
“I’ll never give up,” I tell him.
I wait for nightfall. I was never very good at waiting, and he notices my restlessness.
“You’re going to be okay?” Standing by the kitchen door, rifle dangling from his shoulder. Cupping my face tenderly in those soft hands. And me gazing upward into those puppy-dog eyes, brave Cassie, trusting Cassie, mayfly Cassie.
Then locking the door behind him. Watching him step lightly off the back porch and trot toward the trees, heading west, toward the highway, where, as everyone knows, fresh game like deer and rabbit and
I tear through every room. Four weeks locked up inside it like someone under house arrest, you think I would have poked around a little.
What do I find? Nothing. And a lot.
Family photo albums. There’s baby Evan in the hospital wearing the striped newborn hat. Toddler Evan pushing a plastic lawnmower. Five-year-old Evan sitting on a pony. Ten-year-old Evan on the tractor. Twelve-year- old Evan in a baseball uniform…
And the rest of his family, including Val—I pick her out right away, and seeing the face of the girl who died in his arms and whose clothes I’ve taken brings the whole shitty thing back to me, and suddenly I’m like the lowest person left on Earth. Seeing his family in front of the Christmas tree, gathered around birthday cakes, hiking along a mountain trail, forces it down my throat: the end of Christmas trees and birthday cakes and family vacations and the ten thousand other taken-for-granted things. Each photograph the tolling of a bell, a timer clicking down to the end of normal.
And she’s in some of the pictures, too. Lauren. Tall. Athletic. Oh, and blond. Of course, she would have to be. They make a very attractive couple. And in more than half the pictures, she isn’t looking at the camera; she’s looking at him. Not the way I would look at Ben Parish, all squishy around the eyes. She looks at Evan fiercely, like,
I put the albums away. My paranoia is fading.
But no matter how much I lecture myself, I can’t calm down. I’m missing something. Something important. I pace back and forth in front of the fireplace, shivering despite the roaring flames. It’s like having an itch you can’t scratch. But what could it be? I know in my gut I’m not going to find anything incriminating, even if I tear through every inch of the house.
I limp into the kitchen. Not much time now. Grab a heavy jacket from the hook by the door and a flashlight from the cupboard, tuck the Luger into my waistband, and step outside into the bitter cold. Clear sky, the yard bathed in starlight. I try not to think about the mothership a few hundred miles over my head as I shuffle toward the barn. I don’t click on the light until I step inside.
The smell of old manure and mildewed hay. The scampering of rats’ feet on the rotting boards over my head. I swing the light around, over the empty stalls and across the dirt floor, into the hayloft. I don’t know exactly what I’m looking for, but I keep looking. In every creepy movie ever made, the barn is the prime nesting ground for the things you don’t know you’re looking for and always regret finding.
I find what I’m not looking for under a pile of ratty blankets heaped against the back wall. Something long and dark glinting in the circle of light. I don’t touch it. I reveal it, tossing aside three blankets to reach its resting place.
It’s my M16.
I know it’s mine. I can see my initials in the stock:
I’d lost it on the median when the Silencer struck from the woods. Left it there in my panic. Decided I couldn’t go back for it. Now here it is, in Evan Walker’s barn. My bestie had found its way back to me.
I back away from it. Back away from the message it sends. Back all the way to the door while I keep the light shining on its glossy black barrel.