architects realised that they had failed to provide any space where the staff could go to calm down. A completely secure leisure-area, a contradictory concept invented, unsurprisingly, in Los Angeles.

‘Did you hear?’ says Miranda. ‘One of the electricians lost like his entire fucking arm or something last night. Industrial accident. They fired him. Can you believe that? Negligence. They may even sue.’ She seats herself on a green plastic park-bench affair. ‘You’ve seen things for yourself, haven’t you? Are you going to put them all in your report?’

Ben feels bloody-minded today. She pushes, he pulls, that kind of thing. ‘All buildings have quirks,’ he snaps. ‘They’re by-products of advanced technology.’

‘The place is controlled by computers that purify the atmosphere.’

‘Sounds like a good thing.’

‘Not if they’re killing you.’

Ben stops and turns on her. ‘How do you know they are?’

‘Come on, I know, all right?’

‘But how?’

She decides. ‘Felix told me about the radiation. It was in his report to Clarke.’

‘If you’re so damned sure you’re being poisoned, why don’t you tell the management?’

‘Are you kidding? That’s what he did. SymaxCorp has its own security staff. They’re armed with Tasers. This is private property. It’s outside police jurisdiction.’

‘If you think it’s so dangerous, maybe you should just leave.’

‘That’s what they want me to do. If you leave here, you get a black mark on your temp record that stays with you wherever you go. Nobody leaves unless they’re forced to.’

Ben stops and looks at Miranda. She seems determined that he will help her, and he is equally determined to resist, although his determination is taking a few dents. But she’s dangerous to know. Getting into trouble is the last thing he needs to do.

‘I’m sorry,’ he says finally. ‘I’ve lost too many jobs for talking out of turn. This is my last chance. I can’t let you screw it up.’

‘And I’ve had enough jobs to know when something is fucked. Come with me.’ She gets up and takes his hand. Looking around, she opens a door at the side of the lobby. It leads to a darkened stairwell where timer lights switch on. They walk down a ramp into the underground car park. It’s gloomy, claustrophobic and concrete, with the kind of shiny floors that squeak as you turn the wheel.

‘Someone’s been scratching these all over the place,’ Miranda explains, pointing out triple sixes surrounding a crucifix. She looks meaningfully at him. ‘Evil besetting good. And they leave little notes. Look at this one: “GOD IS WATCHING YOU.”’ The words are scrawled all around the basement. In a shadowy corner stall stands a blue BMW covered in dust. ‘You know I told you that Felix left his watch? That’s nothing. He loved his car. He drove it into work but he never drove it home. Why would he have left it here?’

‘What? What? You think the big bad corporation had him whacked? Do you realise how incredibly stupid that sounds?’

‘He isn’t at home, Ben. I checked with his neighbours. He hasn’t been seen. He isn’t anywhere.’

‘Where are the car keys?’

Miranda hasn’t thought of this. ‘I think they were on his belt. On a ring with his flat keys. I know he had only one set.’

Ben stops. ‘And how do you know that, exactly?’

‘I just know, okay?’

‘When was the last time you saw Felix?’

‘He was working late, writing the report for Clarke.’ They look up into the darkness of the basement roof, where the air ducts hiss. ‘And he never left the building.’

‘You want me to start nosing around for his sake?’

‘No. I want you to do it for my sake.’ She peels off her blue shirt and throws it over the TV camera. Then she removes her bra.

‘Jesus, Miranda.’

‘Let’s keep religion out of this,’ she warns, kissing him as she pushes him back across the hood of a car. Resistance is futile. He pulls her down on top of him. But before her nakedness fills his vision, he can’t help but notice that the space they’re in belongs to Clarke.

Later, they return to the garden. The river glistens like silver foil. Above them, a handful of stars have escaped the light pollution of the metropolis. But they are still behind the great glass wall, in the leisure area of the SymaxCorp atrium. Ben wonders if he will ever leave.

‘Chaos and order,’ he tells her. ‘The universe has to be governed by one system or the other. The one you choose to believe in decides the kind of person you are.’ He looks up through the glass at the night sky, at a blood- red moon. ‘You can live in an entirely random way, going wherever you want, taking whatever work comes along – or you can build the world. I thought it was all about taking a stand. But it’s about being part of something.’ He says this admiringly as he tips back his head to look up at the illuminated rows of offices, each little box containing a person lost in concentration.

‘I don’t understand why you would choose to be a battery hen. Always knowing what’s going to happen next.’

‘I’ve tried the other way and it doesn’t work,’ he explains. ‘One day you wake up and find you’ve done nothing with your time on Earth. This way I can make some money, start to create a future.’

‘You think this is order? You think because you’ve entered corporate life, everything else is going to fall into place? This is chaos. That, up there, that’s order.’

‘At least my way I’ll get a little respect.’

Miranda gives a derisive snort of laughter. ‘You could spend twenty years here then get fired. Two days later, no-one would remember you.’

‘You remember Felix.’

She stops laughing. ‘I’m the only one who does. Ben, help me to find him.’

4. WEDNESDAY

Ben stands on the forecourt looking up at the building. He knows that his mood is darkening with every passing day, but what can you do? He signed up for the tour of duty. The clouds are even blacker now, and it is raining hard. London suits the rain, he thinks. Everyone goes indoors. He heads into the building with a fresh look of determination. Control is the key, he tells himself. Control.

He stays seated at his workstation for half an hour before Miranda looks furtively around and then wheels her chair over. Before she can speak, Ben holds up his hand to her. ‘All right. All right. I’ll find out what I can.’ So much for his resolve. ‘Tell me one thing. Last night …’

‘It wasn’t because I wanted you to help me, all right? Happy?’

‘Then what was it?’

‘I like you. You have the kind of innocence a girl just wants to wreck.’

‘You’re not like anyone I’ve ever met before. ‘

‘Is that good?’

‘I don’t know. Are you?’

She gives him a dirty smile. ‘I could be better.’

‘I just hope the cameras didn’t pick us up.’

‘You worry too much. What’s the worst that could happen?’

‘Never say that out loud.’

Through his window, Clarke silently observes them speaking. Checking his watch, he heads off to attend a meeting with the board, in a spectacular, hardwood, faux-19th Century conference room overlooking the city skyline. It would be wrong to think of the board members as villains. Nothing is as black and white as that anymore. They’re a group of ordinary, hard-headed businessmen; but their luxurious private world is cocooned, far away from the floors below. They no longer empathise, because they’re dealing now in abstract concepts. The world of business management would rather think about pluralistic environments than toilet dispensers.

‘This deal will turn us into the global standard,’ Clarke promises. ‘It’ll allow us to showcase systems in

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