regarding the appearance you were eventually to make on Boxing Day at Thirteen Cheshire Street?'
'Sammy Fulgrave. He and his wife, Emma, were understudies with our company. She was with child; they were in fairly desperate need of money.'
'So they introduced you to the man who had offered them this situation—a small, swarthy man, with a foreign accent— whereupon he extended the same offer to you.'
The Dark man at the seance, thought Doyle. The one he'd shot in the leg.
'That he did,' said Eileen.
'What were the terms of that offer?'
'We were to receive one hundred pounds, fifty of which he paid to us immediately. His accent was Austrian, by the way.'
'He then recruited the fourth and last actor with your assistance?'
'Dennis Cullen. He was to play my brother—'
'And was no doubt in equally exigent financial distress,' said Sparks, unable to keep the edge of scorn from his voice. 'What did this man require of you for his hundred pounds?'
'Our participation in a private performance for a wealthy friend of his who was interested in spiritualism. He said it was the intention of a well-meaning group of this man's friends to play a sort of joke on him.'
'What sort of joke?'
'He told us that this man, their good friend, was a resolute disbeliever in the spirit world. He said they planned to invite the man to a seance, which he would be given every reason to believe was genuine, and then give him a proper fright, using all manner of elaborate stage effects. This was to take place in a private home, and in order to pull off the effect, they had decided that professional actors, people the man didn't know and whose behavior would appear credible, were required to play the parts.'
'Nothing about this offer aroused your suspicions?'
'We discussed it among ourselves. To be honest, it sounded like fairly harmless fun. Nothing about the man's at-
titude suggested otherwise, and we, all of us, frankly needed the money.'
She looked at Doyle and then away, somewhat ashamed, Doyle thought.
'What did he subsequently ask you to do?'
'Nothing for the moment. We were to return to London the day before Christmas for another meeting to organize the performance. At that time, the man took us to Chesire Street and showed us the room where the seance would be staged. He gave each of us our character's name, told us what sort of person they were supposed to be, and asked us to supply our own appropriate costumes. That's when we learned that Dennis and I were to play brother and sister.'
'Had you ever before heard the name Lady Caroline Nicholson?'
'No.'
'Have you ever seen this woman before?' Sparks asked, showing to her the photograph of the woman taken outside Rathborne and Sons.
'I have not,' she said, after a moment's study. 'Is this Lady Nicholson?'
'I believe it is,' said Sparks. 'You're younger than she. You wore makeup that night to make you appear older.'
She nodded.
'I believe that you were singled out by someone who saw your London performance in October and sought you for this job because of your resemblance to Lady Nicholson. The others were relatively immaterial; you were the key to their plan.'
'But why go to all this trouble?' asked Stoker.
'To protect against the eventuality that our friend Dr. Doyle had ever seen the real woman. I assure you the man responsible is capable of far more absolute thoroughness than this.'
'But what in God's name was their intention?' pressed Stoker with evident frustration.
'Dr. Doyle's murder,' he said.
Stoker leaned back. Eileen turned to look at Doyle again; he saw outrage register there, on his behalf. He was beginning to gain a measure of the woman's substantial fortitude.
'Did the man introduce you to the medium before the night of the seance?' asked Sparks.
'No. I suppose we all assumed it would be just another actor. He did say he would be playing a part as well. He was wearing makeup that night—you described him as swarthy; actually the man himself was quite pale.'
'Our friend Professor Vamberg again, Doyle,' said Sparks in an aside.
'Really?' said Doyle eagerly, almost pathetically grateful to hear a comradely word from Sparks. 'You can't say we didn't get our licks in.'
'No: When next we see him, the Professor should be walking with a pronounced limp.'
Doyle felt a visceral, decidedly uncharitable surge of satisfaction as he recalled the gun going off in his hand and the man's wounded bellows.
'What did this man tell you to do on the night of the seance?'
'He wanted us to arrive in character, in case his friend happened to see any of us on the street. We met him a few blocks away; Dennis and I were picked up by carriage and delivered to the house by another man, who played the part of Tim, our driver.'
'What was his name?'
'We didn't know him; he didn't speak to us. But just after we boarded the carriage, and the Professor, as you refer to him, was leaving for the seance, I overheard him call the driver Alexander.'
Good Lord, that was him, thought Doyle, the driver he had spoken to outside 13 Cheshire, that was Alexander Sparks; he'd been as close to the man then as he was now to his brother. A shiver ratcheted through him. The man's immersion in his role had been consummate, undetectable.
'Miss Temple, the things we saw in the seance,' Doyle asked, 'did they demonstrate any of those tricks to you beforehand?'
Eileen nodded. 'They had one of those devices—what do you call them?—a magic lantern, hidden behind the curtains. It projected an image into the air—'
'The picture of the little boy,' said Doyle.
'With all the smoke, it appeared to be moving, and it was
difficult to tell where it came from—and there were wires suspended from the ceiling, holding the trumpets and the head of that hideous beast-—'
'You saw that before the seance?'
'No, but of course I just assumed,' she said, looking for reassurance.
Unsure that he could provide any, Doyle only nodded.
'What specific directions were given to you regarding how to behave toward Dr. Doyle? Did they give you his name?' asked Sparks.
'No. I was told he was a doctor that my character had sent for, requesting help; my son had been kidnapped, I had turned reluctantly to this medium for guidance, but unsure about her intentions had written to the doctor asking him to meet us there.' She looked at Doyle again. 'But when he arrived, I don't know why, but I sensed immediately that something was terribly wrong, that the stories I'd been told were untrue—I could see it in your face. The others kept playing along—I don't know that they even noticed. I wanted to say something to you, to give you some sign, but once the thing began, it became so completely overwhelming ...'
'Did you believe what you were seeing was real?' asked Doyle.
'I had no way to judge: that is, I know what we're capable of onstage, but ...' She shuddered involuntarily and crossed her arms around herself. 'There was something so vile in the touch of that woman's hand. Something ... unclean. And when that creature appeared in the mirror and began to speak in that dreadful voice ... I felt as if I were losing my mind.'
'So did I,' said Doyle.
'And then came the attack,' said Sparks.
'An attack was to be part of the entertainment; we had rehearsed it. We would fall at the hands of these intruders, you would have your reaction, then everyone would bounce to their feet, and have a good laugh at your expense. But when those men came into the room ... they weren't the ones we'd seen before. I heard the blow that
