struck Dennis down, I saw the look in his eyes as he fell and ...'
Her voice caught. She put a hand to her forehead, lowered her gaze, and with an immense show of will righted the keel of her emotions.
'... and I knew that he was dead and that they meant to kill you, Dr. Doyle; that had been their intention all along. In that moment, I found voice in my mind to pray; if they would take my life for the part that I had played in this, my life for yours. Then I felt the knife at my throat and the blood running down, and I had no reason to believe it wasn't mine, that they hadn't murdered me as well. I fell, I suppose I fainted, the next moments are unclear....'
She closed her eyes and took a deep breath; it hitched raggedly as she exhaled, fighting off tears again. She had told them the truth, thought Doyle; the greatest genius of the stage the world over could not have dissembled so effectively.
'I came around as Sammy and his wife were carrying me from the house—they hadn't been hurt, but we heard screams and moans behind us. Gunshots. Chaos. Such a terrible shock to realize I was still alive and everything I remembered had actually happened, that Dennis had been killed.'
'The driver of the carriage, did you see him outside?'
asked Sparks.
She shook her head. 'The carriage was gone. We ran. We began to encounter people in the streets. Emma was screaming, Sammy tried desperately to quiet her, but she wouldn't be stilled, he couldn't comfort her; he insisted it would be safer for me if we parted, so we went our separate ways. He gave me his handkerchief to wipe the blood off my throat. I didn't see them again. Mr. Stoker told me what happened to them.... I tried to make myself presentable. I didn't dare return to the small hotel where we'd been staying. I walked until morning, then took a room somewhere in Chelsea. I had the money we'd been given with me. I considered going to the police, but my part in it seemed impossible to explain, too deserving of blame; what could I have told them?'
Doyle shook his head, trying to grant her absolution. She took no solace from it, shaking her head self- reproachingly and looking away.
'All I could think of was getting back to the company. Get back and tell them what had happened, because I thought they would know what to do. I tried to remember where they were playing—I knew it was in the north, but I was so confused—then I remembered Whitby. I remembered Whitby because we'd played here once before, in the height of sum-
mer, and the sea and the sailing ships in the harbor had been so very beautiful, and I wanted to sit on a bench by the seawall and look out at the ships as I had that summer and not move and to think for the longest time, and maybe then I would begin to forget what had happened, maybe I could heal what had been done to my mind....'
Tears were flowing down her cheeks, but she made no move to brush them away. Her voice remained even and strong. 'The next day I took the train here. I had no other clothes to wear, but my cloak was full enough to cover the bloodstains on my dress. I spoke to no one. I completed the journey undisturbed, although I'm sure many remarks were made about the strange woman in the fancy evening dress, traveling without luggage or companion. I took a room here, like some haunted, heartbroken lover. I bought these poor clothes and sent my dress out to be cleaned. The blood had spoiled the satin, but I couldn't bear to part with it; it was my best dress, the only time I'd worn it before was New Year's Eve a year ago—I was so absurdly happy the night I wore that dress, I thought my life was just beginning and ...' She paused again, before pulling back and saying, simply: '... and so I took a room here and slept and waited for the company to arrive.'
She looked back at Stoker, indicating the next chapter of the story was his arrival, which brought the tale to its current pass. Even Sparks's rectitude seemed mollified by the plain harshness of her ordeal. Doyle offered her his handkerchief, which she accepted without a word.
Stoker was the first to gently advance the conversation. 'Miss Temple, you should tell them what happened here the night before I found you.'
She nodded and lowered the handkerchief. 'I was awakened in the middle of the night. Gently. I don't know why, I didn't move, I just opened my eyes. I wasn't sure, I'm not sure now, if I wasn't dreaming. A shape was standing in the shadows in the corner of my room. I looked at it for the longest time before I could be sure what I was seeing. A man. He didn't move. He looked ... unnatural.'
'Describe him for me,' said Sparks.
'A pale face. Long. All in black. His eyes—it's hard to describe—his eyes burned. They absorbed light. They never blinked. I was so terrified I couldn't move. I could hardly breathe. I felt as if I were being watched by ... something less than human. There was a hunger. Like an insect.'
'He never touched you.'
She shook her head. 'I lay there for the longest time. I had no sense of time. I felt paralyzed. I would close my eyes and reopen them, and still he was there. With the first morning light coming in, I opened my eyes again, and he was gone. I got up from my bed. The door and windows to my room were locked, as they had been when I went to sleep. I hadn't truly been afraid until that moment... even though he never touched me, he never moved, I felt so ... violated.'
'Miss Temple spent last night in this room,' said Stoker. 'I sat up all night in that chair with this in my hand ...' He picked up a double-barreled shotgun from behind the dresser. 'No one came into this room.'
Doyle looked at Sparks with alarm. 'We shan't leave you alone again. Not for a moment.'
Sparks didn't answer. He sat down on the bed and looked out the window. His shoulders slumped slightly.
'Am I mistaken in believing that the man in Miss Temple's room is the same man responsible for the crimes we've been discussing?' asked Stoker.
'No. You are not mistaken,' said Sparks softly.
'What manner of man is it who can move through the night this way, move through doors and windows into rooms without a sound, who can strike down people in their sleep, carry them off, and never be seen?' Stoker moved closer to Sparks as he spoke, never raising his voice. 'What manner of human being is this? Do you know?'
Sparks nodded. 'I will tell you, Mr. Stoker. But first you must tell me what you were doing when you found us at Goresthorpe Abbey.'
Towering over Sparks, Stoker folded his arms and thoughtfully stroked his generous whiskers.
'Fair enough,' he said. Stoker leaned against the window-sill, and took a pipe and pouch from his pocket, busying himself with the small, precise rituals of smoking as he began to speak. 'I spoke with a great many people in Whitby when I first arrived. Few had anything of substance to tell me. Then I met a man in a pub down by the bay. A whaler, a grizzled
old dog, seventy if he's a day. Been round the world a dozen times. Now he sits and watches the harbor and drinks his stout from noon to closing, alone. The publican and his regulars regard the man as a sot and a harmless nutter. The sailor called me over to him soon after I came into that place. He was most agitated and very eager to tell me something he was sure no one else would credit—or rather something he had tried to tell repeatedly that no one else believed.
'He never slept much, he told me, some combination of alcohol and age, and so he spent many long nights walking by the shore and up the hill, toward the abbey, where his wife was laid to rest ten years since. She speaks to him sometimes, he said, he hears her voice on those late nights, whispering out of the wind in the trees above the graveyard. One night about three weeks ago as he made his way through the headstones, she called to him. He said her voice was stronger than he'd ever heard it.
' 'Look to the sea,' she said. 'Look to the harbor.' The graveyard runs along a ledge directly above the harbor. It was a blustery night, and the tide was high. He looked down and saw a ship running in with the waves, running fast in to shore, too fast, sails flapping, lines loose; it was looking to go directly aground. The old sailor picked his way as quickly as he could down to the beach where the ship was headed; if they hit the rocks there, it could mean disaster; he'd have to sound the alarm.
'When he got to Tate Hill Pier, a small cove out of sight from the seawall, he saw the ship had dropped anchor fifty yards offshore. She was a trim schooner, showing a lot of hull, lying light in the water. A skiff was coming from it toward the beach; he saw with surprise there were people waiting onshore with lanterns, waving them in. He moved closer to them but stayed hidden, deciding not to reveal himself. He saw the bishop among their