THE SILENT DEATH

Maxwell Grant

CHAPTER I. EYES OF EVIL

THE lights of uptown Manhattan cast a vivid, fantastic glow when viewed from the window of the little

office high in the towering Brinton Building. But the man who stood within the darkness of that

thirtieth-floor room was not concerned with the spectacle of man-made brilliance. His eyes were focused

upon the top stories of a huge apartment building across the street.

The apartment structure was capped by a penthouse, from which a few lights gleamed. One corner of the

penthouse, which rose flush with the sheer wall of the building, was the spot which this unseen observer

found most interesting.

A match glimmered in a cupped hand. As the flame ignited a cigarette, it showed a rough, hardened face.

The match went out, and the watcher puffed his cigarette. As the glowing tip descended from his lips, the

man emitted an evil snarl that went well with his countenance.

A rap at the door. The man by the window flicked his cigarette through the opening. He closed the

window and drew the shade. He hurried to the door and switched on the light just as a second furtive rap

was given. The man within the room opened the door, to admit a hasty visitor.

The new illumination plainly revealed the two men as characters of a strangely different type. The

individual who had been standing in the darkness was short and stocky a ruffian in all save dress. His

well-groomed appearance did not fit his pudge-nosed, hard-lipped countenance, which bore a wicked,

leering smirk.

The arrival, tall and stoop-shouldered, was a gray-haired man who possessed a marked dignity. His

gaunt face showed firmness in spite of declining years. Only in one feature did he resemble the man who

had been waiting in the office. His eyes, like those of the other man, gleamed with cunning and evil.

THE stocky, hard-mannered individual was the first to speak. In a voice which was suave, despite its

harshness, he questioned the visitor's identity.

'You are Thomas Jocelyn?'

'Yes,' responded the elderly man, still eyeing his questioner. 'You, I presume, are Larry Ricordo?'

'That's me,' answered the harsh-voiced man, with a grin. 'Sit down and make yourself easy.'

Thomas Jocelyn seated himself in a chair beside a table in the center of the room. He leaned solemnly

upon his gold-headed cane and stared at Ricordo.

'Where is Folcroft Urlich?' he inquired.

'The professor will he here soon,' replied Ricordo, while lighting another cigarette. 'I came early — to

open the office. Plenty of time yet.'

Jocelyn contented himself with the one question. He appeared nervous, despite his composed manner.

For several minutes, Ricordo stood expectantly, thinking that the old man intended to make a new

inquiry. Finally, with a gruff laugh, Ricordo slouched into a chair.

'Well,' he remarked, 'we're all set. We're going to see the wheels run round to-night. Picking this office

was a cinch.'

As Jocelyn made no comment, Ricordo desisted after the one attempt to open conversation. He eyed

Jocelyn almost contemptuously, but did nothing to arouse antagonism. When a firm knock sounded at the

door, Ricordo leaped to his feet and went to admit the next visitor.

The newcomer completed an odd triumvirate. He was of medium height, dark-haired and of stern visage.

He wore a small hat, and his hair formed a flowing mop above a bulging forehead. His face, sallow and

hollow-cheeked, resembled a living skull from which a pair of sharp, greenish eyes peered with evil gaze.

This man smiled broadly as he perceived the two already in the room. He threw off his overcoat and

advanced with outstretched hand, his mouth forming an ugly, irregular slit as the smile continued.

'Ah!' croaked the new visitor. 'Both here, eh? My friends, Jocelyn and Ricordo. You are both friends by

now, I hope. That is well. We all have much in common.'

'Good evening, Urlich,' said Jocelyn, in a calm tone.

'Hello, professor,' grinned Ricordo. 'All set. Want to see the lay?'

'Not yet' — the professor's tone was reproving—'not yet. There is time to spare. It is well that we talk

first.'

He seated himself and looked from one man to the other. Leaning back, still smiling, Professor Folcroft

Urlich emitted a cackling laugh of satisfaction. It brought a grin from Ricordo, a nervous shrug from

Jocelyn.

'So,' declared Urlich. 'We shall see our first plan work, eh? We are obliged to Ricordo, eh, Jocelyn? He

has arranged very well.'

'I do not relish it,' objected Jocelyn, in a testy tone. 'This is not my business, Urlich. I do not disapprove

of death, where it is necessary; but to be a witness — '

Professor Urlich held up his hand by way of interruption. Jocelyn subsided while Ricordo glared

maliciously.

'You can end such qualms, Jocelyn,' stated the professor, 'and it is well that you should do so at the

start. That is one reason why I have summoned you here to-night. The other is that we may discuss our

plans plainly. I want no misunderstanding later on.

'Death is my idea. To a scientist such as myself, human life is a mass. The ego must be forgotten. What is

one life? Nothing. But one death' — as Urlich paused, the smile writhed snakelike across his lips — 'may

mean much to those who live to profit by it.

'Death means millions to the three of us. Millions! Do you understand, Jocelyn? Death paves our

way — and I am the master who provides death. But one who provides death requires human tools.

Ricordo has brought those instruments. Moreover, one who provides death wisely must have a chance

for gain — and you bring that opportunity, Jocelyn.'

The dignified man nodded. He chewed his lips thoughtfully; then his eyes lighted as though the talk of gain

had served as inspiration.

PROFESSOR URLICH leered as though he had read the old man's mind.

'That we may all understand,' continued Urlich, lowering his evil tones, 'I shall recapitulate the desires

which have brought us together. For years I have taken life — seldom the life of human beings, I admit;

but life, just the same. I do not quail at the thought of taking human life. To me, it is experimentation on a

higher plane.

'Ricordo has chosen a career of crime. He is criminal by instinct, shrewd in all his dealings. He knows

how to control and utilize men of the criminal type. Therefore, he is following his inclinations.

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