Kiss of the Bees

For Rita, every display in the museum was part of her comprehensive classroom. As they went from one exhibit to another, Rita would point out the various plants and tell what each was good for and when it should be picked. And on those long afternoons, if it was still wintertime, so the snakes and lizards were unable to hear and swallow the storyteller’s luck, Rita would tell stories.

Each animal and plant came with its own traditional lore. Patiently, Nana Dahd told them all. Some tales explained the how of creation, like the spiders stitching together the floating pieces of earth. Others helped explain animal behavior, like the stories about how I’itoi taught the birds to build their nests or how he taught the gophers to dig their burrows underground. There were stories that did the same thing for plants, like the one about the courageous old woman who went south to rescue her grandson from the warlike Yaquis and was rewarded by being turned into the beautiful plant, the night-blooming cereus. And there were some, like the stories of how Cottontail and Quail both tricked Coyote, that were just for fun.

As the children learned the various stories, Rita had encouraged them to observe the behavior of the animals involved and to consider how the story and the animal’s natural inclination came together to form the basis of the story. What was observable and what was told combined to help the children learn to make sense of their world, just as those same stories had for the Tohono O’othham for thousands of years.

Rita—her person, her stories, and her patient teaching—had formed the center of Lani Walker’s existence from the moment the child first came to Gates Pass, from the time before she had any conscious memory. When Rita Antone died, the day before Lani’s seventh birthday, a part of the child had died as well, but there on the paths of the museum the summer of her sixteenth year—wandering alone among the plants and animals that had populated Nana Dahd’s stories—Lani was able to recapture those fading strains of stories from her childhood and breathe life into them anew.

And each day at nine o’clock, when she finished up with one shift and had an hour to wait before the next one started, she would make sure she was near the door to the hummingbird enclosure. For it was there, of all the places in the museum, where she felt closest to Nana Dahd. This was where she and Davy had been with Rita on the day Lani Walker first remembered hearing Rita mention the story of Kulani O’oks—the great Medicine Woman of the Tohono O’othham.

“Kulani,” Lani had repeated, running the name over her tongue. “It sounds like my Mil-gahn name.”

And Rita’s warm brown face had beamed down at her in a way that told Lani she had just learned something important. Nana Dahd nodded. “That is why, at the time of your adoption, I asked your parents to make Lani part of your English name. Kulani O’oks and Mualig Siakam are two different names for the same person. And now that you are old enough to understand that, it is time that you heard that story as well.”

Whenever Lani Walker sat in the hummingbird enclosure, all those stories seemed to flow together. Kulani O’oks and Mualig Siakam were one and the same, and so were Dolores Lanita Walker and Clemencia Escalante.

Four different people and four different names, but then Nana Dahd had always taught that all things in nature go in fours.

Fat Crack and Wanda Ortiz, Rita Antone’s nephew and his wife, had stopped by the Walker home in Gates Pass on their way home from Tucson that warm September day. Wanda Ortiz, after years of staying at home with three kids, had gone off to school and earned a degree in social work from the University of Arizona. Her case load focused on “at risk” children on the reservation, and she had ridden into town earlier that day in an ambulance, along with one of her young charges.

“It’s too bad,” Wanda said, visiting easily with her husband’s wheelchair-bound aunt in Diana Walker’s spacious, basket-lined living room. “She has ant bites all over her body. The doctor says she may not make it.”

At seventy-one, Rita Antone could no longer walk, having lost her left leg—from the knee down—to diabetes. She spent her days mostly in the converted cook shack out behind Diana and Brandon Walker’s house. The words “cook shack” hardly applied any longer. The place was cozy and snug. It had been recently renovated, making the whole thing—including a once tiny bathroom—wheelchair-accessible. Evenings Rita spent in the company of Diana and Brandon Walker or with Davy Ladd, the long-legged eleven-year-old she still sometimes called her little Olhoni.

On that particular evening, Brandon had been out investigating a homicide case for the Pima County Sheriff’s Department. Diana excused herself to go make coffee for the unexpected guests while Davy lay sprawled on the floor, doodling in a notebook and listening to the grown-ups talk rather than doing his homework. Rita sat nearby with her owij—her awl—and the beginnings of a basket in hand. She frowned in concentration as a long strand of bear grass tried to escape its yucca bindings.

“Ant bites?” Rita asked.

Wanda Ortiz nodded. “She was staying with her great-grandmother down in Nolic. Her father’s in jail and her mother ran off last spring. Over the summer, the other kids helped look after the little girl, but they’re all back in school now. Yesterday afternoon, the grandmother fell asleep and the baby got out. She wandered into an ant bed, but her grandmother is so deaf, she didn’t hear the baby screaming. The other kids from the village found her in the afternoon, after they came home on the bus.

“Someone brought her into the hospital at Sells last night, but she’s still so sick that this morning they transferred her to TMC. I came along to handle the paperwork. By the time I finished, the ambulance had already left, so Gabe came to get me.”

“How old is the baby?” Rita asked.

“Fifteen months,” Wanda answered.

“And what will happen to her?”

“We’ll try to find another relative to take her, I guess. If not . . .” Wanda Ortiz let the remainder of the sentence trail away unspoken.

“If not what?” Rita asked sharply. It was a tone of voice Davy had seldom heard Nana Dahd use. He looked up from his drawing, wondering what was wrong.

Wanda shrugged. “There’s an orphanage up in Phoenix that takes children. If nobody else wants her, she might go there.”

“Whose orphanage?” As Rita asked the question, she pushed the awl into the rough beginning of her new basket and set her basket-making materials aside.