The Medici Queen aka The Devil’s Queen

remarried Maria de’ Medici, who gave him several children.

Catherine de’ Medici lived to the venerable age of sixty-nine. She was an assiduous astrologer, a mathematical prodigy, and-according to many French historians-the most intelligent individual ever to sit on France’s throne. The details of her horoscope as presented here are, to my feeble knowledge, accurate. She met twice with Nostradamus and eventually named him Physician of the Realm, although their conversations were never recorded. Her prophetic dreams are a matter of record; her daughter Margot wrote that her mother dreamt of King Henri’s death as well as Edouard’s victory at Jarnac.

The young Dauphine Catherine was indeed in danger of repudiation, and for the first ten years of her marriage was childless-after which she gave birth to ten children in as many years. Rumors began that she had relied on the talents of her court magician, Cosimo Ruggieri, to whom she was devoted. Catherine’s collection of talismans and interest in magic were legendary; after her husband’s death, she gave Diane de Poitiers the property at Chaumont in exchange for Chenonceaux. When Diane moved to Chaumont, she was alarmed to discover pentacles painted on the floor and abandoned magical implements, with the result that she abandoned the property.

The star Algol-also known as the Head of the Gorgon-is still considered the most evil star by astrologers. It opposed Mars on the twenty-fourth of August, 1572, at roughly 4:00 a.m.-an hour after the Saint Bartholomew’s Day Massacre began, as Mars passed through Catherine’s ascendant, Taurus. Mars transits through an individual’s ascendant augur periods of extreme crisis, possibly resulting in death.

A Conversation with Jeanne Kalogridis

Could you tell us a little bit about your background, and when you decided that you wanted to lead a literary life?

I was a shy, scrawny, unpopular kid with frizzy hair and thick glasses; since I had no social life, I read. I adored dark fantasy and science fiction, and I was writing my own stories as soon as I could hold a pencil. My mom and sisters were always dragging me to the mall on weekends, so while they shopped, I hung in the local bookstore. I think the defining moment for me came when I picked up a copy of Ray Bradbury’s The Illustrated Man in a Waldenbooks. His writing was so beautiful, so lyrical…I decided then I wanted to write like that.

“I was writing my own stories as soon as I could hold a pencil.”

Is there a book that most influenced your life? Or inspired you to become a writer?

The Illustrated Man, by Ray Bradbury. And his Martian Chronicles. When I worked on my first novel, I bought new copies of those two books and consciously tried to imitate his style.

Who are some of your favorite authors?

Angela Carter, Margaret Atwood, and Dan Simmons (especially The Terror and Drood, both historical novels).

Who are some of your favorite historical figures?

My namesake, Joan (in French, Jeanne) of Arc-yes, she was deluded, but she kicked butt and made a man a king. I read a lot of biographies of strong women when I was growing up; I admired Marie Curie, Elizabeth Blackwell (first female M.D. in the United States), Elizabeth I, Boudicca (who gave the Imperial Roman army a run for its money), Jane Addams, and Susan B. Anthony.

About the Author

There are, of course, fascinating men. I always adored Leonardo because he was passionately interested in everything and pursued knowledge without the encumbrance of a formal education. Vlad the Impaler is another favorite of mine, for much grislier reasons, as is Cesare Borgia.

You have already authored two historical novels about Renaissance Italy, The Borgia Bride and I, Mona Lisa. What was the inspiration for The Devil’s Queen?

While writing I, Mona Lisa, I learned a lot about the Medici of Florence. The more I read about Lorenzo’s great-granddaughter, the notorious French queen Catherine de’ Medici, the more she fascinated me.

Do you scrupulously adhere to historical fact in your novels, or do you take liberties if the story can benefit from the change? And to what extent did you stick to the facts in writing The Devil’s Queen? How did you conduct your research?

I’ll answer the last question first: I rely on documented online sources, books, and experts. (I scour the Internet, dusty used bookstores, and libraries for rare/out-of-print books.)

To answer the first and second questions: I do my utmost to adhere strictly to recorded fact, but in the case of Catherine’s long, eventful life, I realized that I would need to write four books instead of one to cover everything! Clearly, the story needed to be condensed-but I didn’t do so by changing any events. Instead, I chose to omit some facts-such as the fact that Catherine actually had ten children rather than the five who appear in the novel. I chose the children who actually had the most impact on history and their mother’s life…and thus, the story. Otherwise, the plot would have lost its pacing and dramatic focus.

What is it about Catherine that you hoped to reveal to your readers?

Historians have accused her of being one of the most malevolent monarchs to sit on a throne-which was far from true. She was, in fact, one of the most insightful and intelligent rulers in history. I wanted to show how her horrific childhood and ensuing need for security and love resulted, ultimately, in the circumstances that gave rise to the tragic St. Bartholomew’s Day Massacre.

Are you currently working on another book? And if so, what-or who-is your subject?

“[Catherine] was one of the most insightful and intelligent rulers in history.”

Always! I’m writing about another Italian Catherine. Caterina Sforza (1463-1509) was the daughter of the Duke of Milan. Although she was pampered and indulged as a child, she grew up to become one of the most famed Renaissance warriors of all time. She (almost) single-handedly managed to hold off Cesare Borgia’s massive army