before she sang with real expression, and Hervey wished very much that he had been able to understand the Italian.
The applause was even stronger. ‘She can sing, I grant you that,’ said Somervile.
Hervey was now inclined to ascribe her earlier sudden indifference to nerves, in anticipation of these choice pieces – except that she sang so effortlessly he could see no reason for them. Perhaps it was mere … preoccupation?
The forte-pianist took his bow, Kezia Lankester took another, and they left the ‘stage’ to the final diversion.
‘Well,
Emma took her place at the forte-piano, while from behind a curtain her husband took a hunting whip and horn, sounding the latter to the immediate acclamation of the two squires.
‘Ladies and gentlemen,’ began Somervile, stentor-like. ‘From the sublime heights of Italian opera I take you to the English countryside, and Mr Henry Fielding’s “A Hunting We Will Go”, with music by … I forget whom.’
There were appreciative
Emma began the jaunting little 6/8 introduction, Somervile sounded the off, slapped his thigh with the whip and took up the boisterous verse:
Emma joined in the refrain:
Somervile sounded the off again, and Emma took up the second verse:
Somervile resumed the refrain:
And then the next verses:
He stopped dramatically and sounded the kill – and then Emma joined for the finale: