career assert that before this departure from Columbia County, he had killed his brother-in-law, who was 'cut to pieces.' Another account specifies 'two cousins.' Smallwood mentions 'a shooting' involving a brother-in-law but does not say that this shooting was fatal. Herlong mentions no killing in Columbia County in this period, but neither does he speculate on why Edgar Watson set out on his long journey in the dead of night.

Though the facts of this episode are probably lost, the many reports of his subsequent association with Belle Stan, 'Queen of the Outlaws,' in the Indian Territory, are unanimous in the claim that when Mr. Watson departed for the West, he was wanted for murder in the State of Florida.

I am in correspondence with historians and librarians in Arkansas and Oklahoma in the hope that some details of Mr. Watson's sojourn in Oklahoma can be salvaged from the great amount of myth and nonsense that has been written about Mrs. Starr. Should this material be forthcoming, copies shall be sent along at once…

At the end of his stay in Oklahoma, Mr. Watson apparently returned to Arkansas, where he was tried and imprisoned as a horse thief. Apparently he escaped from prison, at which time he returned to Florida, though some accounts speak of an intervening stay in Oregon. (There is also occasional mention of an earlier sojourn in Texas, for which no evidence whatever has come forward.) For several years after 1889, his movements are obscure, though it seems clear that he had parted with his family.

Mr. Watson told Ted Smallwood that upon his return to Florida in the early 1890s, he visited Arcadia, at that time a wild cattle town on the Pease River (on some maps 'Peace,' after the treaty in 1842 that ended the Second Seminole War), where he slew a 'bad actor' named Quinn Bass. 'Watson said Bass had a fellow down whittling on him with a knife and Watson told Bass to stop, he had worked on the man enough, and Bass got loose and came toward him and he began putting.38 S &W bullets into Bass and shot him down.' (Though Mr. Watson is apparently the source of the Bass story-and presumably the Oregon reference, too-we must decide for ourselves if he told the truth.) According to Smallwood's chronology, this event took place not long before he appeared in southwest Florida 'in 1892 or '93.'

From Arcadia, Mr. Watson proceeded to Everglade and Half Way Creek, two small farming communities on Chokoloskee Bay, in the northern part of the Ten Thousand Islands. These pioneer outposts on the swampy mainland, together with nearby Chokoloskee Island, were the last points of civilization on the southwest coast.

RICHARD HAMILTON

I done a lot, lived a long time, and seen more than I cared to. I remember what I seen, and learned some from it, but I was born on the run like a young deer and never had no time for improvement. What little I come by I owed to that Frenchified old feller who was Mister Watson's closest neighbor next to me.

First time I met that mean old man I tried to run him right off Chatham River. That was the winter of '88, two- three years before the day Mr. Ed Watson come around the bend. We was living at Pavioni then, which is the Watson Place today. There was forty acres on that Pavioni mound, but we farmed just the one, for our own use. We was making a fair living, salted fish, cut buttonwood, took plumes in egret breeding season, took some gator hides, some otter, done some trading with the Indins, and eased on by.

That morning I felt something coming, though I never heard a thing. Looking south across the field, I see my old woman, Mary Weeks, and it is like looking at a stranger. In a queer shift of wind and light off of the river, what I see is not my Mary but a big dark cruel-mouthed woman in long gingham, hard bare feet, bad scowl half-hid in the shadow of her sunbonnet. She is out on the river-bank and she is pointing, like she seen a vision in that glaring sky out toward the Gulf. Though I can't hear, she is hollering into the wind, her mouth round as a hole.

Big Mary is the kind who don't come hunting you, just hollers what she wants from where she's at. Sometimes I play deaf, pay her no mind. But this day I had sign of something, so I set down my hoe and come in from the sweet potatoes, telling my two older fellers to keep at it.

This skinny old man has rowed in from the Gulf, three miles or more against the current. He is wearing knickers, with a necktie and jacket laid across the seat, like he was out taking the air. Damndest thing I ever seen on Chatham River. I figured he had got loose off one them steam yachts that been showing up on the Gulf Coast in the winter, and I hollered at him to get the hell back down the river where he come from. He just waves me off, like I'm a fly. Picks up his spyglass and looks straight into the mangrove like he sees something in there besides mangrove, then keeps right on a-coming like he never heard me. Has to row hard cause the tide is falling, quick funny strokes, but he rowed very strong, I was surprised.

By the time he hits the bank, he's pale and peaked, but he's all excited. 'How do you are!' he says, lifting his hat, then points downriver. 'Cuckoo!' he says.

'Cuckoo yourself,' I say, hitching the gun.

This little stranger has thick spectacles and wild round eyes. His black hair sticks up like a brush, and cheeks so bony that light glances off, and wet red lips and a thin mustache that runs all the way around his mouth, and pointy ears the Devil would been proud of. This time he says, kind of cranky, 'Mawn-grove cuckoo!'

'Don't try nothin,' I say.

'What to hell you doing here?' His voice is kind of sharp and cross, like it's me who don't belong on my own property. He's too bony to be sweated up, but he takes out a neckerchief and dabs his face, and then he reaches for a shotgun he's got leaning in the bows. Had a load of bird shot in it, and he's just moving it because it's pointing at my knees, but I never knowed that at the time, couldn't take no chances. I hoist my barrel so he's looking down the muzzle, to give him an idea just what was what.

'What to hell!' he says again, no particular reason. When he shrugs and pulls his hand back from his gun, I see he ain't got all his fingers.

'Made that mistake before, I see.'

'Do not self-excite, m'sieu,' he says, dabbing some more.

I never had no experience with such a feller, and I'm getting riled. I pick his gun out of the boat and break it, toss the shell into the river. He flings his hands up, rolls his eyes to heaven. 'What for you waste!' he yells. 'What is matt-aire with this foking country!'

'You don't hear so good,' is what I tell him, laying his gun back in the boat. 'Git on back yonder where you come from.'

'You are vair uppity, my good man,' says he. And damn if he don't hop over the bow, push my gun barrel out of his way, and climb the bank. Hands on his hips, he looks around, like he's inspecting his new property.

Behind me I hear my woman snickering. Ol' Mary Weeks has a mean mouth and a mean snicker. I jab the barrels into his back, and damn if he don't whip around and wrench that gun out of my hands and back me up with it, and when he's got me backed up good, he breaks the gun, picks out the shells, and drops 'em like dead mice into the water.

I tell you, it scared me how quick and strong he was, and crazy. A man would try that when a stranger has the drop on him has got to be crazy or so fed up with life he'd rather get shot than take more shit off anybody. Willie Brown now, he is small and very strong, but he is built strong, and he's young, while this man here is getting on, he looks plain puny. I know right then he has the Devil in him. Even Mary Weeks is spooked, cause she ain't snickering no more, and Mary Weeks don't overlook too many chances.

Around about then John Leon comes out of the shack dragging the rifle. Even at four, John Leon knew his business. Never says one word, just drags that gun across the yard a little closer so's he can line that stranger up real good and don't waste powder when he hauls back on the trigger. His plan was to shoot this hombre quick, get the story later.

The stranger hands over my gun while Mary Weeks runs and gets ahold of our youngest boy. She don't care nothing for me no more, but John Leon is her hope and consolation.

The old man is rubbing his sore back, disgusted. 'You shoot stran-jaire just for coming on the shore?' he asks, riled up at the whole bunch of us. 'In this foking country even enfant are shooting pipples like I shooting birts!'

He brushes his jacket off and puts it on, never mind the heat. He has a pair of glasses on a string. Puts them on, too, then stands on tippy-toes in his laced boots to see who he is dealing with on this damned river. 'Is

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