The orgasm comes slowly, like the last gouts of blood from a geyser in pain. In the city of eight million she is alone, cut off, excommunicated. She is giving the last touches to an exhibition of sexual passion which would bring even a corpse to life. She has the protection of the City Fathers and the blessings of the Minsky Brothers. In the city of Minsk, whence they had journeyed from Pinsk, these two far-sighted boys planned that all should be thus and so. And it came about, just as in the dream, that they opened their beautiful Winter Garden next door to the Catholic Church. Everything according to plan, including the white-haired mother in the lavatory.
The last few spasms.... Why is it that all is so quiet? The black floral pieces are dripping with condensed milk. A man named Silverberg is chewing the lips of a mare. Another called Vittorio is mounting a ewe. A woman without name is shelling peanuts and stuffing them between her legs.
And at this same hour, almost to the minute, a dark, sleek chap, nattily attired in a tropical worsted with a bright yellow tie and a white carnation in his button-hole, takes his stand in front of the Hotel Astor on the third step, leaning his weight lightly on the bamboo cane which he sports at this hour of the day.
His name is Osmanli, obviously an invented one. He has a roll of ten, twenty and fifty dollar bills in his pocket. The fragrance of an expensive toilet water emanates from the silk kerchief which cautiously protrudes from his breast pocket. He is as fresh as a daisy, dapper, cool, insolent—a real Jim Dandy. To look at him one would never suspect that he is in the pay of an ecclesiastical organization, that his sole mission in life is to spread poison, malice, slander, that he enjoys his work, sleeps well and blossoms like the rose.
To-morrow noon he will be at his accustomed place in Union Square, mounted on a soap box, the American flag protecting him; the foam will be drooling from his lips, his nostrils will quiver with rage, his voice will be hoarse and cracked. Every argument that man has trumped up to destroy the appeal of Communism he has at this disposal, can shake them out of his hat like a cheap magician. He is there not only to give argument, not only to spread poison and slander, but to foment trouble: he is there to create a riot, to bring on the cops, to go to court and accuse innocent people of attacking the Stars and Stripes.
When it gets too hot for him in Union Square he goes to Boston, Providence, or some other American city, always wrapped in the American flag, always surrounded by this trained fomentors of discord, always protected by the shadow of the Church. A man whose origin is completely obscured, who has changed his name dozens of times, who has served all the Parties, red, white and blue, at one time or another. A man without country, without principle, without faith, without scruples. A servant of Beelzebub, a stooge, a stool pigeon, a traitor, a turncoat. A master at confusing men's minds, an adept of the Black Lodge.
He has no close friends, no mistress, no ties of any kind. When he disappears he leaves no traces. An invisible thread links him to those whom he serves. On the soap box he seems like a man possessed, like a raving fanatic. On the steps of the Hotel Astor, where he stands every night for a few minutes, as though surveying the crowd, as though slightly
Now on the steps on the Astor, disguised as a boulevardier, a flaneur, a Beau Brummel, he gazes meditatively over the heads of the crowd, unperturbed by the chewing gum lights, the flesh for hire, the jingle of ghostly harnesses, the look of absentia-dementia in passing eyes. He has detached himself from all parties, cults, isms, ideologies. He is a freewheeling ego, immune to all faiths, beliefs, principles. He can buy whatever he needs to sustain the illusion that he needs nothing, no one. He seems this evening to be more than ever free, more than ever detached. He admits to himself that he feels like a character in a Russian novel, wonders vaguely why he should be indulging in such sentiments. He recognizes that he has just dismissed the idea of suicide; he is a little startled to find he had been entertaining such ideas. He had been arguing with himself; it had been quite a prolonged affair, now that he retraces his thoughts. The most disturbing thought is that he is unable to recognize the self with which he had discussed this question of suicide. This hidden being had never made its wants known before. There had always been a vacuum around which he had built a veritable cathedral of changing personalities. Retreating behind the facade he had always found himself alone. And then, just a moment ago, he had made the discovery that he was not alone; despite all the change
The most fantastic part of it was that he was being urged to do it at once, to waste no time. It was preposterous because, admitting that the idea was seductive and appealing, he nevertheless felt the very human desire to enjoy the privilege of living out his own death in his imagination, at least for an hour or so. He seemed to be begging for time, which was strange, because never in his life had he entertained the notion of doing away with himself. He should have dismissed the thought instead of pleading like a convicted criminal for a few moments of grace. But this emptiness, this solitude into which he usually retreated, now began to assume the pressure and the explosiveness of a vacuum. The bubble was about to burst. He knew it. He knew he could do nothing to stay it. He walked rapidly down the steps of the Astor and plunged into the crowd. He thought for a moment that he would perhaps lose himself in the midst of all those bodies but no, he became more and more lucid, more and more self- conscious, more and more determined to obey the imperious voice which goaded him on. He was like a lover on his way to a rendezvous. He had only one thought—his own destruction. It burned like a fire, it illumined the way.
As he turned down a side street, in order to hasten to his appointment, he understood very clearly that he had already been taken over, as it were, and that he had only to follow his nose. He had no problems, no conflicts. Certain automatic gestures he made without even slackening his pace. For instance, passing a garbage can he tossed his bank roll into it/ as through he were getting rid of a banana peel; at a corner he emptied the contents of his inside coat pocket down a sewer; his watch and chain, his ring, his pocket knife went in similar fashion. He patted himself all over, as he walked, to make sure that lie had divested himself of all personal possessions. Even his handkerchief, after he had blown his nose for the last time, he threw in the gutter. He felt as light as a feather and moved with increasing celerity through the sombre streets. At a given moment the signal would be given and he would give himself up. Instead of a tumultuous stream of thoughts, of last minute fears, wishes, hopes, regrets, such as we imagine to assail the doomed, he knew only a singular and ever more expansive void. His heart was like a clear blue sky in which not even the faintest trace of a cloud is perceptible. One might think that he had already crossed the frontier of the other world, that he was now, before his actual bodily death, already in the coma, and that emerging and finding himself on the other side he would be surprised to find himself walking so rapidly. Only then perhaps would he be able to collect his thoughts; only then would he be able to ask himself why he had done it.
Overhead the El is rattling and thundering. A man passes him running at top speed. Behind him is an officer of the law with drawn revolver. He begins to run too. Now all three of them are running. He doesn't know why, he doesn't even know that some one is behind him. But when the bullet pierces the back of his skull and he falls flat on his face a gleam of blinding clarity reverberates through his whole being.
Caught face downward in death there on the sidewalk, the grass already sprouting in his ears, Osmanli redescends the steps of the Hotel Astor, but instead of rejoining the crowd he slips through the back door of a modest little house in a village where he spoke a different language. He sits down at the kitchen tale and sips a glass of buttermilk. It seems as though it were only yesterday that, seated at this same table, his wife had told him she was leaving him. The news had stunned him so that he had been unable to say a word; he had watched her go without making the slightest protest. He had been sitting there quietly drinking his buttermilk and she had told him with brutal, direct frankness that she never loved him. A few more words equally unsparing and she was gone. In those few minutes he had become a completely different man. Recovering from the shock, he experienced the most amazing exhilaration. It was as if she had said to him: «You are now free to act!» He felt so mysteriously free that he wondered if his life up to that moment had not been a dream. To act! It was so simple. He had gone out into the yard and, thinking; then, with the same spontaneity, he had walked to the dog kennel, whistled to the animal, and when it stuck its head out he had chopped it off clean. That's what it meant—to act! So extremely simple, it made him laugh. He knew now that he could do anything he wished. He went inside and called the maid. He wanted to