name was familiar to him.

‘I live in London, as you know,’ Hannah continued, trying to smile. ‘Such a wonderful city, don’t you think? So much to see and do? So many interesting people…’ Her voice trailed off. Robbie was distracting her, watching her as she spoke with the same disconcerting intensity he’d offered the Picasso all those years ago in the library. ‘Mr Hunter,’ she said with some impatience. ‘Really. I must ask you to stop. It’s quite impossible to-’

‘You’re right,’ he said softly. ‘You have changed. Your face is sad.’

She wanted to respond, to tell him he was wrong. That any sadness he perceived was a direct consequence of having her brother’s memory resurrected. But there was something in his voice that stopped her. Something that made her feel transparent, uncertain, vulnerable. As if he knew her better than she knew herself. She didn’t like it, but she knew somehow it would do no good to argue.

‘Well, Mr Hunter,’ she said, standing stiffly. ‘I must thank you for coming. For finding me, returning the book.’

Robbie followed her lead, stood. ‘I said I would.’

‘I’ll ring for Boyle to show you out.’

‘Don’t trouble him,’ said Robbie. ‘I know the way well enough.’

He opened the door and Emmeline burst through, a whirl of pink silk and shingled blonde hair. Her cheeks glowed with the joy of being young and well connected in a city and a time that belonged to the young and well connected. She collapsed onto the sofa and crossed one long leg over the other. Hannah felt old suddenly, and strangely faded. Like a watercolour left by error in the rain, its colours washed into each other so only the barest outline remained.

‘Phew. I’m pooped,’ Emmeline said. ‘I don’t suppose there’s any tea left?’

She looked up and noticed Robbie.

‘You remember Mr Hunter, don’t you, Emmeline?’ said Hannah.

Emmeline puzzled for a moment. She leaned forward and rested her chin on the palm of her hand, wide blue eyes blinking as she gazed at his face.

‘David’s friend?’ said Hannah. ‘From Riverton?’

‘Robbie Hunter,’ said Emmeline, smiling slowly, delightedly, hand dropping into her lap. ‘Of course I do. By my count, you owe me a dress. Perhaps this time you’ll resist the urge to tear it from me.’

At Emmeline’s insistence, Robbie stayed for dinner. It was unthinkable, she said, that he be allowed to leave when he had only just arrived. So it was, Robbie joined Deborah, Teddy, Emmeline and Hannah in the dining room of number seventeen that night.

Hannah sat on one side of the table, Deborah and Emmeline on the other, Robbie the foot to Teddy’s head. They made amusing book ends, Hannah thought: Robbie the archetype of the disillusioned artist, and Teddy, after four years working with his father, a caricature of power and plenty. He was still a handsome man-Hannah had noticed some of his colleagues’ young wives making eyes at him, little use it would do them-but his face was fuller and his hair was greyer. His cheeks, too, had taken on the blush of plentiful living. He leaned back against his chair.

‘So. What is it you do for a crust, Mr Hunter? My wife tells me you’re not in business.’ That an alternative existed no longer occurred to him.

‘I’m a writer,’ said Robbie.

‘Writer, eh?’ said Teddy. ‘Write for The Times, do you?’

‘I did,’ said Robbie, ‘amongst others.’

‘And now?’ said Teddy.

‘I write for myself.’ He smiled. ‘Foolishly, I thought I’d be easier to please.’

‘How fortunate,’ said Deborah breezily, ‘to have the time to give oneself over to one’s leisure. I wouldn’t recognise myself if I wasn’t rushing hither and yon.’ She began a monologue on her organisation of a recent masked society ball, and smiled wolfishly at Robbie.

Deborah was flirting, Hannah realised. She looked at Robbie. Yes, he was handsome, in a languid, sensuous sort of way: not at all Deborah’s usual type.

‘Books, is it?’ said Teddy.

‘Poetry,’ said Robbie.

Teddy raised his eyebrows dramatically. ‘“How dull it is to stop, to rust unburnished rather than to sparkle in use.”’

Hannah winced at the mishandled Tennyson.

Robbie met her eye and grinned. ‘“As though to breathe were life.”’

‘I’ve always loved Shakespeare,’ said Teddy. ‘Your rhymes anything like his?’

‘I’m afraid I pale by comparison,’ said Robbie. ‘But I persist nonetheless. Better to lose oneself in action than to wither in despair.’

‘Quite so,’ said Teddy.

As Hannah watched Robbie, something she had glimpsed came into focus. Suddenly she knew who he was. She inhaled. ‘You’re RS Hunter.’

‘Who?’ said Teddy. He looked between Hannah and Robbie, then to Deborah for clarification. Deborah lifted her shoulders affectedly.

‘RS Hunter,’ said Hannah, eyes still searching Robbie’s. She laughed. She couldn’t help it. ‘I have your collected poems.’

‘First or second?’ said Robbie.

Progress and Disintegration,’ said Hannah. She hadn’t realised there was another.

‘Ah,’ said Deborah, eyes widening. ‘Yes, I saw a write-up in the paper. You won that award.’

Progress is my second,’ said Robbie, looking at Hannah.

‘I should like to read the first,’ Hannah said. ‘Tell me the name, won’t you, Mr Hunter, so I may purchase it.’

‘You can have my copy,’ said Robbie. ‘I’ve already read it. Between you and me, I find the author quite a bore.’

Deborah’s lips curled into a smile and a familiar glint appeared in her eye. She was assessing Robbie’s worth, cataloguing the list of people she could impress if she produced him at one of her functions. By the keen way she rubbed her glossy red lips together, his value was high. Hannah felt a surprising jolt of possession then.

Progress and Disintegration?’ said Teddy, winking at Robbie. ‘You’re not a socialist, are you, Mr Hunter?’

Robbie smiled. ‘No, sir. I have neither possessions to redistribute, nor desire to acquire them.’

Teddy laughed.

‘Come now, Mr Hunter,’ said Deborah. ‘I suspect you’re having fun at our expense.’

‘I’m having fun. I hope it’s not at your expense.’

Deborah smiled in a way she thought beguiling. ‘A little birdie

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