of winter days, the whimper of hounds and the hot restless pushing of the pack through ditch and hedgerow and undergrowth, the birds that flew up and clucked and chattered as you passed, the hearty greeting and pleasant gossip in farmhouse kitchens and market-day bar-parlours—all these remembered delights of the chase marshalled themselves in the brain, and made a cumulative appeal that came with special intensity to a man who was a little tired of his wanderings, more than a little drawn away from the jarring centres of life. The hot London sunshine baking the soot-grimed walls and the ugly incessant hoot and grunt of the motor traffic gave an added charm to the vision of hill and hollow and copse that flickered in Yeovil’s mind. Slowly, with a sensuous lingering over detail, his imagination carried him down to a small, sleepy, yet withal pleasantly bustling market town, and placed him unerringly in a wide straw-littered yard, half-full of men and quarter-full of horses, with a bob-tailed sheep-dog or two trying not to get in everybody’s way, but insisting on being in the thick of things. The horses gradually detached themselves from the crowd of unimportant men and came one by one into momentary prominence, to be discussed and appraised for their good points and bad points, and finally to be bid for. And always there was one horse that detached itself conspicuously from the rest, the ideal hunter, or at any rate, Yeovil’s ideal of the ideal hunter. Mentally it was put through its paces before him, its pedigree and brief history recounted to him; mentally he saw a stable lad put it over a jump or two, with credit to all concerned, and inevitably he saw himself outbidding less discerning rivals and securing the desired piece of horseflesh, to be the chief glory and mainstay of his hunting stable, to carry him well and truly and cleverly through many a joyous long-to-be-remembered run. That scene had been one of the recurring half-waking dreams of his long days of weakness in the far-away Finnish nursing-home, a dream sometimes of tantalising mockery, sometimes of pleasure in the foretaste of a joy to come. And now it need scarcely be a dream any longer, he had only to go down at the right moment and take an actual part in his oft-rehearsed vision. Everything would be there, exactly as his imagination had placed it, even down to the bob-tailed sheep-dogs; the horse of his imagining would be there waiting for him, or if not absolutely the ideal animal, something very like it. He might even go beyond the limits of his dream and pick up a couple of desirable animals—there would probably be fewer purchasers for good class hunters in these days than of yore. And with the coming of this reflection his dream faded suddenly and his mind came back with a throb of pain to the things he had for the moment forgotten, the weary, hateful things that were symbolised for him by the standard that floated yellow and black over the frontage of Buckingham Palace.
Yeovil wandered down to his snuggery, a mood of listless dejection possessing him. He fidgetted aimlessly with one or two books and papers, filled a pipe, and half filled a waste-paper basket with torn circulars and accumulated writing-table litter. Then he lit the pipe and settled down in his most comfortable armchair with an old note-book in his hand. It was a sort of disjointed diary, running fitfully through the winter months of some past years, and recording noteworthy days with the East Wessex.
And over the telephone Cicely talked and arranged and consulted with men and women to whom the joys of a good gallop or the love of a stricken fatherland were as letters in an unknown alphabet.
VIII: The First-Night
Huge posters outside the Caravansery Theatre of Varieties announced the first performance of the uniquely interesting Suggestion Dances, interpreted by the Hon. Gorla Mustelford. An impressionist portrait of a rather severe-looking young woman gave the public some idea of what the
Even at the commencement of the ordinary programme of the evening (Gorla was not due to appear till late in the list) the theatre was crowded with a throng of chattering, expectant human beings; it seemed as though every one had come early to see every one else arrive. As a matter of fact it was the rumour-heralded arrival of one personage in particular that had drawn people early to their seats and given a double edge to the expectancy of the moment.
At first sight and first hearing the bulk of the audience seemed to comprise representatives of the chief European races in well-distributed proportions, but if one gave it closer consideration it could be seen that the distribution was geographically rather than ethnographically diversified. Men and women there were from Paris, Munich, Rome, Moscow and Vienna, from Sweden and Holland and divers other cities and countries, but in the majority of cases the Jordan Valley had supplied their forefathers with a common cradle-ground. The lack of a fire burning on a national altar seemed to have drawn them by universal impulse to the congenial flare of the footlights, whether as artists, producers, impresarios, critics, agents, go-betweens, or merely as highly intelligent and fearsomely well-informed spectators. They were prominent in the chief seats, they were represented, more sparsely but still in fair numbers, in the cheaper places, and everywhere they were voluble, emphatic, sanguine or sceptical, prodigal of word and gesture, with eyes that seemed to miss nothing and acknowledge nothing, and a general restless dread of not being seen and noticed. Of the theatre-going London public there was also a fair muster, more particularly centred in the less expensive parts of the house, while in boxes, stalls and circles a sprinkling of military uniforms gave an unfamiliar tone to the scene in the eyes of those who had not previously witnessed a first-night performance under the new conditions.
