THE NEXT TO DIE
The phone rang and Dayle grabbed the receiver. “Hello?”
“Dayle? It’s Susan. I got your page. I’m on my way over. I’ll be there in fifteen minutes if traffic allows. Is Estelle there with you now?”
“Yes. She’s in the bathroom,” Dayle said, watching Sean wander toward the closed door.
“Fine. I’ll see you soon.” Susan hung up.
Sean turned to Dayle. “That dryer’s been on for at least ten minutes….”
Dayle put down the phone. She rapped on the bathroom door. “Estelle?”
No answer. Dayle pounded on the door again. “Estelle? Can you hear me? Estelle!” She jiggled the doorknob. Locked. At the crack under the bathroom door, blood seeped past the threshold onto the beige shag carpet. “Oh, my God,” she whispered.
Dayle threw her weight against the door. “Estelle!” Dayle kicked at the spot just below the doorknob until it finally gave. But the door didn’t move more than a couple of inches. Something was blocking it—something heavy and lifeless.
Dayle peeked into the bathroom and gasped.
There was blood on the white tiled floor, leaking from a slice across Estelle’s throat….
THE NEXT TO DIE
Kevin O’Brien
ACKNOWLEDGMENTS
Many people helped launch this book. I’m grateful to Mary Alice Kier and Anna Cottle—my agents, friends, and literary guardian angels. Another great big thank-you goes to John Scognamiglio, my editor at Kensington Books, who also happens to be a good buddy. And thanks to all my other pals at Kensington, especially Doug, Kate, and Amy.
Several friends and family members also helped me whip this novel into shape—either with feedback from reading early drafts or with ideas they allowed me to steal. My thanks and love go to Kate Kinsella, Dan Monda, George Stydahar, Doug Nathan, Wendy Orville, Dan Annear, David Buckner, and Bonny Becker.
For support and inspiration in my career, I want to thank Louise Vogelwede, Terry and Judine Brooks, John Saul and Michael Sack, and Julie Smart and all my friends from good old Adams News.
A special thank-you to my brother and four sisters, and my dear pal, Cate Goethals.
Prologue
Without having to wait, Jim Gelder secured a cozy window table in one of Portland’s swankiest restaurants that Thursday night. If only the maitre d’ had sat Jim somewhere else, the thirty-two-year-old salesman from Seattle might not have met such a gruesome death.
Jim was good-looking, and he kept in great shape. He still weighed the same as he had in college: 170 pounds, perfect for his six-foot frame. His hair was usually slicked back with gel that made the straw color appear a shade darker. He had blue eyes, a strong jaw, and the kind of self-assured smile that drew people to him.
He felt lucky that Thursday night. His waitress was cute and friendly, a redhead in her early twenties. Amid the white tablecloths, candlelight, and polished silverware, she seemed like the only waitperson there without a snooty attitude. She even flirted a little when she delivered his tangueray and tonic. Jim had never been unfaithful to his wife, but he wasn’t opposed to some innocent flirting—especially during lonely business trips like this one.
He poured on the charm every time the waitress returned to his table. After the meal, when she came by with his decaf, she brushed her hip against his shoulder. “You’ve been my favorite customer tonight—just thought you should know. Be right back with your check.”
Smiling, Jim watched her retreat toward the kitchen, Just then, someone strode into the restaurant. Nearly everybody noticed him, but no one gawked; this was much too ritzy a place for the late dinner crowd to fuss over a movie star.
Tony Katz seemed smaller in person, not quite as brawny as he appeared on the screen, but every bit as handsome. Women just loved his wavy, chestnut-colored hair and those sleepy, sexy aquamarine eyes. Jim had heard that Tony Katz was in Portland, shooting a new movie.
He tried not to stare as the maitre d’ led Tony to a table next to his. Tony threw him a smile. Jim kept his cool and smiled back. Very nonchalant.
The maitre d’ left a menu at the place setting across from the film star. Jim hoped he’d get to see Tony’s wife, Linda Zane, a model, whose appearance in a
“Okay, okay.” The man took off his glasses and wiped them with the napkin. “Now, where were we?”
“I believe I was calling you a scum-sucking weasel,” Tony Katz said.
Jim couldn’t stifle a laugh, and this caught Tony’s eye. The movie star smiled at him again. “Excuse me,” he said to Jim. “Can I ask you something?”
Dumbstruck, Jim nodded. Tony Katz was actually talking to him.
“If you were a serious actor, what would you think of an agent who wanted you to star in a crappy movie sequel instead of a Tennessee Williams revival on Broadway?”
Jim shrugged. “I’d say he was a scum-sucking weasel.”
“Benny, I think I love this guy.” Tony gave Jim an appreciative grin.
Benny studiously ignored Jim and glanced at his menu. The waitress approached their table and told Tony how much she
“Excuse me again, what’s your name?”
Jim blinked at Tony Katz. “Who, me?”
“Tone, please,” his agent whispered. “Listen to me for a sec—”
“I’m talking to my buddy here,” Tony said. Then he smiled at Jim. “I didn’t get your name.”
“Um, I’m Jim Gelder.”
“Mind if I join you, Jim?”
“Oh, now really, Tone,” his agent was saying. “Don’t be this way—”
But Tony Katz switched chairs and sat down across from Jim. He toasted him with his mineral water.