Other Earths

mattered.

Picking through this snarl of possibility, I thought that Lucy and I might have shifted many times during the previous two weeks and that the Lucy of the Sekong might not be the Lucy of this moment—The Tea Forest must exist in more than one universe—and it occurred to me that the novel presented a means of crudely defining the situation. Every hour or so for the remainder of the day, I asked Lucy a question pertaining to The Tea Forest. She answered each to my satisfaction, which proved nothing; but the next morning, while she trimmed her toenails in the stern, I asked if she found the ending anticlimactic, and she said crossly, “Are you mad? You know I haven’t had time to read it.”

“The ending?” I asked. “You haven’t read the ending?”

“I haven’t even begun the book! Must I repeat that information every half-hour?”

Two hours later I asked her a variation on the question, and she replied that the ending had been her favorite part of the novel and followed this by saying that it would have been out of character for TC to complete the journey. He was a coward, and his cowardice was its own resolution. To end the book any other way would have been dramatically false and artistically dishonest. I (Cradle Two) was a modernist author, she said, prowling at the edges of the genre, and had I taken TC into the tea forest, I would have had to lapse into full-blown fantasy, something she doubted I could write well. She went on to dismiss much of postmodernism as having “an overengineered archness” and, except for a few exemplary authors, being a refuge for those writers whose “disregard for traditional narrative (was) an attempt to disguise either their laziness or their inability to master it.” She concluded with a none-too-brief lecture on cleverness as a literary eidolon, a quality “too frequently given the stamp of genius during this postmillennial slump.”

After listening to her ramble on for the better part of an hour, I was disinclined to ask further questions, and truthfully there was no need—I had proved to my satisfaction that Cradle Two’s model of the universe was accurate in some degree, and I wanted Wicked Lucy back, not this pretentious windbag. I went outside and paced the length of the Undine, sending Deng scuttering away, and tried to make sense out of what was going on, overwhelmed by feelings of helplessness brought on by my new understanding of the human condition, a condition to which I had paid lip service, yet now was forced to accept as an article of faith. “The river was change,” Cradle Two (and perhaps Cradles 3, 4, 5, ad infinitum) had written. “It flowed through the less mutable landscape, carrying change like a plague, defoliating places that once were green, greening places that once were barren, mutating the awareness of the people who dwelled along it, infecting them with a horrid inconstancy, doing so with such subtlety that few remembered those places as having ever been different.” It had been my intention to shoot straight down the Mekong to the delta and spend most of the six weeks there; but now, recalling this passage, I felt a vibration in my flesh and panicked, fearing that the vibration, my fixation on the delta, and, indeed, every thought in my head, might reflect the inconstancy cited by Cradle Two. I had begun to feel a pull, a sense of being summoned to the delta that alarmed me; I sloughed this off as being the product of an overwrought imagination, but nonetheless it troubled me. For these reasons, I decided to break the trip, as Cradle Two’s narrator had done, hoping to find stability away from the river, a spot where change occurred less frequently, and stop for a week, or perhaps longer, in what once had been the capitol of evil on earth, Phnom Penh.

In the future I expect there to be systems that will allow a boy on a bicycle, balancing a block of ice on his handlebars, to pedal directly from Phnom Penh into the heart of Manhattan, where thousands will applaud and toss coins, which will stick to his skin, covering him like the scales of a pangolin, and he will bring with him wet heat and palm shadow and a sudden, fleeting touch of coolness in the air, and there will follow the smells of moto exhaust, of a street stall selling rice porridge sweetened with cinnamon and soup whose chief ingredient is cow entrails, the dry odor of skulls at Tuol Sieng prison, marijuana smoke, all the essences of place and moment, every potential answer to the Cambodian riddle fractionated and laid out for our inspection. Until then, it will be necessary to travel, to not drink the water, to snap poorly composed pictures, to be hustled by small brown men, to get sick and rent unsatisfactory hotel rooms. I yearned for that future. I wanted to live in the illusion that persuades us that true-life experience can be obtained on the Internet. Barring that, I wanted to find lodgings as anti-Cambodian as possible, one of the big American-style hotels, an edifice that I felt would be resistant to the processes of change. Wicked Lucy, however, insisted we take a room at the Hotel Radar 99, where she had stayed on a previous visit.

The hotel was situated in an old quarter of the city, well away from modernity of the kind I favored, and no element of the place seemed to have the least relation to the concepts of either radar or ninety-nine. The building was three stories of decrepit stone that had been worn to an indefinite salmon hue—it might originally have been orange or pink (impossible to say which)—and had green French doors that opened onto precarious balconies with ironwork railings. Faded, sagging awnings skirted that section of the block, overhanging restaurants and shops of various kinds; and parked along the curb at every hour of day or night were between ten and twenty motos, the owners of which, according to Lucy, provided the guests, mostly expats, with drugs, women, and whatever else they might want in the way of perversity. You entered through a narrow door (the glass portion painted over with indigo) and came into a dark green-as-a-twilit-jungle foyer, throttled with ferns and fleshy-leaved plants. There was never anyone behind the reception desk. You were compelled to shout, and then maybe Mama-san (the elderly Japanese woman who owned the place) would respond, or maybe not. Beyond lay a tiny courtyard where two clipped parrots squabbled on their perch. Our room was on the second floor, facing back toward the entrance, the metal number 4 turned sideways on the door. Apart from lizards clinging to the wall, its decor was purely utilitarian: a handful of wooden chairs; a writing desk that may once have had value as an antique; three double beds about which mosquito netting could be lowered, all producing ghastly groans and squeaks whenever we sat on them and playing a cacophonous avant-garde freakout each time we made love. The bathroom was also an antique, with a claw-footed bathtub, a chain-pull toilet, and venerable tile floors. Stains memorializing lizard and insect death bespotted the cream-colored walls and high ceilings. Everything smelled of cleaning agents, a good sign in those latitudes.

I spent five days rooted to the room, trying to deny and resist change, infrequently stepping out onto the balcony to survey the street or going into the corridor overlooking the courtyard to observe the tranquil life of the hotel. I could detect no change in my surroundings—proof of nothing, but I grew calmer nonetheless. A German couple was staying in the room on our left, two Italian girls on our right. Farther along: Room 2 was home to a pair of twenty-somethings: a thin, long-haired man with a pinched, bony face and a Canadian flag embroidered on his jeans and a gorgeous gray-eyed blonde with full breasts and steatopygian buttocks. She was the palest person I had met in Cambodia, her skin whiter than the bathroom tiles (covered, as they were, by a grayish film). I never saw her leave the room, not completely. She would open the door and, without letting loose of it, as if it were all that kept her from drifting away, offer a frail, zoned, “Hi,” then hover for a while, looking as though she were going to make some further comment, before fluttering her fingers and vanishing inside. Once at noon, when the sunlight brightened the courtyard floor, casting a lace of shadow from a jacaranda tree onto the stone floor, she performed this ritual emergence half-nude, dressed in a tank top, her pubic hair a shade darker than that on her head, yet firmly within the blonde spectrum. It became evident that she was distressed about her boyfriend—he was overdue, probably off buying drugs (heroin or opium, I guessed), and she hoped these appearances at the door would hurry him along.

After five days Lucy tired of indulging me, of bringing me food, and coaxed me outside. I began taking walks around the immediate neighborhood, but I had no desire to explore farther afield. I had been to Phnom Penh twenty years before, and I had snapped pictures of the temples of Angkor Wat, skulls, the Killing Fields, crypts overgrown by the enormous roots of trees, and I had slept with expat girls and taxi girls, and I had partied heartily in this terrible place where death was a tourist attraction, getting kicked out of bars for fighting and out of one of the grand old colonial hotels along the river for public drunkenness. I needed no further experience of the country and was content to inhabit a few square blocks, reconciling myself to the idea that things had always changed around me, and how were you to distinguish between normal change and a change promulgated by a transition from one universe to the other? Did such a thing as normal change even exist? People, for example, were so predictable in their unpredictability. Amazing, how they could do a one-eighty on you at the drop of a hat, how their moods varied from moment to moment. Perhaps this was all due to physics, to universes like strips of rice paper blown by a breeze and touching each other, exchanging people and insects and corners of rooms for almost identical replicas; perhaps without this universal interaction people would be ultrareliable and their behavior would not defy analysis, and every relationship would be a model of logic and consistency, and peace could be negotiated, and problems, great and small alike, could be easily solved or would never have existed. Perhaps the breeze that blew the strips of rice paper together was the single consequential problem, and that problem was insoluble. I understood that what