The disappointment was the greater for my few moments of hope. I sat up in a white fury and put on the clothes that had been left me. Then, still raging, I sat on the edge of the berth and put on the obnoxious tan shoes. The porter, called to his duties, made little excursions back to me, to offer assistance and to chuckle at my discomfiture. He stood by, outwardly decorous, but with little irritating grins of amusement around his mouth, when I finally emerged with the red tie in my hand.
“Bet the owner of those clothes didn’t become them any more than you do,” he said, as he plied the ubiquitous whisk broom.
“When I get the owner of these clothes,” I retorted grimly, “he will need a shroud. Where’s the conductor?”
The conductor was coming, he assured me; also that there was no bag answering the description of mine on the car. I slammed my way to the dressing-room, washed, choked my fifteen and a half neck into a fifteen collar, and was back again in less than five minutes. The car, as well as its occupants, was gradually taking on a daylight appearance. I hobbled in, for one of the shoes was abominably tight, and found myself facing a young woman in blue with an unforgettable face. (“Three women already.” McKnight says: “That’s going some, even if you don’t count the Gilmore nurse.”) She stood, half-turned toward me, one hand idly drooping, the other steadying her as she gazed out at the flying landscape. I had an instant impression that I had met her somewhere, under different circumstances, more cheerful ones, I thought, for the girl’s dejection now was evident. Beside her, sitting down, a small dark woman, considerably older, was talking in a rapid undertone. The girl nodded indifferently now and then. I fancied, although I was not sure, that my appearance brought a startled look into the young woman’s face. I sat down and, hands thrust deep into the other man’s pockets, stared ruefully at the other man’s shoes.
The stage was set. In a moment the curtain was going up on the first act of the play. And for a while we would all say our little speeches and sing our little songs, and I, the villain, would hold center stage while the gallery hissed.
The porter was standing beside lower ten. He had reached in and was knocking valiantly. But his efforts met with no response. He winked at me over his shoulder; then he unfastened the curtains and bent forward. Behind him, I saw him stiffen, heard his muttered exclamation, saw the bluish pallor that spread over his face and neck. As he retreated a step the interior of lower ten lay open to the day.
The man in it was on his back, the early morning sun striking full on his upturned face. But the light did not disturb him. A small stain of red dyed the front of his night clothes and trailed across the sheet; his half-open eyes were fixed, without seeing, on the shining wood above.
I grasped the porter’s shaking shoulders and stared down to where the train imparted to the body a grisly suggestion of motion. “Good Lord,” I gasped. “The man’s been murdered!”
CHAPTER IV
NUMBERS SEVEN AND NINE
Afterwards, when I tried to recall our discovery of the body in lower ten, I found that my most vivid impression was not that made by the revelation of the opened curtain. I had an instantaneous picture of a slender blue-gowned girl who seemed to sense my words rather than hear them, of two small hands that clutched desperately at the seat beside them. The girl in the aisle stood, bent toward us, perplexity and alarm fighting in her face.
With twitching hands the porter attempted to draw the curtains together. Then in a paralysis of shock, he collapsed on the edge of my berth and sat there swaying. In my excitement I shook him.
“For Heaven’s sake, keep your nerve, man,” I said bruskly. “You’ll have every woman in the car in hysterics. And if you do, you’ll wish you could change places with the man in there.” He rolled his eyes.
A man near, who had been reading last night’s paper, dropped it quickly and tiptoed toward us. He peered between the partly open curtains, closed them quietly and went back, ostentatiously solemn, to his seat. The very crackle with which he opened his paper added to the bursting curiosity of the car. For the passengers knew that something was amiss: I was conscious of a sudden tension.
With the curtains closed the porter was more himself; he wiped his lips with a handkerchief and stood erect.
“It’s my last trip in this car,” he remarked heavily. “There’s something wrong with that berth. Last trip the woman in it took an overdose of some sleeping stuff, and we found her, jes’ like that, dead! And it ain’t more’n three months now since there was twins born in that very spot. No, sir, it ain’t natural.”
At that moment a thin man with prominent eyes and a spare grayish goatee creaked up the aisle and paused beside me.
“Porter sick?” he inquired, taking in with a professional eye the porter’s horror-struck face, my own excitement and the slightly gaping curtains of lower ten. He reached for the darky’s pulse and pulled out an old-fashioned gold watch.
“Hm! Only fifty! What’s the matter? Had a shock?” he asked shrewdly.
“Yes,” I answered for the porter. “We’ve both had one. If you are a doctor, I wish you would look at the man in the berth across, lower ten. I’m afraid it’s too late, but I’m not experienced in such matters.”
Together we opened the curtains, and the doctor, bending down, gave a comprehensive glance that took in the rolling head, the relaxed jaw, the ugly stain on the sheet. The examination needed only a moment. Death was written in the clear white of the nostrils, the colorless lips, the smoothing away of the sinister lines of the night before. With its new dignity the face was not unhandsome: the gray hair was still plentiful, the features strong and well cut.
The doctor straightened himself and turned to me. “Dead for some time,” he said, running a professional finger over the stains. “These are dry and darkened, you see, and rigor mortis is well established. A friend of yours?”
“I don’t know him at all,” I replied. “Never saw him but once before.”
“Then you don’t know if he is traveling alone?”
“No, he was not - that is, I don’t know anything about him,” I corrected myself. It was my first blunder: the doctor glanced up at me quickly and then turned his attention again to the body. Like a flash there had come to me the vision of the woman with the bronze hair and the tragic face, whom I had surprised in the vestibule between the cars, somewhere in the small hours of the morning. I had acted on my first impulse - the masculine one of shielding a woman.
The doctor had unfastened the coat of the striped pajamas and exposed the dead man’s chest. On the left side
