8th Air Force on one side and with Richie Cole was Velda.
Beautiful, raven hair in a long pageboy, her breasts swelling tautly against the sleeveless gown, threatening to free themselves. Her lips were wet with an almost deliberate gesture and her smile was purposely designing. One of the GIs was looking at her with obvious admiration.
Bayliss whispered, 'What'd you say, Mike?'
I shook my head and flipped a page over. 'Nothing.'
She was there again, and a few pages further on. Once they were standing outside a pub, posing with a soldier and a WREN, and in another they stood beside the bombed-out ruins of a building with the same soldier, but a different girl.
There was nothing contrived about the album. Those pictures had been there a long time. So had the letters. Six of them dated in 1944, addressed to Cole at a P.O. box in New York, and although they were innocuous enough in content, showed a long-standing, familiarity between the two of them. And there was Velda's name, the funny 'V' she made, the green ink she always used and, although I hadn't even known her then, I was hating. Cole so hard it hurt. I was glad he was dead but wished I could have killed him, then I took a fat breath, held it once and let it out slowly and it wasn't so bad any more.
I felt Bayliss touch my arm and he said, 'You okay, Mike?'
'Sure.'
'You find anything?'
'Nothing important.'
He grunted under his breath. 'You're full of crap.'
'A speciality of mine,' I agreed. 'Let's get out of here.'
'What about those guns? He had a trunk some place.'
'We don't need them. Let's go.'
'So you found something. You could satisfy my curiosity.'
'Okay,' I told him, 'Cole and I had a mutual friend.'
'It means something?'
'It might. Now move.'
He went out first, then me, and I let the window down. We took the same route back, going over the fences where we had crossed earlier, me boosting Bayliss up then following him. I was on top of the last one when I felt the sudden jar of wood beside my hand, then a tug at my coat between my arm and rib cage and the instinct and reaction grabbed me again and I fell on top of Bayliss while I hauled the .45 out and, without even knowing where the silenced shots were coming from, I let loose with a tremendous blast of that fat musket that tore the night wide open with a rolling thunder that let the world know the pigeon was alive and had teeth.
From a distance came a clattering of cans, of feet, then windows slammed open and voices started yelling and the two of us got out fast. We were following the same path of the one who had followed us, but his start was too great. Taillights were already diminishing down the street and in another few minutes a prowl car would be turning the corner.
We didn't wait for it.
Six blocks over we picked up a cab, drove to Ed Dailey's bar and got out. I didn't have to explain a thing to Bayliss. He had been through it all too often before. He was shaking all over and couldn't seem to stop swallowing. He had two double ryes before he looked at me with a peculiar expression and said softly, 'Jeez, I'll never learn to keep my mouth shut.'
Peerage Brokers could have been anything. The desks and chairs and filing cabinets and typewriters represented nothing, yet represented everything. Only the gray man in the glasses sitting alone in the corner drinking coffee represented something.
Art Rickerby said, 'Now?' and I knew what he meant.
I shook my head. He looked at me silently a moment, then sipped at the coffee container again. He knew how to wait, this one. He wasn't in a hurry now, not rushing to prevent something. He was simply waiting for a moment of vengeance because the thing was done and sooner or later time would be on his side.
I said, 'Did you know Richie pretty well?'
'I think so.'
'Did he have a social life?'
For a moment his face clouded over, then inquisitiveness replaced anger and he put the coffee container down for a reason, to turn his head away. 'You'd better explain.'
'Like girls,' I said.
When he turned back he was expressionless again. 'Richie had been married,' he told me. 'In 1949 his wife died of cancer.'
'Oh? How long did he know her?'
'They grew up together.'
'Children?'
'No. Both Richie and Ann knew about the cancer. They married after the war anyway but didn't want to leave any children a difficult burden.'
'How about before that?'
'I understood they were both pretty true to each other.'
'Even during the war?'
Again there was silent questioning in his eyes. 'What are you getting at, Mike?'
'What was Richie during the war?'
The thought went through many channels before it was properly classified. Art said, 'A minor O.S.I. agent. He was a Captain then based in England. With mutual understanding, I never asked, nor did he offer, the kind of work he did.'
'Let's get back to the girls.'
'He was no virgin, if that's what you mean.'
He knew he reached me with that one but didn't know why. I could feel myself tighten up and had to relax deliberately before I could speak to him again.
'Who did he go with when he was here? When he wasn't on a job.'
Rickerby frowned and touched his glasses with an impatient gesture. 'There were--several girls. I really never inquired. After Ann's death--well, it was none of my business, really.'
'But you knew them?'
He nodded, watching me closely. Once more he thought quickly, then decided. 'There was Greta King, a stewardess with American Airlines that he would see occasionally. And there was Pat Bender over at the Craig House. She's a manicurist there and they had been friends for years. Her brother, Lester, served with Richie but was killed just before the war ended.'
'It doesn't sound like he had much fun.'
'He didn't look for fun. Ann's dying took that out of him. All he wanted was an assignment that would keep him busy. In fact, he rarely ever got to see Alex Bird, and if--'
'Who's he?' I interrupted.
'Alex, Lester and Richie were part of a team throughout the war. They were great friends in addition to being experts in their work. Lester got killed, Alex bought a chicken farm in Marlboro, New York, and Richie stayed in the service. When Alex went civilian he and Richie sort of lost communication. You know the code in this work--no friends, no relatives--it's a lonely life.'
When he paused I said, 'That's all?'
Once again, he fiddled with his glasses, a small flicker of annoyance showing in his eyes. 'No. There was someone else he used to see on occasions. Not often, but he used to look forward to the visit.'
My voice didn't sound right when I asked, 'Serious?'
'I--don't think so. It didn't happen often enough and generally it was just a supper engagement. It was an old friend, I think.'
'You couldn't recall the name?'
