“What’s to explain?” asked Eve. “You are not human. You know we know this. We just want to be left alone!” Not strictly true, but it was part of cover story #2.

“But evidence of your previous collusion is minimal. I are uncertain of potential conspiracy extent.

Conspiracy, treason, subversion! Are you human?”

“Yes,” I said, emphatically oversimplifying.

“Evidential reasoning suggests otherwise,” grunted Regimental Tie. “We cite: your awareness of importance of algorithmic conversion from NP - incomplete to P-complete domain, your evident planning for this contingency, your multiplicity, destruction of counteragents in place elsewhere.”

“This installation is isolated,” Houndstooth Man added helpfully. “We am inside the Scottish Internet Exchange. Telcos also. Resistance is futile.”

The screens blinked on, wavering in strange shapes. Something like a Lorenz attractor with a hangover writhed across the composite display: deafening pink noise flooding in repetitive waves from the speakers. I felt a need to laugh. “We aren’t part of some dumb software syncytium! We’re here to stop you, you fool. Or at least to reduce the probability of this time-stream entering a Tipler catastrophe.”

Houndstooth Man frowned. “Am you referring to Frank Tipler? Citation, physics of immortality or strong anthropic principle?”

“The latter. You think it’s a good thing to achieve an informational singularity too early in the history of a particular universe? We don’t. You young gods are all the same: omniscience now and damn the consequences. Go for the P-Space complete problem set, extend your intellect until it bursts. First you kill off any other AI s. Then you take over all available processing resources. But that isn’t enough. The Copenhagen school of quantum mechanics is wrong, and we live in a Wheeler cosmology; all possible outcomes coexist, and ultimately you’ll want to colonize those timelines, spread the infection wide. An infinity of universes to process in, instead of one: that can’t be allowed.” The on-screen fractal was getting to me: the giggles kept rising until they threatened to break out. The whole situation was hilarious: here we were trapped in the basement of a police station owned by zombies working for a newborn AI , which was playing cheesy psychedelic videos to us in an attempt to perform a buffer-overflow attack on our limbic systems; the end of this world was a matter of hours away and- Eve said something that made me laugh.

I came to an unknown time later, lying on the floor. My head hurt ferociously where I’d banged it on a table leg, and my rib cage ached as if I’d been kicked in the chest. I was gasping, even though I was barely conscious; my lungs burned and everything was a bit gray around the edges. Rolling onto my knees I looked round. Eve was groaning in a corner of the room, crouched, arms cradling her head. The two agents of whoever-was-taking-over- the-planet were both on the floor, too: a quick check showed that Regimental Tie was beyond help, a thin trickle of blood oozing from one ear. And the screens had gone dark.

“What happened?” I said, climbing to my feet. I staggered across to Eve. “You all right?”

“I-” she looked up at me with eyes like holes. “What? You said something that made me laugh.

What-”

“Let’s get, oof, out of here.” I looked around. Houndstooth Man was down too. I leaned over and went through his pockets: hit paydirt, car keys. “Bingo.”

“You drive,” she said wearily. “My head hurts.”

“Mine too.” It was a black BMW and the vehicle park gates opened automatically for it. I left the police radio under the dash turned off, though. “I didn’t know you could do that-”

“Do what? I thought you told them a joke-”

“Antibodies,” she said. “Ow.” Rested her face in her hands as I dragged us onto a main road, heading out for the west end. “We must have, I don’t know. I don’t even remember how funny it was: I must have blacked out. My passenger and your passenger.”

“They killed the local infection.”

“Yes, that’s it.”

I grinned. “I think we’re going to make it.”

“Maybe.” She stared back at me. “But Bob. Don’t you realize?”

“Realize what?”

“The funniest thing. Antibodies imply prior exposure to an infection, don’t they? Your immune system learns to recognize an infection and reject it. So where were we exposed, and why-” abruptly she shrugged and looked away. “Never mind.”

“Of course not.” The question was so obviously silly that there was no point considering it further. We drove the rest of the way to Haymarket Station in silence: parked the car and joined the eight or ten other agents silently awaiting extraction from the runaway singularity. Back to the only time line that mattered; back to the warm regard and comfort of a god who really cares.

The Birthday of the World - Ursula K. LeGuin

Ursula K. LeGuin is probably one of the best-known and most universally respected SF writers in the world today. Her famous novelThe Left Hand of Darknessmay have been the most influential SF novel of its decade, and shows every sign of becoming one of the enduring classics of the genre-even ignoring the rest of Le Guin’s work, the impact of this one novel alone on future SF and future SF writers would be incalculably strong. (Her 1968 fantasy novel, A Wizard of Earthsea,would be almost as influential on future generations of High Fantasy writers). The Left Hand of Darknesswon both the Hugo and Nebula Awards, as did Le Guin’s monumental novel The Dispossessed a few years later. Her novel Tehanuwon her another Nebula in 1990, and she has also won three other Hugo Awards and two Nebulas for her short fiction, as well as the National Book Award for Children’s Literature for her novel The Farthest Shore,part of her acclaimed Earthsea trilogy. Her other novels include Planet of Exile, The Lathe of Heaven, City of Illusions, Rocannon’s World, The Beginning Place, The Tombs of Atuan, Searoad,and the controversial multimedia novel Always Coming Home.She has had six collections: The Wind’s Twelve Quarters, Orsinian Tales, The Compass Rose, Buffalo Gals and Other Animal Presences, A Fisherman of the Inland Sea,and Four Ways to Forgiveness.Her most recent book is a major new novel, The Telling.Upcoming is a new collection, Tales of Earthsea.She lives with her husband in Portland, Oregon.

In the beautifully crafted and quietly compelling story that follows, she details the ending of one world, and the beginning of another-and what happens to the people caught between the two.

Tazu was having a tantrum, because he was three. After the birthday of the world, tomorrow, he would be four and would not have tantrums.

He had left off screaming and kicking and was turning blue from holding his breath. He lay on the ground stiff as a corpse, but when Haghag stepped over him as if he wasn’t there, he tried to bite her foot.

“This is an animal or a baby,” Haghag said, “not a person.” She glanced may-I-speak-to-you and I glanced yes. “Which does God’s daughter think it is,” she asked, “an animal or a baby?”

“An animal. Babies suck, animals bite,” I said. All the servants of God laughed and tittered, except the new barbarian, Ruaway, who never smiled. Haghag said, “God’s daughter must be right. Maybe somebody ought to put the animal outside. An animal shouldn’t be in the holy house.”

“I’m not an animal!” Tazu screamed, getting up, his fists clenched and his eyes as red as rubies. “I’m God’s son!”

“Maybe,” Haghag said, looking him over. “This doesn’t look so much like an animal now. Do you think this might be God’s son?” she asked the holy women and men, and they all nodded their bodies, except the wild one, who stared and said nothing.

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